[1970s] Collection of Japanese hit songs. Nostalgic masterpieces of Japan
Japanese music in the 1970s saw incredible evolution across folk songs, Showa-era pop, idols, bands, and more.
From among them, we’ll introduce classic Japanese hits that everyone knows and that evoke a sense of nostalgia.
Many of these songs are still featured on music programs today and are covered by various artists—this song and that song alike.
You might use this list to immerse yourself in fond memories.
Of course, it’s also great for discovering something new.
Please enjoy the many massive hits and wonderful masterpieces that colored Japan in those days!
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[1970s] Collection of Japanese Hit Songs: Nostalgic Classics of Japan (1–10)
Leave it to me.kurafuto
A four-member folk band that was active for five years starting in 1973, known for a sound that resonated deeply with listeners.
This song was written and composed by Masashi Sada—who was also active at the time as part of the duo Grape—and was released in 1975.
It became a smash hit, selling 500,000 copies.
Until we meet againOzaki Kiyohiko
A classic hit that poignantly portrays a bittersweet farewell, this was Kiyohiko Ozaki’s blockbuster released in March 1971.
Without addressing the reason for the breakup, it depicts a mature relationship that chooses not to hurt each other.
The lyric about the heart speaking when it’s time to say goodbye is especially memorable.
In 1972, it was selected as the entrance march for the 44th National High School Baseball Invitational Tournament, and it has been loved by many.
It’s a perfect song for when you want to bask in nostalgia or face a parting with someone special in a positive light.
The heartfelt vocals and lyrics filled with deep affection will surely make you want to listen again and again.
Swim! Taiyaki-kunShimon Masato
This is a smash-hit children’s song from 1975 by Masato Shimon.
It was first introduced on Fuji TV’s “Hirake! Ponkikki,” and its unique story about a taiyaki fish-shaped cake escaping to the sea captured children’s hearts.
In fact, it is said to carry a deeper meaning reflecting the social climate of the time, expressing the desire of office workers to break free from their daily routines.
Upon its release in February 1976, it spent 11 consecutive weeks at No.
1 on the Oricon charts.
In March 2008, a 12 cm CD single was released for the first time in 33 years, accompanied by a DVD with video content.
Loved by people of all ages, this work is perfect for times when you’re worn out by daily life or want a fresh start.
1970s Japanese Hit Songs Collection: Nostalgic Classics of Japan (11–20)
The Bride of SetoKoyanagi Rumiko
A lyrical classic set against the Seto Inland Sea.
Rumiko Koyanagi’s crystal-clear voice beautifully captures the complex emotions of a bride.
Released in April 1972, the song’s lyrics, reflecting Japanese views on marriage at the time, leave a strong impression.
Against a backdrop of seas tinted by the evening glow, it weaves together hopes and anxieties about a new life.
It was so popular that it ranked 7th on NHK’s “200 Showa Songs That Stay in the Heart,” and has been covered by many artists.
It’s best enjoyed while picturing the beautiful scenery of Setouchi.
A perfect track for anyone wanting to savor the nostalgic atmosphere of the Showa era.
To Marie on Fifth AvenuePedoro & Kapurishasu
Formed in 1971.
In 1973, they released many classic ballads such as “Goban-gai no Marie e” (To Marie on Fifth Avenue) and “A Message to Johnny,” featuring Mariko Takahashi as the lead vocalist.
With Takahashi’s assured vocal ability, they deliver a smooth, mature world that is a pleasure to listen to.
Whenever I arrive, it’s always raining.Za Moppusu
During the era when Group Sounds were popular, The Mops stood apart as a distinctly psychedelic rock band.
This song was a hit in 1972.
The vocalist, Hiromitsu Suzuki, later found success as a TV personality as well.
applausechiaki naomi
A classic that is almost always featured on special programs about Showa-era pop.
It’s one of Naomi Chiaki’s signature songs, representing Japan’s music scene of the 1970s.
Praised for its dramatic vocal delivery and profound emotional expression, the song was released in September 1972 and won that year’s Japan Record Award.
The contrast between the singer’s radiant presence on stage and the deep sense of loss hidden within is striking.
The lyrics skillfully employ black-and-white imagery to portray the conflict between public and private selves.
It was remarkable in real time, of course, and it may resonate even more emotionally as time goes by.