[Messiaen’s Piano Works] Exquisite gems born from an extraordinary sense of color
Olivier Messiaen, born in 1908 in Avignon, France, was active as a composer, organist, pianist, and music educator.
He also had facets of a theologian and an ornithologist, and his extraordinary passion for birds is vividly reflected in his works.
Moreover, he possessed synesthesia—the ability to associate sounds with colors and patterns—and is said to have completed his pieces by writing those associations directly into the score in his distinctive style.
In this article, we introduce some of Messiaen’s works that are frequently performed, focusing on solo piano pieces and compositions that include piano.
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- A gem of a masterpiece by the composer of the piano suite Pictures at an Exhibition by Mussorgsky.
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- Chabrier’s Piano Pieces: Gemlike Masterworks Forged by the Esprit of French Music
- Piano Pieces by Lully: Masterworks by a Composer Favored by the King of France
- [Szymanowski’s Piano Works] Masterpieces Left by a Composer Who Lived Through Turbulent Times
- Dohnányi’s Piano Works: A Comprehensive Introduction to Masterpieces by the Hungarian Prodigy
- Piano Pieces by Ibert: Gem-like Masterworks by a 20th-Century French Composer
- [Fauré] Lower Difficulty! Recommended Piano Pieces by a Master of French Music
- Dutilleux’s Piano Works: Masterpieces by a Leading French Composer of the Late 20th Century
- [Moszkowski’s Piano Pieces] Gem-like masterpieces that also help improve technique
- Satie’s Piano Pieces | Fleetingly Beautiful Works by Music’s Maverick
[Messiaen’s Piano Pieces] Gem-like Works Born of an Exceptional Sense of Color (1–10)
Exotic BirdsOlivier Messiaen

Olivier Messiaen, a representative composer of 20th-century France, possessed a rare talent that combined a mystical religious outlook, a deep love for birds, and a unique sense of color.
One of his major works, the piano cycle “Oiseaux exotiques” (“Exotic Birds”), is a large-scale composition of thirteen pieces that faithfully recreates the songs of birds from various regions of France, musically depicting their individual behaviors and habitats.
Its fantastical sonic world—woven from complex rhythms and rich harmonies—invites listeners into a nature scene brimming with exotic atmosphere.
With many outstanding performances by superb pianists, this piece is highly recommended for anyone interested in contemporary music.
20 Gazes Upon the Infant Jesus, No. 15: The Kiss of the Child JesusOlivier Messiaen

Twenty Contemplations on the Infant Jesus is a piano work by the French composer Olivier Messiaen.
This large-scale suite consists of 20 pieces centered on the childhood of Jesus Christ.
The 15th piece, The Kiss of the Infant Jesus, symbolically portrays a tender kiss bestowed upon the Christ child, and is renowned for its strikingly mystical and poetic beauty.
Characteristic of Messiaen’s religious and mystical style, the piece exquisitely fuses complex rhythms and harmonies with innovative melodies, leaving a profound impression on listeners.
It is a gem not only for those familiar with classical music but also for first-time listeners.
Four Rhythmic Etudes No. 1: “The Island of Fire I”Olivier Messiaen

Olivier Messiaen, a leading 20th-century composer who experienced synesthesia and associated sounds with colors, is known for his unique compositional style linking sound and color.
In No.
1, “Île de feu I,” from Études de rythme, the intertwining of complex rhythms and timbres unfolds a mysterious and powerful musical world.
The piece demands a performance that combines bold expression with delicate touch, and it is one I highly recommend to advanced players familiar with contemporary music.
[Messiaen’s Piano Works] Gem-like pieces born from an exceptional sense of color (11–20)
Small Sketches of Birds, No. 1: “European Robin”Olivier Messiaen

Olivier Messiaen, one of the defining French composers of the 20th century, is known for his original musical language and profound spirituality.
Petites esquisses d’oiseaux is a collection of piano pieces dedicated to his wife, Yvonne Loriod, consisting of six short movements that imitate the songs of various European birds.
Marked by complex, richly colored harmonies and rhythms, the work reflects the composer’s religious worldview and love of nature, making it a recommended piece not only for classical music enthusiasts but also for nature lovers.
KanteyojayaOlivier Messiaen

Olivier Messiaen, a leading French composer of the 20th century, is known for music that employs mystical and religious themes, distinguished by complex rhythms, rich timbres, and a unique harmonic language.
His piano work Cantéyodjayâ is a challenging piece composed on the basis of Hindu rhythmic patterns and Carnatic music theory.
Progressing through layering and repetition, the piece reflects Messiaen’s musical exploration and maturity, making it indispensable for tracing his artistic path.
Its profound worldview—where the classical and the modern merge—comes recommended not only to music enthusiasts but also to those interested in spirituality and philosophy.
Bird Catalogue, Volume 2, No. 6: “Forest Lark”Olivier Messiaen

Olivier Messiaen, one of the defining composers of the 20th century, was an artist who single-mindedly pursued music.
Centered on mystical and religious themes, he established a unique musical language through his exploration of complex rhythms and harmonies.
His Catalogue d’oiseaux is truly the culmination of Messiaen’s musical world.
In Book II, No.
6, “The Woodlark,” he reproduces the sounds of France’s natural landscapes and birds down to the finest detail.
From this piece, one can feel his deep love and reverence for birds as God’s creations.
It is a masterpiece that I especially encourage those unfamiliar with classical music to hear.
20 Gazes Upon the Infant Jesus, No. 1: The Gaze of God the FatherOlivier Messiaen

Olivier Messiaen, a composer who epitomizes 20th-century France.
Among his works that pursue religious themes, perhaps the most famous is the piano suite Vingt regards sur l’Enfant-Jésus.
This large-scale set of twenty pieces was composed in Paris in 1944.
In the first piece, Regard du Père, the motif known as the “Theme of God,” which recurs throughout the work, is especially striking.
With its complex rhythms and harmonies and its rich sense of color, the piece conveys both the depth of Messiaen’s faith and his musical originality.
Although it demands advanced performance technique, its profound spirituality makes it a work well worth the challenge.


