Songs with titles starting with 'Ka'
When you hear “songs with titles that start with ‘Ka’,” what comes to mind?
It’s not always easy to think of them right away, is it?
But after doing some research, there are actually quite a lot—and many of them are hit songs that defined their eras.
I think you’ll have a great time with a mix of trending buzz tracks and timeless classics!
In this article, I’ll carefully select and introduce songs whose titles start with “Ka.”
Feel free to use this as a reference not only when you’re curious about what songs start with “Ka,” but also as a starting point for picking tracks at karaoke.
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Songs with titles starting with “Ka” (471–480)
Nausicaä of the Valley of the WindYasuda Narumi
Narumi Yasuda, known as the wife of Noritake Kinashi, is also widely recognized as an actress.
However, she actually began performing as a singer shortly after her debut.
Her biggest hit song is this one: “Nausicaä of the Valley of the Wind.” Since it’s the theme song of the film, many people likely remember it well.
Because Yasuda is not primarily a singer, the vocal range is quite limited, and there aren’t any lines that require complex melodic rises and falls.
The chord progression is somewhat unusual, but aside from that there aren’t any particularly difficult points, so consider adding it to your repertoire.
Oak Wood MocOnogi Kumiko
With a bright, lively rhythm and a catchy, child-friendly melody, this heartwarming song conveys the importance of kindness and human bonds.
It expresses the protagonist’s innocence and positive spirit through simple yet memorable phrases, resulting in a familiar tune that anyone can hum along to.
The clear, gentle vocals of Kumiko Onogi and the Columbia Yurikago Kai softly deliver the story’s message.
Released in January 1972, it was used as the opening theme for an anime produced by Tatsunoko Production.
It has continued to be loved for many years and cherished by people of all ages.
It’s a nostalgic track that can be enjoyed with family and friends.
kaiju (giant monster)Yamaguchi Ichiro
Ichiro Yamaguchi, a multi-talented artist from Otaru, Hokkaido, serves as the leader of Sakanaction.
With a diverse musical range spanning alternative rock, dance, and electro-pop, he has built a unique artistic world.
Since his major debut in 2007, he has continued to captivate listeners with innovative sounds that transcend genre boundaries.
He made his first appearance on NHK’s Kōhaku Uta Gassen in 2013, and in 2015 he composed the music for the film “Bakuman.”, winning the Japan Academy Prize for Best Music.
His original songs—shaped by influences from folk to electronic music—and his literary lyrics, delivered in a tender, bittersweet voice, leave a lingering resonance.
Yamaguchi’s vocals, which combine delicate sensibility with solid musicality, are highly recommended for anyone seeking a moving musical experience.
Kamonegi OndoHirano Remi
A delightful comic song that humorously portrays the back-and-forth between a hostess and her patrons, set in a glamorous Ginza club.
Remi Hirano’s distinctive vocals pair perfectly with the lively ondo rhythm, lifting listeners’ spirits.
Released in November 1972 as Hirano’s fourth single, the song was later covered by multiple artists, including Leo Nakagawa and Yoko Nagisa.
Framed by the neon-lit nights of Ginza, it uses animal metaphors to depict the exchanges between men and women, offering a symbolic snapshot of the era.
It’s a track brimming with laughter and nostalgia that can liven up parties and gatherings across generations.
Songs with titles starting with 'Ka' (481–490)
Flowers in the mirrorHattori Hiroko
In her early days, Hiroko Hattori was notable for her authentic, full-fledged vocals centered on enka.
As her career progressed, she began to take on kayōkyoku as well, and her number of catchy songs increased.
One I especially recommend is Kagami no Hana.
While the arrangement and chord progression are pure enka, the vocal line follows kayōkyoku, and the challenging enka ornamentation known as kobushi barely appears.
The vocal line is simple enough that just using dynamics and vibrato makes it sound convincing, so consider adding it to your repertoire.
Kagerō HillHattori Hiroko
Enka is a traditional genre, but it has shown some changes over its long history.
One of these is a reduced emphasis on phrasing.
In the past, there was a strong awareness of distinct phrases, but nowadays, perhaps under the influence of pop music, many enka songs tend to prioritize smooth flow.
Hiroko Hattori’s classic Kagerō-zaka stands out with an old-fashioned structure that differs from such modern enka.
Kobushi (ornamental vocal turns) appear throughout the piece, but because the song is firmly structured around clear phrases, you can insert rests between one kobushi and the next.
Mixing rests into the kobushi not only adds flavor to the song but also lowers the vocal difficulty, making it a particularly recommended piece for those who want to build foundational enka skills.
Lonely Way of the WindSugiyama Kiyotaka
A masterpiece that portrays urban loneliness and hope for the future, with a crystal-clear singing voice that resonates deep in the heart.
Like a breeze sweeping through an unfamiliar street corner, this solo work by Kiyotaka Sugiyama beautifully sings of feelings for a former lover.
It carries a profound message that even after parting with someone important, past memories never fade and continue to sustain the heart.
Released in January 1988, the song captured the hearts of many viewers as the theme for “Tuesday Suspense Theater” and reached No.
1 on the Oricon chart.
Its lyrics, which express a refreshing resignation and the courage to look forward, will surely kindle a quiet light in the hearts of those seeking to overcome the pain of heartbreak.