Songs whose titles start with 'I'. Masterpieces that begin with 'I'.
I’m going to introduce songs with titles that start with “i” (the Japanese syllable pronounced ee)!
When you think of “i,” words like ichigo (strawberry), iruka (dolphin), and iro (color) come to mind, so it’s not a particularly tricky letter even in shiritori, right?
But what about when it comes to song titles?
Actually, there are plenty of songs whose titles start with “i”!
In this article, I’ve gathered a variety of Japanese songs—both old and new—whose titles begin with “i.”
You might even find some you listen to regularly.
Feel free to use this as a reference when playing song-title shiritori and the like!
- A compilation of Vocaloid songs with titles that start with “I.”
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- Songs with titles starting with “Ki” [Great for karaoke & shiritori!]
- Songs with titles that start with “Su.” A collection of tracks useful for shiritori.
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- Masterpieces with titles that start with 'A'
- [Moving] Tear-jerking cheer song. A roundup of popular motivational anthems that resonate with the heart!
- Songs with titles that start with “Chi.” Useful as hints for word-chain games!
- Songs with titles starting with “E” [Great for karaoke and shiritori, too!]
- [Classic and Contemporary Hits] Emotionally Stirring, Heart-Touching Songs
- A compilation of Vocaloid songs with titles that start with “Ki”
- Songs with titles that start with 'Ke'
Songs whose titles start with “I”. Masterpieces that begin with “I” (111–120)
ELEVEN (Japanese ver.)ive
It was a massive hit in Korea and has been released in a Japanese version, so even K-pop beginners can handle the lyrics steadily.
I mostly remember hearing it on cable radio, and the chorus kind of stuck in my ears.
There are many places where the melody line is sharply cut, so the key is to keep the rhythm from slipping.
Since there are also bouncy rhythms, it helps to use your body well and keep a fine, precise pulse.
Also, the section before the chorus slows down, then it picks up speed from the chorus, so be careful not to rush the tempo.
If you consciously sing with a bright tone at all times, you can switch more easily without your pitch dropping, even when the rhythm or melody changes!
Each Other’s Way ~On the Journey~EXILE
A single released in February 2011, later included in advance on the album “Negai no Tō.” It was featured as the CHINTAI commercial song in which AKIRA appeared, and many people will remember hearing it on TV along with its refreshing world.
It’s characterized by the brisk, driving feel of the acoustic guitar and the expansive harmonies of the twin vocals by ATSUSHI and TAKAHIRO.
The more you listen, the more the scenery before you seems to brighten.
Its lyrics, conveying that bonds don’t change even as we each go our own way, make it perfect for the season of new departures.
In a time when anticipation and anxiety about a new life are intertwined, this is a song you’ll want to hear as an anthem that gives a supportive push to yourself and your cherished friends.
eeeeverydayGRe4N BOYZ
It’s an exceptionally bright, poppy cheer-up song that makes everyday housework more fun.
Created by GRe4N BOYZ, it was included as a B-side on the single “Akatsuki no Kimi ni,” released in December 2016.
Written specifically as the campaign song for Lion’s housework festival “CLeeeeaN,” this track turns routines like doing the dishes and cleaning into something positive with its lively rhythm.
The lyrics trace the flow of a week, and the depiction of curry rice on the table on Friday wonderfully heightens the excitement for the weekend.
Coward (Bye-Bye)Imawano Kiyoshirō
A number by Kiyoshiro Imawano whose message—facing the weakness and timidity within oneself and declaring a clean break—resonates deeply in the heart.
Set to straightforward rock ’n’ roll, its worldview of saying goodbye to the self full of excuses gives listeners a powerful push forward.
It’s also known as a fiery live staple that unites the venue through call-and-response with the audience.
This piece is included on the album “GO GO 2・3’s,” released in November 1992.
It was also featured on the 1998 best-of compilation “GOODBYE EMI,” selected by Kiyoshiro himself, suggesting it was a work of special significance to him.
When you want to change your situation but can’t find the courage, or when you’re ready to take a new step, listening to it will mysteriously fill you with strength.
Be sure to check it out.
I don’t know the meaning of life.KAGENAKIMONO
A piece of J-pop born from generative AI, steeped in a gut-wrenching sense of urgency.
This track by KAGENAKIMONO fuses technology with solitary emotion.
Released in March 2025.
It lays bare the contradiction of continuing to breathe even when you can’t find a reason to live.
Even a simple “hang in there” feels like a blade—feelings rendered with raw intensity through AI technology.
It’s no wonder more listeners are sharing this pain across borders, with the song reaching No.
24 on Taiwan’s J-pop chart.
If you’re searching for a sound that quietly stays with you through nights without salvation, this work will surely become your place to belong.
It’s YouLOVE PSYCHEDELICO
A cool rock number that portrays hidden passions and inner conflict.
This song by LOVE PSYCHEDELICO was released as a single in August 2011.
It was written as the main theme for the Fuji TV drama “Zettai Reido: Tokushu Hanzai Sennyū Sōsa.” Following its use in the previous series, it closely links with the drama’s worldview.
KUMI’s dry vocals intertwine with NAOKI’s guitar riffs to create a tense sound.
The lyrics blend English and Japanese naturally, sure to spark listeners’ imaginations.
It’s a must-listen not only for those who watched the drama, but also for fans of Japanese rock with a Western vibe.
Into The LightMISIA
People who excel at soaring high notes often choose to sing MISIA’s songs! Among them, I picked “INTO THE LIGHT” this time.
It was released the same year as her debut single “Tsutsumi Komu Yō ni…” and is extremely popular among fans.
The powerful vocals and those strikingly high tones that make you think “How high can she go?” are signature features.
The overall range spans from F#3 to F#5, reaching notes you don’t often use—truly impressive.
Because it’s so high throughout, you really need to focus on breath volume, explosiveness, and core engagement; delivering it like a piercing, chest-voice-like sound is quite challenging.
But the exhilaration after finishing is incredible, so sing it boldly and wow everyone around you!