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A collection of songs with titles that start with “Mi.” Useful for shiritori and karaoke.

There are many words that start with “mi,” like mirai (future) and michi (road), right?

So, what songs have titles that start with “mi”?

In this article, we’ll introduce songs whose titles begin with “mi”!

It also includes songs with titles like the ones mentioned above—“mirai” and “michi.”

We’ve gathered a variety of tracks, old and new, across different genres, so if you find something you like, be sure to add it to your playlist!

You can also use them for word games like shiritori that use song titles.

A roundup of songs with titles that start with “Mi.” Handy for shiritori or karaoke (31–40)

road; way; path; street; route; Tao (in philosophy)EXILE

If there’s one song that comes flooding back with memories of graduation ceremonies, it has to be EXILE’s 23rd single.

Released in February 2007, this ballad paints a picture of gratitude toward friends who shared those youthful days and the bittersweet feeling of setting out on a new path.

Carried by lyrical strings and piano, the lyrics look back on days that can never return, resonating deeply in the heart.

In addition to being featured in MTI’s “music.jp” commercial and serving as the opening theme for Nippon TV’s “Music Fighter,” it was also chosen by the National Karaoke Operators Association as a recommended song for graduation season.

It topped the Oricon Weekly Singles Chart and became the 1,000th song in Oricon history to reach number one—an especially memorable single.

Even many years after its release, it remains a staple graduation song sung as a choral piece at schools nationwide.

When spring arrives and you want to recall the scenes of those days, this is a track to press play on gently.

MUSEME:I

ME:I (Mei) ⊹ ‘MUSE’ Official MV
MUSEME:I

A perfect ME:I track to lift your mood on a Golden Week drive.

Its dazzling sound, fusing funk, city pop, and disco, pairs beautifully with an urban driving scene.

The lyrics, depicting the pursuit of dreams toward an aspirational figure and the resolve to become someone else’s light, will give listeners a powerful push forward.

Released in April 2025 as their third single, the song also became well-loved as the commercial theme for NTT Docomo’s Galaxy S25 Ultra.

Grip the wheel while soaking in the stylish world portrayed in the ad, and you’re sure to be wrapped in a thrilling sense of exhilaration.

≠ME≠ME

≠ME (Not Equal Me) / ≠ME - from 5th ANNIVERSARY PREMIUM CONCERT – [LIVE Ver. full]
≠ME≠ME

A dazzling, fast-paced number that sounds like the very essence of youthful brilliance.

It’s a song by ≠ME, the idol group produced by Rino Sashihara, included on their debut mini-album “Super Express Bound for ≠ME,” released in April 2021.

The album captured many hearts, reaching No.

1 on the Oricon Weekly Rankings.

As the group’s first original song, its appeal lies in the way it races from the ache of unrequited love to the resolve to shout “I love you.” The refreshing melody and straightforward lyrics strike a chord, filling you with positive energy just by listening.

Give it a spin when you want to take a new step forward or break out of your shell.

Mikaboshi3106。

Mikaboshi/3106. feat. KAITO
Mikaboshi3106。

They are a Vocaloid producer who creates out of deep love for KAITO while also working as a manga artist.

Motivated by the desire to “hear rock sung in KAITO’s voice,” they took on DTM.

They made their Vocaloid debut in December 2010 with “Tokeitō no Uta.” That work—on which they spent about a year—along with other passion-filled pieces has garnered support.

In recent years, their name has appeared in credits for tracks included in Project SEKAI COLORFUL STAGE! feat.

Hatsune Miku and in developments related to Hatsune Miku: Magical Mirai 2020, solidifying their reputation.

It’s also wonderful how they deliberately avoid excessive tuning to make the most of KAITO’s vocal qualities.

Everyone is a heroAI

Minnagaminna Au (Full Version)
Everyone is a heroAI

This is a rousing cheer song that arranges a melody everyone has probably heard at least once into a powerful gospel style.

When it was released in January 2016 as the TV commercial song for au’s “Santaro” series, it quickly became a major topic.

It was initially only a commercial-length version, but due to the strong response, a full version was produced and included on the best-of album “THE BEST DELUXE EDITION,” released in May of the same year.

The original tune is the well-known “Oklahoma Mixer,” often used for folk dancing at school events, now paired with AI’s soulful vocals to create a rendition that energizes listeners.

Hearing this work, which embraces you just as you are, is sure to fill you with courage!

A roundup of songs with titles that start with “Mi.” Useful for shiritori or karaoke (41–50)

MUSIC LIFEGLAY

The album “MUSIC LIFE,” released in November 2014 to mark the 20th anniversary of their debut.

Its title track, which closes the album, is a fast-paced rock number composed by JIRO with lyrics by TAKURO.

The powerful band sound riding an 8-beat groove and the layered chorus featuring all the members convey their unwavering passion for music and the deep bonds among them that have remained unchanged since their Hakodate days.

It was also chosen as the opening theme for Hokkaido Television Broadcasting’s program “Hanatare NACS,” hinting at their affection for their hometown.

Distilling both their journey so far and their present-tense brilliance, this work is sure to give courage to everyone who keeps chasing their dreams.

Why not listen again to this masterpiece that boldly resounds with the very way of life of the band?

Miyako-wasure (Japanese asters)GLAY

From the title adorned with a traditional Japanese flower’s name, a certain nostalgic Japanese sentiment seems to drift forth.

This piece, whose prototype TAKURO composed in his junior high school days and nurtured over many years, appears near the end of GLAY’s album “BELOVED,” released in November 1996, and has long been passionately supported by fans as a hidden gem.

Alongside depictions of the seasons shifting from spring to summer and then to a hint of snow, the lyrical worldview that gazes upon an irretrievable past and the present is sure to tug tightly at your heart.

It is a highly polished mid-tempo ballad that was reportedly considered as a single at the time of its production.

On a quiet night spent alone, during moments of reminiscing about days gone by, why not listen closely and let it sink in?