A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
These days, many songs for both women and men are in higher keys, so there are probably many women with lower voices who feel, “I can’t find songs I can sing because my voice is low,” or “I’m looking for lower-key songs for karaoke.” Forcing yourself to sing songs that don’t suit your natural voice can hurt your throat, and it can be stressful when you can’t sing the way you want.
But don’t worry! There are plenty of songs that sound captivating even with a low voice.
In this article, we’ll introduce lots of songs that women with lower ranges can sing comfortably and confidently.
Find your new favorite track!
- [Karaoke] A roundup of songs that are easy for women to sing!
- Female vocal songs where women with low voices can shine
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- [For women] Songs with a narrow vocal range that are easy to adjust the key for!
- Easy-to-sing songs recommended for women in their 20s with low voices | Also great for getting a good reaction at karaoke!
- Karaoke songs that are easy to sing even with a low voice (for women in their 30s)
- [Calling all low-voiced women in their 40s!] Songs that are easy to sing at karaoke
- [Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range
- Recommended for teenage girls! Easy-to-sing karaoke songs
- Even if you’re tone-deaf, it’s okay! Easy karaoke songs for women
- Karaoke songs that make it easy to score 100 points [for women]
- [For Women] Easy-to-Sing and Crowd-Pleasing Karaoke Songs
- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
Female artist (21–30)
Unfit to be a loverKoresawa
This is the 4th single by the female artist Koresawa, released digitally in June 2020.
While Koresawa herself isn’t necessarily known for having a low voice, this song has many sections that are sung in a murmuring, hushed way, which I think suits women with naturally lower speaking voices.
The highest notes in the chorus aren’t that high either, so many people who struggle with high tones should still be able to sing this one.
Aim to produce as bright a tone as possible on the high parts, and it should sound nice.
A key tip is to place the voice as if you’re resonating it against your upper palate.
Give it a try and do your best!
Strangerstuki.
The A and B verses sit around F#3 and are quite low, but if you can get through that part, the rest is in a key that should be comfortable for many female singers, so it’s easier to keep pitch and aim for a perfect score.
According to records from June 2025, the average JOYSOUND karaoke scoring for this song is about 90.51.
I think the key to scoring 90 or above is stability in the low notes! Be mindful not to let your pitch drop too much on the low notes that come after the A, B, and bridge sections.
For the chorus, singing with clear accents makes it easier to lock into the rhythm, so that might work well!
rainbow-coloredayaka
Ayaka’s song was first released for digital distribution on platforms like the iTunes Store in April 2014, and then came out on CD in June of the same year as her 13th single.
It was written specifically as the theme song for the NHK morning drama Hanako to Anne.
Since Ayaka herself has a relatively low, rich vocal tone, this track is one of the best choices for women with lower voices to sing at karaoke.
However, because it’s an Ayaka song—she’s renowned for her strong vocal skills—the melody is a bit challenging and not something you can just hum without effort, so be mindful of that.
Be sure to practice smoothly switching your vocal register for the falsetto sections that appear in several spots throughout the song!
I’ll be by your side.Aoyama Teruma ft. SoulJa
Thelma Aoyama’s second single, released in January 2008.
According to some reports, SoulJa and Thelma met through a mutual friend; at a karaoke box, SoulJa was impressed by Thelma’s singing, leading to the creation of “Koko ni Iru yo.” As thanks for Thelma’s participation, SoulJa then took part in “Soba ni Iru ne,” but the full story has not been publicly confirmed.
This song doesn’t require any extreme high notes, so it’s ideal for women with lower—or rather, strong lower-mid—ranges to sing at karaoke.
However, because the usable range isn’t very wide, if you just trace the melody casually, there’s a risk the performance will sound very flat and dull.
The tempo is slow, but try to feel the 16th-note pulse and sing with as much groove as possible.
That said, don’t lose the song’s inherent soothing, moist quality—maintain the groove while keeping your delivery gentle and soft.
DESIRENakamori Akina
Akina Nakamori’s 14th single, released in February 1986.
This is another song I’d recommend for women who aren’t comfortable with high notes to sing at karaoke.
With this song, almost no one will have trouble with the high range.
However, if you treat it as easy due to the range and just hum through it casually, there’s a risk it will turn into a very flat and boring performance.
So especially at the beginning of the chorus, be sure to sing with a firm, resonant voice.
A low voice with good presence is one of the hardest things to achieve in singing, but please give it your best shot!
366 daysHY
A track from HY’s fifth album “HeartY,” it was also used as the theme song for the drama “Akai Ito.” Now then, while this song generally gives the impression of being built around a melody that emphasizes the low to mid range, there are many parts that demand strong high-register vocals—such as the soft falsetto at the end of the B section and the wide-range phrases in the D section—so women who struggle with high notes should take some care when singing it.
It might be a good idea to lower the key a bit so the low notes don’t become uncomfortable.
For the high parts in the final chorus, try not to rely on falsetto as much as possible; aim to deliver them solidly in chest voice like HY themselves!
Message of RougeMatsutōya Yumi
This was Yumi Matsutoya’s fifth single, released in February 1995.
Naturally, at the time it came out, it was released under the name Yumi Arai.
Speaking of Yuming, she’s known for that distinctive slightly lower, fuller voice, so for women with lower voices looking for a karaoke pick, this song—indeed, her songs in general—could be considered a sure bet.
In the original recording, since she was younger, her voice sounds somewhat less full and her distinctive singing style feels a bit more restrained compared to now, which is quite interesting.
Compared to her later songs, there isn’t much of that intense, impassioned “emotional undercurrent” in the vocals, so I think it’s best enjoyed by singing it lightly, almost like humming along.