Recommended karaoke songs for male vocalists with high voices
In recent years, the number of male artists with high-tone voices has increased significantly.
Some naturally have high voices, while many others use techniques like mixed voice and belting to hit high notes.
This time, we’ll introduce a wide range of karaoke songs recommended for people with high voices!
Of course, they’re great for men with naturally high voices, but also for those who want to be able to sing in the higher range or practice their mixed voice.
These tracks are perfect as practice songs, too!
Why not use the songs we introduce as a reference and belt out high-tone vocals at karaoke to your heart’s content?
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Recommended karaoke songs for male vocalists with high voices (21–30)
Last NoteOmoinotake
This song by Omoinotake poignantly expresses the struggle of not being able to live authentically, set to a bittersweet, serious melody.
In a modern society where people lose sight of human duality and true nature, the lyrics trace the journey of searching for one’s real self.
Released digitally in October 2024, it was written as the theme song for the Nippon TV Saturday drama “Undercover Siblings: Special Fraud Task Investigators.” The track is also slated to be included on Omoinotake’s second major album, “Pieces.” It’s recommended for anyone in the midst of self-discovery or looking for lyrics that resonate deeply.
When singing it at karaoke, try tackling the higher registers with a delicate, emotionally rich tone inspired by vocalist Reo Fujii’s delivery.
Et ceteraimase
imase’s new song, “Etcetera.” When you think of imase, that distinctive falsetto—almost like a funk vocalist—really stands out, doesn’t it? Especially in his recent tracks, he’s been using that falsetto a lot.
This song is no exception, packed with those vocal techniques.
Hitting that kind of falsetto can be pretty challenging, but for higher-voiced male singers, it might actually be easier to sing.
Aside from the falsetto sections, the vocal lines are fairly easy, so be sure to check it out.
It’s love.V6
A poppy, refreshing love song that represents V6 in 1997—and I just learned this myself—the composer is Koji Tamaki.
The overall vocal range is wide and high, from D#3 to D#5, and both the intensity and the range build steadily toward the latter half.
Because the tempo feels good, you’ll need to project your voice while staying in the groove.
As you approach the high notes before the chorus, keep a tight, small body rhythm to line up your timing, use your body to add momentum, and accent the phrase.
Be careful not to tense up on the “n” sound in the song title; focus on carrying it with your breath and try singing with that in mind!
Invisible SensationUNISON SQUARE GARDEN
A quintessentially challenging song by UNISON SQUARE GARDEN, characterized by a wide vocal range and a sense of speed.
The overall range spans F3 to C5, fitting the typical UNISON range.
Since it’s an anime opening, it starts right from the chorus and maintains a high level of intensity throughout.
When singing it, rhythm and breath management are the most important points.
Also, because there are fast passages and sections with lots of words even in the chorus, the trick is to avoid enunciating too sharply.
If you struggle with high notes, focus on diaphragmatic breathing and core engagement; you should gradually be able to hit higher notes.
It requires repeated practice, so don’t get discouraged and keep at it!
W/X/YTani Yuuki
W/X/Y, released in May 2021.
It’s a signature song by Tani Yuuki! It’s a recommended love song for those who want to practice falsetto naturally and without strain, and it makes it easy to move from chest voice → mixed voice → falsetto.
I’ve taught it a few times myself, but the melody line was more difficult than I expected… I recommend memorizing it well before singing.
In particular, the B-melody has a line that clearly sounds like falsetto even just by listening! In general, Tani Yuuki has a gentle vocal quality, so his singing has an airy, open feel.
To start, try imitating that: take a solid breath and sing with a gentle tone.
Since falsetto uses a lot of air, the key point is to “take in plenty of breath.”
-ness; typicality; the quality/essence of being [X] (as in “X-ness” or “X-like character”)Ofisharu Higedan Dism
![-ness; typicality; the quality/essence of being [X] (as in “X-ness” or “X-like character”)Ofisharu Higedan Dism](https://i.ytimg.com/vi/YFzG-JABlnw/sddefault.jpg)
This song, chosen as the theme for the animated feature film “100m.,” is a quintessentially Higedan-style tough piece.
The rhythm is relatively steady, but there are lots of words, making breathing difficult, and the range is extremely wide.
In the C section and the chorus, many listeners will probably think, “It goes up here?” Once you start singing, there’s almost no break—the melody just keeps coming one after another—so you’ll need to be really prepared (lol).
First, make sure you thoroughly memorize the lyrics and melody! The A section seems manageable to sing gently, but from the B section on, it gets hard unless you plan your breathing spots.
Instead of singing everything at 100%, aim to release your voice little by little and then let it all out on the high notes—that balance works well! Don’t miss any fleeting moments where you can catch a breath.
Also, when dropping from high notes to low notes, pitch tends to fall and you might strain your throat, so try singing with your eyebrows kept raised!
NEO UNIVERSEL’Arc〜en〜Ciel
L’Arc~en~Ciel are known for their wide musical range, but even among their songs, NEO UNIVERSE stands out as a particularly unconventional work.
While it’s built around electronic sounds like electropop, it carries more of a Komuro-style vibe than pure electropop.
The vocal range spans from mid1 F# to high C#, which is fairly wide, though the low notes appear only briefly, and the chorus is composed almost entirely of high notes.
Although the melody doesn’t fluctuate drastically in pitch, it demands stamina to sustain the high register, making it a song that favors certain vocalists.
Overall, however, it can be considered relatively easy to sing.