Spirit of Wa: Masterpieces for the Koto — Japan’s Beautiful Melodies
The koto is an instrument with a soft tone and an enchanting sound.
Koto music is perfect for quintessentially Japanese occasions like New Year’s celebrations.
When you listen to it, it feels familiar to the ear and calms the heart.
In this article, I’d like to introduce many famous koto pieces.
By the way, I’ve been using the character “琴” for koto, but some of you might be thinking, shouldn’t it be “箏”?
Strictly speaking, “koto” (琴) and “koto/so” (箏) refer to different instruments.
However, since I want to cover as many pieces as possible, I’m using “koto” here as an umbrella term.
Please read on to the end.
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- [Japanese-style Piano Pieces] A selection of recommended works with a pleasantly Japanese flavor
- [Hometown Songs] A curated selection of popular Japanese tracks that fill your heart with nostalgia
- Makoto Kawamoto’s famous and popular songs
- [Kyoto Songs] Masterpieces that sing about Kyoto — songs themed on the ancient capital. The enduring heart of our hometown passed down in song.
- Today's Piano: Masterpieces and Popular Pieces Woven with Delicate Tones
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- Nothing but masterpieces! Hit songs from the Reiwa era that are perfect for background music
- Band songs perfect for winter nights: heartwarming masterpieces of Japanese music.
Spirit of Wa: Masterpieces for the Koto – Japan’s Beautiful Melodies (1–10)
Concerto of PinesMiki Minoru

From a dignified solo to an elegant ensemble, then joined by the shakuhachi to weave a graceful sound—this is Pine Concerto.
It is a work by composer Minoru Miki, who pursued the creation of new music with traditional Japanese instruments.
Experience this celebrated koto masterpiece, first unveiled in 1984, with your own ears.
Crimsonkafuugetsu

“Crimson” is a masterpiece brimming with Japanese flavor, featuring a beautiful interweaving of 25-string koto, shakuhachi, and piano.
It’s performed by Hanafugetsu, a three-piece unit consisting of Seiji Ibukuro on 25-string koto, Yuko Suzuhana on shigin (poetry chanting), and Daisuke Kaminaga on shakuhachi—members who are also part of the internationally renowned Wagakki Band.
Song of the PloversYoshizawa Kengyō

This piece, considered one of the representative works of early modern Japanese music, was composed by Yoshizawa Kengyō, a musician active at the end of the Edo period.
It was originally written for koto and kokyū, but, as in the video, it is often performed with shakuhachi as well.
The lyrics draw on poems about plovers (chidori) from the Kokin Wakashū and the Kin’yō Wakashū.
Songs that beautifully adorn and vocalize classical waka have such elegance and charm, don’t they? If you listen while picturing the scenes they evoke, you may find yourself enjoying the piece even more.
Spirit of Wa: Masterpieces for Koto. Beautiful Melodies of Japan (11–20)
koto songHosokawa Toshio

This piece was composed by Toshio Hosokawa, who is known as a contemporary music composer.
It’s a relatively rare work for solo koto, featuring a style in which the performer sings while playing.
The accompaniment, in typical contemporary fashion, sometimes clashes with striking, unconventional sounds; yet perhaps because the timbre is traditional, it doesn’t feel avant-garde.
Strangely enough, it actually comes across as quite natural.
There are several other works for koto in contemporary music as well, so you might enjoy exploring them.
OKOTOSawai Higarū

Composed with a fresh sensibility for the traditional koto, OKOTO is a celebrated koto masterpiece that evokes Japan’s natural beauty—like pure river water flowing quietly beneath trees breathing with brilliant autumn foliage.
It is a work by Hicaru Sawai, one of contemporary Japan’s leading koto composers, released in 1999.
Yachiyo ShishiFujinaga Kengyō

Yachiyo-jishi was originally enjoyed as a shakuhachi piece.
That piece was arranged for kokyū by Kengyō Masajima, and later arranged for shamisen by Kengyō Fujishima.
Lyrics were added, and it is often performed as an ensemble by the three instruments known as sankyoku—shamisen, koto, and kokyū.
Among lion-dance pieces (shishi-mono), some are considered secret repertoire and are forbidden to beginners, but Yachiyo-jishi is said to be permissible for beginners to play.
It is also used as geza music in kabuki—effect music performed behind the black bamboo curtain (kuro-misu) on the downstage left side.
MemoryEto Kimio

“Memories” is a richly emotional piece whose beautiful, wistful melody seeps into your heart, making it impossible not to recall dear people and places.
It was composed by Kimio Eto, one of Japan’s leading koto musicians.
Eto held a recital at Carnegie Hall, becoming the second Japanese performer to do so, following violinist Toshiya Eto, and he was active internationally as a koto virtuoso.


