Songs with titles starting with 'Ka'
When you hear “songs with titles that start with ‘Ka’,” what comes to mind?
It’s not always easy to think of them right away, is it?
But after doing some research, there are actually quite a lot—and many of them are hit songs that defined their eras.
I think you’ll have a great time with a mix of trending buzz tracks and timeless classics!
In this article, I’ll carefully select and introduce songs whose titles start with “Ka.”
Feel free to use this as a reference not only when you’re curious about what songs start with “Ka,” but also as a starting point for picking tracks at karaoke.
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Songs with titles starting with 'Ka' (111–120)
Kanta’s Dokkoisho SoranIchijō Kanta
This coupling track, released in February 2025, powerfully revives the Soran Bushi—known nationwide as a Hokkaido fishermen’s song—in a Reiwa-era enka style.
By fusing traditional call-and-response interjections with a four-on-the-floor beat, it gives the well-known Nanchu Soran, often heard at school sports festivals, a more danceable finish.
Included on the single “Nagi ka Arashi ka,” and packaged with choreography and a lead sheet, this piece serves as a killer tune that pulls audiences in at stages and event venues.
Kanta Ichijo’s deep, rugged vocals brilliantly bridge the force of folk song with contemporary pop, making it a guaranteed crowd-pleaser for karaoke as well.
Songs with titles starting with 'Ka' (121–130)
Tears aren’t just for show.Nakamori Akina
Released in November 1984 as Akina Nakamori’s 10th single, this song was written and composed by Yosui Inoue.
It was originally intended for the album “BITTER AND SWEET,” but there’s a well-known anecdote that Inoue’s studio guide vocal was so stunning that they decided on the spot to release it as a single.
When lyrics that assert tears are not superficial but an inner truth are sung in Nakamori’s dignified voice, the process of a wounded heart regaining its self-respect comes vividly into view.
It’s a classic that delivers a powerful push to those trying to look forward even as they carry the pain of heartbreak.
ComeAmuro Namie
Namie Amuro’s song, released in October 2003 as a double A-side single, was used as the ending theme for Inuyasha from episode 128 through 146.
Its urban, electro-pop foundation and Amuro’s distinctive lower-register vocals leave a strong impression.
The melody, crafted by overseas writers, is skillfully paired with Japanese lyrics, and the soaring chorus mirrors the complex relationships among the story’s characters.
Stylish dance-pop breathes fresh air into the adventure-fantasy world set in the Sengoku period.
It’s a recommended track not only for anime fans but also for anyone nostalgic for the polished J-pop sound of the early 2000s.
Mother’s Songkubota satoru
This is a children’s song by Satoshi Kubota that quietly stirs the heart with feelings for one’s mother.
Composed in 1956, it was also broadcast on NHK’s “Minna no Uta” in 1962, sung by Peggy Hayama.
The piece was born from Kubota’s own experiences of evacuation during the war and his memories of receiving hand-knitted items from his mother.
It portrays a mother staying up late into the night to knit gloves, and the warmth carried by letters from home.
It may bring back days when you were supported by your mother, or memories from when you were raising your own children.
A heartwarming song that renews one’s sense of gratitude to mothers.
I want to become a kaiju.Sakuzyo
A work that fully portrays destructive impulses and the drive to challenge—worthy of crowning the highest difficulty in rhythm games.
An original song by Sakuzyo written for “Championship 2025 at the Proseka Thanksgiving.” Released in October 2025.
Set to an intense sound, it hurls at you a yearning for a kaiju that destroys everything, the loss of the past and its accompanying void, and a heartfelt desire to leave a mark.
Centered on hard-hitting rhythmic development, the sonic landscape unfolds as the very pinnacle of game music.
Let yourself be swallowed by this wave of sound!
There are no gods.Rosu
This song is included on singer-songwriter Rosu’s album “Night’s All” released in December 2024, and she is active primarily on social media.
It tackles heavy themes like revenge, karma, and bondage head-on, featuring lyrics that coldly articulate unforgivable feelings and inescapable attachments.
Within its dark, aggressive world, it vividly portrays the black emotions that may lurk in anyone’s heart.
Rosu began her career as a vocalist, and in 2021 her debut single reached No.
1 on Spotify’s Viral Chart for two consecutive weeks.
This track is recommended for those struggling with relationships or loneliness, and for anyone who wants to transmute the haze in their heart through music.
Charonrokudenashi
Released in October 2025, this work by the music project Rokudenashi is themed around Charon, the ferryman of the underworld from Greek mythology.
Selected as the opening theme for the drama “Is It a Crime to Kill the One Who Took My Daughter’s Life?”, the song was written, composed, and arranged by Nayutan Seijin, with Ninjin delivering a powerful vocal performance that conveys the will to move forward despite carrying wounds.
It’s a track that will resonate with anyone standing at a turning point in life.