Songs with titles starting with 'Ka'
When you hear “songs with titles that start with ‘Ka’,” what comes to mind?
It’s not always easy to think of them right away, is it?
But after doing some research, there are actually quite a lot—and many of them are hit songs that defined their eras.
I think you’ll have a great time with a mix of trending buzz tracks and timeless classics!
In this article, I’ll carefully select and introduce songs whose titles start with “Ka.”
Feel free to use this as a reference not only when you’re curious about what songs start with “Ka,” but also as a starting point for picking tracks at karaoke.
- Vocaloid songs that start with 'Ka'
- Summary of Vocaloid songs with titles that start with “Ga” (が)
- Masterpieces with titles that start with 'A'
- Songs with titles starting with “Ki” [Great for karaoke & shiritori!]
- Cool songs from the Showa era. Masterpieces from Showa that shine with sensuality, passion, and rugged charm.
- Introducing popular J-pop songs that start with “Ta”!
- A roundup of songs that start with “ku.” Perfect for shiritori or picking karaoke tracks!
- Songs with titles starting with “Ko” [Great for karaoke and shiritori, too!]
- [Tearjerker] Songs that make your heart tremble with tears & moving tracks with lyrics that touch the soul
- Songs with titles that start with 'Ke'
- Winter songs in 90s J-pop: a roundup of popular winter tunes
- [Classic Showa Kayō Hits] The captivating Showa-era pop songs beloved even by younger generations
- A compilation of Vocaloid songs with titles that start with “Ki”
Songs with titles starting with “Ka” (491–500)
The Day the Seagulls FlewWatanabe Machiko
Set in a port town, this gem of a ballad poignantly portrays the pain of heartbreak.
Against the glittering morning seascape, the singer overlays her feelings for a departing lover onto a single seagull, creating a moving masterpiece.
Released in April 1978, it became one of Machiko Watanabe’s signature songs, peaking at No.
5 on the Oricon charts.
The track won numerous music awards and drew attention to her as a rising talent among female singers.
In 2007, it was adopted as a Chiba Lotte Marines cheer song, with a special stadium version also released.
A performance by Japan’s dance team Avantgardey, featuring their unique choreography, garnered significant buzz and boosted the song’s recognition among younger audiences.
It’s a recommended listen for anyone who can relate to a woman quietly accepting the pain of lost love, or for those who wish to revisit youthful memories alongside the scenery of a harbor town.
Love Song of Kaze no BonIshikawa Sayuri
This is a classic released in 1989, in which Sayuri Ishikawa, a grand dame of enka, delivers Ryo Nakanishi’s lyrics—based on Osamu Takahashi’s novel “Kazeno-Bon Koika (The Love Song of the Owara Kaze-no-Bon)”—with a gentle, heartfelt touch.
It’s also a so-called regional song, and it was highly acclaimed, winning the 31st Japan Record Award that same year.
Although the lyrics revolve around the theme of an extramarital affair, Nakanishi’s choice of words is delicate and beautiful, and Ishikawa’s singing avoids any sense of murky melodrama—truly superb.
It’s true that a song like this demands advanced expressive ability, but the enka-style vocal ornaments and vibrato are relatively restrained, so even those who aren’t confident in such techniques should give it a try.
Overall, the key is on the higher side, but the vocal range required is relatively average; if you struggle with high notes, consider adjusting the key.
Mother’s Seaside SongFukuda Kouhei
Kouhei Fukuda’s masterpiece “Kaachan no Hama-uta” is distinguished by its subdued vocal line.
With a relaxed tempo and a predominantly minor, mournful melody, it maintains a serious atmosphere throughout.
For a Fukuda song, the pitch movement is not excessively dramatic; while the range is broad, the song rarely feels notably high.
The numerous fine melismatic ornaments require at least intermediate skill, but since it does not demand extraordinary breath capacity, it can be considered relatively easy to sing among Fukuda’s works.
Strait Woman ShipMiko Takekawa
This is a song by Mikiko Takegawa, notable for its emotionally rich vocals and wistful melody.
Released in April 2025, the lyrics were written by Mami Takubo and the music composed by Gendai Kano.
It dynamically portrays a woman’s single-minded feelings and love, offering a model for how to walk through life.
You can feel the inner strength of someone who continues to think of a loved one.
A gem of a track recommended for anyone who wants to savor the deep pathos of enka.
Darkening RoomArai Yumi
A masterpiece by Yumi Arai that poignantly portrays lovers facing a breakup, depicted through the shifting scene of a room from dusk to nightfall.
The solemn arrangement featuring a pipe organ and the gospel-style chorus by an all-star lineup—including Hi-Fi Set and Tatsuro Yamashita—further accentuate the pain of parting.
Released in March 1976, the song reached No.
10 on the weekly Oricon chart and No.
43 on the year-end chart.
It’s a track I wholeheartedly recommend to anyone who has experienced the farewell of a loved one.
Singing MachineAshu
The powerful singing voices of Kagamine Rin and Len resonate in the heart.
Created by Vocaloid producer Ashu, it was released in February 2025.
The soundscape, which fuses band sounds with EDM, is striking.
The lyrics delicately depict the relationship between the voice library and the creator, making it especially impactful for those active as Vocaloid producers.
Surrender your body and soul to this warm, heartfelt song!
I’m sadZELDA
ZELDA, formed in 1979, left a major mark on the Japanese rock scene as pioneers of the all-girl band.
Starting with an experimental approach that fused punk, new wave, and post-punk, they later broadened their musical scope to include funk, Black music, and world music.
Led by Sachiho Kojima and powered by Sayoko Takahashi’s dynamic vocals, they began their career on the indie scene.
They remained active until 1996, earning a place in the Guinness Book of Records as the “longest-active all-female rock band.” As trailblazers, they expanded the possibilities for women’s bands in Japan and influenced many subsequent artists.
Recommended for those who want to experience powerful, energetic performances and a rich diversity of musical styles.