Female vocal songs where women with low voices can shine
In Japan, where a high voice is often considered “good,” the reason originally lies in the country’s agrarian roots.
To communicate by voice with farmers working at a distance, a higher, more intelligible pitch was more convenient; thus, in Japan and other agrarian Asian societies, people with higher voices have traditionally been preferred.
However, when it comes to singing, higher is not always better!
In fact, lower voices have overwhelming advantages in overtones and resonance.
So this time, we’ve picked out songs that bring out the maximum charm of women with lower voices!
Of course, we also selected them with karaoke appeal in mind, so if you’re a woman with a drinking party or group date coming up, this is a must-see.
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- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
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- [Healing & Cool] Female Vocalists with Captivating Husky Voices
Female vocal songs where lower-voiced women can shine (71–80)
Anytime Anywheremilet

This is a digital-only single by milet, released in September 2023.
It was selected as the ending theme for the Nippon TV anime series “Frieren: Beyond Journey’s End.” The song features a very dramatic arrangement at a medium-to-slow tempo.
In particular, the rich lower-register vocals heard in sections like the first verse make it a great choice for women with lower voices to try and recreate at karaoke.
The mixed voice to falsetto singing used in the chorus is also something to aim to reproduce; however, if you’re not confident, please lower the key at karaoke to suit your range.
wailing in griefKudō Shizuka

Shizuka Kudo’s classic song “Dōkoku.” While Shizuka Kudo sometimes showcases an intense vocal style depending on the song, she is actually an artist with a very limited vocal range.
Among her works, this piece in particular has a notably narrow range.
Even the highest notes sit around the boundary between the middle and upper-middle register, and they appear only briefly.
In addition, the melodic movement is very gentle, so for women with lower voices, it’s actually an easy song to sing.
It’s also a big hit at karaoke, so consider adding it to your repertoire.
Not Drunkyouen kingyo

Although it’s called R&B, most of today’s Japanese R&B scene is really pop with an R&B flavor.
If you’re a low-voiced woman who loves true R&B, you probably struggle to find songs that fit, right? For you, I recommend Not Drunk, sung by Youen Kingyo.
It’s crafted like the smooth, sexy R&B of the late ’90s and early 2000s.
The vocals sit mainly in the low-to-mid range, making it a perfect fit for low-voiced women.
wonderlandAimer

A track from Aimer’s sixth album “Walpurgis,” released in April 2021.
The song is crafted with a melody and arrangement that maximize the appeal of Aimer’s slightly husky voice rich in low-end overtones.
Both the vocal melody and arrangement carry a touch of Middle Eastern flavor, making it quite a tasteful piece.
In the actual performance, she effectively uses high falsetto (head voice), so while it may be a bit challenging for the average singer who’s simply good at low notes, it’s definitely a song I’d encourage women with a timbre similar to Aimer’s to try at least once!
I’m falling in love with you againSakamoto Fuyumi

The original song is by Billy BanBan, and the version I’m introducing here is a cover by Fuyumi Sakamoto.
It was released in January 2009 as her 37th single.
While the song doesn’t demand extremely high notes like the theme of this article might suggest, singing it as she does still requires considerable vocal skill.
Not only solid vocal projection, but expressive techniques like kobushi (ornamentation), as well as an understanding of the lyrics, are important when performing it.
That said, it’s a song I’d definitely recommend to those who may struggle with high notes but are confident in their singing!
Girl ANakamori Akina

This was Akina Nakamori’s second single, released in July 1982.
It’s one of the masterpieces of so-called Showa-era kayōkyoku.
Although Nakamori was only 17 at the time, the song makes full use of the slightly hard-edged, low-register-rich quality she’s had to this day, while still revealing traces of the “youthfulness” of a 17-year-old on only her second release—an intriguing contrast that adds to its unique appeal.
In terms of the vocal melody, there’s essentially no need for a high head voice, so it’s one of the best karaoke choices for people who are strong in the lower range or who struggle with high notes.
That said, precisely because the melody sits lower, if you mumble or sing too softly the performance can feel very loose.
When you sing it, be sure to give clear dynamic contrast to each section of the song and avoid letting it become monotonous.
UFOpinku redii

Released in December 1977 as the sixth single by Pink Lady, the superstar idol duo of the ’70s.
It’s also the unit’s biggest hit.
Compared to Mie’s relatively cute, clear voice, Kei’s is lower and fuller, making Pink Lady’s songs—this one included—great picks for women who are good at singing low notes in karaoke.
The melody is extremely simple and easy to remember, which is characteristic of hits from that era.
While the two members of Pink Lady are highly skilled vocalists, this is a song that’s easy for anyone to sing.
If you can, learn the choreography too and enjoy it with everyone!



