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A collection of nostalgic Japanese hit songs from the 1980s that still linger in our ears

Speaking of the 1980s, it was a time when countless timeless hits emerged that remain popular even today!

It was also an era filled with artists who influenced many of today’s musicians, and in many ways can be seen as the dawn of J-POP leading up to the explosive million-selling boom of the 1990s.

In this article, we’ll introduce a generous selection of especially recommended songs from the hit-packed 80s.

Please enjoy these nostalgic chart-toppers that are sure to bring back memories of the time.

Japanese hit songs of the 1980s: a nostalgic collection of memorable classics (111–120)

Twilight AvenueStardust Revue

"Twilight Avenue" Stardust☆Review [LIVE]
Twilight AvenueStardust Revue

This is a signature love song by Stalie that captures the bittersweet emotions of adult romance, released as their fourth single in 1983.

A cappella versions are included on the albums “SUPER DONUTS” and “HOT MENU,” arranged as a slow-tempo ballad.

1980s Japanese pop hits: a nostalgic collection of unforgettable classics (121–130)

Even though (I/you/they) became stupidThe Pīzu

"Even Though I've Become an Idiot" — The Pees PV
Even though (I/you/they) became stupidThe Pīzu

This is the first single by The Pees, a band formed in 1987.

Although they went on hiatus several times, they resumed activities in 2007.

The song captures the kind of youthful folly where you think it’ll be fun to act foolish, but end up going through all sorts of hardships.

Many listeners will surely find themselves nodding along in empathy with the lyrics.

Give it a listen while recalling the silly things you couldn’t help doing when you were young!

I CAN BEkome kome CLUB

I CAN BE – Kome Kome Club (at the time of their debut)
I CAN BEkome kome CLUB

When they first debuted, I remember thinking what a groundbreaking band had arrived.

They were a powerful, large ensemble with a horn section and dancers in the back.

At the time, they had twin vocalists: Carl Smokey Ishii and James Onoda.

UFOpinku redii

UFO [Furitsuke] / PINK LADY
UFOpinku redii

This song, released in 1977 by Pink Lady, the female idol duo that produced numerous hits from the late 1970s through the 1980s, was created by the golden duo of lyricist Yū Aku and composer Shunichi Tokura.

Their innovative choreography shines in this track as well—the “UFO” pose in the intro is something everyone remembers imitating.

The song itself is, of course, excellent, but when it comes to Pink Lady, it’s ultimately the choreography that truly defines them.

Surf Paradise, Ski ParadiseMatsutōya Yumi

Surf Heaven Ski Heaven / Surf Tengoku, Ski Tengoku (2022 Mix)
Surf Paradise, Ski ParadiseMatsutōya Yumi

Known by the nickname “Yuming,” singer-songwriter Yumi Matsutoya has released numerous hit songs, from her own original works to tracks she’s written for others.

Her song “Surf Tengoku, Ski Tengoku,” included on her 10th album SURF & SNOW, was used as the theme song for the film Take Me Out to the Snowland.

Its lyrics, which heighten the anticipation of winter’s snowy landscapes, set hearts dancing alongside an urban ensemble.

Despite never being released as a single, it has become a staple winter song and stands as a representative number of the 1980s.

MUGO… so sexyKudō Shizuka

Mugo… Sexy (Mugon… Iroppoi) Shizuka Kudo
MUGO... so sexyKudō Shizuka

It was their fifth single overall, released in August 1988.

It was used as the image song for Kanebo’s 1988 autumn promotion, whose ad copy was reportedly “Mm, sexy.” The lyrics were written by Miyuki Nakajima.

Take a chance of tearskazami shingo

Released in 1984 as his fourth single, this is the song that catapulted Shingo Kazami to stardom.

Incorporating breakdancing into the performance was groundbreaking at the time and became a major talking point on TV music shows.

The sight of Shingo Kazami dancing with his whole body surely left a lasting impression on many viewers.

With its positive message about moving past a breakup and embracing new encounters, it’s a song that gives heart to anyone nursing a broken heart.

Its tie-in with the TV show “Kin-chan no Shuukan Kin-yōbi” also drew attention, and it peaked at No.

10 on the weekly Oricon chart.

It’s the perfect track for when you’re feeling down or ready to take a new step forward.