Female vocal songs where women with low voices can shine
In Japan, where a high voice is often considered “good,” the reason originally lies in the country’s agrarian roots.
To communicate by voice with farmers working at a distance, a higher, more intelligible pitch was more convenient; thus, in Japan and other agrarian Asian societies, people with higher voices have traditionally been preferred.
However, when it comes to singing, higher is not always better!
In fact, lower voices have overwhelming advantages in overtones and resonance.
So this time, we’ve picked out songs that bring out the maximum charm of women with lower voices!
Of course, we also selected them with karaoke appeal in mind, so if you’re a woman with a drinking party or group date coming up, this is a must-see.
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Female vocal songs (51–60) where low-voiced women can shine
PromiseTamaki Nami
This is the 15th single by Nami Tamaki—singer, actress, voice actress, and YouTuber—released in December 2007.
It’s said to be her first ballad single.
The track features beautifully crafted sound production, and Tamaki’s vocals have notable depth; for a female vocalist, her register is on the lower side.
Since the vocal melody is centered in the low–mid range, this song could be one of the best karaoke choices for women with lower voices.
If you try placing your voice as if it’s resonating around the upper molars on the roof of your mouth, you should be able to achieve a low yet harmonically rich tone similar to Tamaki’s.
Give it a try.
STAND-ALONEAimer
It was released as a digital-only single by Aimer and used as the main theme for the first part of the NTV Sunday drama “Your Turn to Kill.” The song has a melody that seems crafted to bring out the full appeal of Aimer’s rich, powerful voice, and through her vocals and delivery you can really feel her rock edge.
Now, if you’re planning to sing this at karaoke, the opening A-melodic section in particular should be a great fit for women with lower voices, letting you showcase that quality.
In the chorus there are some fairly high passages; Aimer herself appears to blend mixed voice and falsetto there.
Even if you’re not confident with high notes, I hope you’ll work on practicing and mastering this part.
Try to avoid clamping down on your throat; instead, open the back of your mouth in a rounded shape, aim the sound toward your upper palate, and practice resonating firmly within the oral cavity.
PLAYERSYOASOBI
This song was created to celebrate PlayStation’s 30th anniversary, with a theme centered around gaming.
Listening to it, you can really feel that distinctive YOASOBI style.
The chorus sits around E5, so the range is quite high, but there are constant call-and-response shouts in the backing vocals, which makes it nice because you can catch your breath while singing! That chorus is super cute and makes you want to dance, so it seems like it would hype up a live show too! When you sing it, enunciate clearly so the phrases don’t blur together—doing so will make it easier to hear and easier to sing.
Pay attention to your diction!
white mayflyAimer
This is Aimer’s 23rd single overall, released in December 2023.
By the way, the title is pronounced “Shiroiro Kagerou.” It’s a very pleasant ballad where Aimer’s slightly husky voice—rich in warm low-order overtones—sounds absolutely beautiful.
The most important thing for singing this well at karaoke is to avoid rushing; try to sing slightly behind the beat.
Pay close attention to the spacing between phrases and words—in other words, how you handle the rests.
There are a few spots in the chorus that require a bit of a higher register, but try not to strain your throat; imagine placing the sound against your upper palate as you sing.
Female vocal songs (61–70) where women with low voices can shine
heartaimyon
It’s Aimyon’s 12th single, released on November 24, 2021.
It’s a very calm ballad with a relaxed vocal melody that makes great use of Aimyon’s slightly husky voice.
Because of that, I think it should be relatively easy to sing even for people with lower voices who aren’t comfortable with high notes.
There is a part at the end of the pre-chorus, right before the chorus, where you’ll need to sing in falsetto, so be sure to practice switching registers smoothly there!
Ordinary daysmilet
This is a song by milet that was chosen as the theme for the drama “Police in a Pod,” and many of you may have heard it.
The way milet sings in this track resonates with higher overtones very effectively, and women who struggle with high notes might think, “There’s no way I can sing this!” But don’t be afraid—give it a try.
As milet herself does, if you blend in head voice and mixed voice for the chorus and other high sections, you should be fine.
In fact, what’s more important in performing this song isn’t so much “Can you hit the high notes?” as it is the vocal expression that comes from switching between those techniques.
When using head voice or mixed voice, be careful not to tighten your throat.
In Love with the Mirrorraisan
The band Raisan was formed mainly by Sayaka from the comedy duo Rarando and Enon Kawatani.
Although the group consists of members with unconventional backgrounds, they’re far from a novelty act and are highly regarded by critics for their sophisticated musicality.
Their new song, “Kagami ni Koishite” (“In Love with the Mirror”), stands out as a relatively bright tune for Raisan, who are known for their downer-tinged sound.
The vocal range isn’t particularly wide; the A melody, in particular, will highlight the charm of women with lower voices.
If you use a vocal technique called “fall,” it instantly gives the delivery a Western pop feel, so be sure to master this technique and give it a try.
