A collection of songs with titles that start with “Mi.” Useful for shiritori and karaoke.
There are many words that start with “mi,” like mirai (future) and michi (road), right?
So, what songs have titles that start with “mi”?
In this article, we’ll introduce songs whose titles begin with “mi”!
It also includes songs with titles like the ones mentioned above—“mirai” and “michi.”
We’ve gathered a variety of tracks, old and new, across different genres, so if you find something you like, be sure to add it to your playlist!
You can also use them for word games like shiritori that use song titles.
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- Songs with titles that start with “Pi.” Useful for word-chain games or karaoke hints!
- Songs whose titles start with “Do” – Solo Karaoke / Song-Title Shiritori
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Collection of songs whose titles start with “Mi.” Useful for shiritori and karaoke (71–80)
miraclemiwa
This song captures the feeling of a summer romance, perfect for a season filled with sunshine.
Released in April 2013 as the CM song for Shiseido’s SEA BREEZE, it drew attention alongside visuals themed around high school youth.
Its breezy sound—colored by samba-style rhythms and percussion—blends with Miwa’s transparent, clear vocals to vividly express the thrill of summer.
The lyrics, which freshly portray wavering emotions and the anticipation of new encounters, just might give you the courage to leap into love.
The album featuring this track, Delight, topped the weekly album chart and was certified Gold by the Recording Industry Association of Japan.
It’s a cute summer tune recommended for anyone excited to kick off the season or looking to reminisce about their school days.
crescent moonayaka
Ayaka’s signature song, released in 2006, was used as the theme for NHK’s “Mirai Kansoku Tsunagaru TV @ Human” and as the CM song for au’s “LISMO.” It’s a poignant love ballad about feelings for a precious person far away, with piano melodies and a vocal that’s both powerful and delicate, resonating deeply in the heart.
The title refers to the shape of a cell phone, conveying the message that even if you’re physically apart, your hearts remain connected.
It’s a track that overflows with nostalgia, bringing back memories of listening to it with friends while gazing at the night sky during school days.
A classic that gently stays by your side when you’re in a long-distance relationship or thinking of someone dear who lives far away.
Midnight Dekarangersasaki isao
This ending theme expresses a unique world where police drama and hero action are fused.
Included on a single released in 2004, it’s captivating for the powerful vocals of Isao Sasaki and the bright, back-and-forth choruses of the Mori no Ki Children’s Choir.
The lyrics convey midnight highway car chases and the tension of cornering criminals—truly the very image of a flawless patroller.
The brass-driven arrangement balances a mature, hard-boiled vibe with an approachable warmth.
It was used as the ending theme for the TV series Tokusou Sentai Dekaranger, and also appeared as an insert song in the feature film.
If you want the whole family to get into a hero mood, why not crank up this fiery number?
Songs with titles starting with 'Mi': a roundup for shiritori or karaoke (81–90)
Behold!! Gorengersasaki isao
This is a single released by Nippon Columbia in October 1976 as the later ending theme for the first installment of the Super Sentai series, Himitsu Sentai Gorenger.
The music and arrangement were by Chumei Watanabe, with lyrics by Shotaro Ishinomori.
Set to heroic brass and a march-like rhythm, Isao Sasaki delivers short, forceful phrases, supported by the rich mixed chorus of The Choruses ’73 (Korogi ’73) and The Will Beez—one of its defining features.
Rather than a conventional sung style, it adopts a declarative, spoken-address approach that boldly proclaims the ideals of the five heroes, making it an experimental work with a unique place in the history of Sentai songs.
It was used as the ending theme from episode 64 to episode 84 of the television series and was also featured in medley form in the 1978 theatrical release J.A.K.Q.
Dengekitai vs.
Gorenger.
It’s a piece that will rekindle passionate memories for adults who watched the show back then, while continuing to inspire children who look up to heroes.
Dao (Tao)Mizuki Ichirō Kōrasu / Yangu Furesshu
A single released in 2007 as the ending theme for Juken Sentai Gekiranger.
It’s an empowering anthem that, with simple yet strong words, expresses the core theme of the series: “mastering the fist and growing as a person.” Featuring well-placed English phrases and call-and-response chants, the lyrics encourage you to forge your own path in life.
Ichiro Mizuki’s bold vocals blend perfectly with Young Fresh’s bright chorus, resulting in a melody that’s easy for both kids and adults to hum along to.
The theme single reached No.
16 on the Oricon Weekly Chart and was also included on the album Juken Sentai Gekiranger: Gekiuta Complete Collection.
It’s the perfect track for those moments when you’re lost in the midst of training or challenges and want a song to help you face forward and move on.
Everyone, gather! KyoryugerTakatori Hideaki
The ending theme of the TV series Zyuden Sentai Kyoryuger is a powerful track featuring the brass rock band Z-Flag and vocals by Hideaki Takatori.
Its festival-like sound brims with energy, with the horn section and percussion creating a lively groove.
The dance, choreographed by Papaya Suzuki, invites audience participation, and the show even called for viewer-submitted videos.
Released as the single “VAMOLA! Kyoryuger / Minna Atsumare! Kyoryuger” by Nippon Columbia in March 2013, it reached No.
12 on the Oricon Weekly Chart.
With lyrics that use character names and dinosaur names as call-and-response shouts, it’s easy for children to remember and perfect for getting the whole family dancing and excited together.
Mirror feat. Kosuke Saitoieiri reo
It was released for streaming on October 8, 2025, and was written as the theme song for the NTV Wednesday drama “ESCAPE: It Was Supposed to Be a Kidnapping.” It’s a collaboration between Leo Ieiri and Kosuke Saito, the guitarist-vocalist of UNISON SQUARE GARDEN and TenTwenty.
Despite the very high vocal range, both of their voices soar in the same register, and the result is truly beautiful.
It’s wonderful as a solo, of course, but if possible you’ll want to sing it as a male-female duet! That said, finding a man who can sing this high is no easy task…
When you sing it, try to focus on using your breath and producing a strong tone.
If you aim to resonate in your head while you phonate, you’ll gradually get closer to the right sound.
Core strength matters, too!
