Female vocal songs where women with low voices can shine
In Japan, where a high voice is often considered “good,” the reason originally lies in the country’s agrarian roots.
To communicate by voice with farmers working at a distance, a higher, more intelligible pitch was more convenient; thus, in Japan and other agrarian Asian societies, people with higher voices have traditionally been preferred.
However, when it comes to singing, higher is not always better!
In fact, lower voices have overwhelming advantages in overtones and resonance.
So this time, we’ve picked out songs that bring out the maximum charm of women with lower voices!
Of course, we also selected them with karaoke appeal in mind, so if you’re a woman with a drinking party or group date coming up, this is a must-see.
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Female vocal songs (91–100) where low-voiced women can showcase their charm
StoryAI

AI’s 12th single, released in May 2005.
As you’d expect from AI, who’s known for her husky voice, this is a perfect karaoke pick for women who are strong in the lower register.
But working on this feature of “female vocal songs that are easy to sing even for women who struggle with high notes or have lower voices” really drives home how singers who don’t rely on high notes are all incredibly skilled with rich vocal expression! This song is no exception—it’s definitely quite a challenging piece to actually sing.
I think it’s also an ideal track to use as practice material for improving expressive ability.
You don’t listen to rock.aimyon

This is Aimyon’s third major-label single, released in August 2017.
Aimyon is a very compelling singer with a slightly boyish vocal tone, and I think the charm of her voice is brought out to the fullest in this track with its simple, medium-to-slow tempo production.
In particular, the vocal melody in the opening A section makes frequent use of notes that are quite low for a female vocalist, so you could even say it’s a special privilege for women with lower voices to be able to sing this in karaoke! Not just for karaoke—this is also a great pick for lower-voiced women to enjoy covering with acoustic guitar or in a band.
Female vocal songs where low-voiced women can shine (101–110)
366 daysHY

This song is included on HY’s fifth album, HeartY, which was released on April 16, 2008.
It was selected as the theme song for the Fuji TV drama and Toho-distributed film Akai Ito (The Red Thread).
The lead vocals on this track are by member Izumi Nakasone, a singer known for her captivatingly rich low register, and I believe the charm of her voice is showcased to the fullest in this simple, quiet ballad.
When you sing it at karaoke, I encourage you to try to recreate this ‘depth of voice.’ Practice so you can resonate a solid chest voice while you sing!
love’s proofKōda Kumi

This is Kumi Koda’s 35th single, released in March 2007.
The title is pronounced “Aishō.” By the way, this single was released as a double A-side with a song called “BUT.” It also served as the theme song for the Nippon TV drama “Ai no Rukenchi.” Since it’s a track by Kumi Koda, whose appeal includes her somewhat wild, low-register voice, it should be easy to sing even for women who struggle with high notes—or rather, it might be a selection that really lets their voices shine.
There are parts in the chorus that feature high notes using falsetto effectively, so ideally, it’s best if you can switch registers smoothly there.
Of course, changing the key is also a valid approach.
MOTHERPUFFY

This is Puffy’s fifth single, released in December 1997.
The lyrics and composition are by Tamio Okuda, who also produced the track.
For Puffy, rather than showcasing the kind of “appeal of low tones” suggested by this theme, it’s better described as a song that doesn’t require high notes—making it a good pick for women who aren’t comfortable with high pitches to sing at karaoke.
It also doesn’t demand advanced vocal technique, which makes it a good choice for the general public to sing and enjoy.
If you aim for a relaxed, unforced delivery, it will sound more “authentic.”
Paper MoonMoon In June

Moon In June is a band that’s steadily gaining popularity in the Japanese rock scene.
Rather than straight-up rock, their catalog leans more toward dream pop, and their delicate sound has earned high praise even from hardcore J-rock aficionados.
Among their tracks, the one I especially recommend is Paper Moon.
The verse sits quite low and stays quiet, making it perfect for showcasing a whispery lower register.
The chorus rises to create a strong contrast with the verse, which further emphasizes the low tones—another great point.
The Great Time Killerraburii samaa chan

Lovely Summer-chan is a female singer-songwriter who has gained popularity with an authentic rock sound influenced by Western music.
She has released many highly sophisticated tracks, but the one I especially recommend is The Great Time Killer.
Although the English lyrics can be challenging, the vocal line itself is gently contoured and largely sits in the low-to-mid range, making it very easy to sing for women with lower voices while also bringing out their appeal.



