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[Piano Recital] Carefully Selected Classical Pieces Recommended for Upper Elementary School Students

Children in the lower to middle elementary grades combine natural childlike innocence with a touch of precociousness born from admiring adulthood.

As their tastes for piano recital pieces start to show, some teachers may be struggling to find a piece that truly satisfies them.

In this article, we’ve selected classical works that are perfect for elementary and especially middle-grade students to perform at recitals.

Even within this age group, each child’s piano experience, performance level, and musical preferences vary.

We’ve gathered pieces that children are likely to enjoy from multiple angles—lively pieces, gentle and lyrical ones, and technically more challenging works—so please use this as a reference when choosing repertoire.

[Piano Recital] Carefully Selected Classical Pieces Recommended for Upper Elementary School Students (51–60)

Indian danceWilliam Gillock

Gillock: First Piano for Children, Indian Dance, pf. Sho Taguchi: TAGUCHI, Sho
Indian danceWilliam Gillock

This piece, inspired by Native American culture and rhythms, captivates with its simple yet powerful pulse and distinctive melody.

The drum-like accompaniment in the left hand is striking, while the right-hand melody unfolds in response.

Combining a steady beat with triplets, the work brims with the vigor and dynamism that many boys admire.

Included in the album “Two Indian Dances,” it also stands out for encouraging expressive playing as performers imagine the culture and stories behind the music.

Written in G major, its bright and lively character is sure to shine in recitals and competitions.

“Dance of the Natives” from Children’s Piano PiecesNakata Yoshinao

Though just one minute long, this powerful piece stands out among the 17 works included in the album “Children’s Piano Pieces.” Its strong rhythm, grounded in A minor, generates a distinctive sense of tension and vitality.

The work’s appeal lies in its striking melody: it employs a traditional Japanese pentatonic scale while exuding the vibrant energy of folk music.

It has been selected as a required piece for the PTNA Piano Step program and is well known at the Basic 5 level.

The hand-crossing technique leaves a strong impression on audiences, making it ideal for recitals and competitions.

This superb miniature captivates listeners with expressive flair while incorporating devices that draw out the performer’s technique.

Piano Sonata No. 8 “Pathétique,” Second MovementLudwig van Beethoven

Piano Sonata No. 8 “Pathétique” Second Movement – Beethoven — Beethoven – Pathétique Piano Sonata No. 8 Op. 13-2 – Classical Piano – CANACANA
Piano Sonata No. 8 “Pathétique,” Second MovementLudwig van Beethoven

Characterized by a gentle, song-like melody, this piece unfolds at a relaxed tempo in A-flat major and 2/4 time.

Structured in ternary form, it draws out a lyrical charm through the recurring, simple yet emotionally rich main theme.

Beyond its evocative use in the film “Immortal Beloved,” its melody is also quoted in Billy Joel’s “This Night,” reflecting a crossover with pop music.

While expressive and richly nuanced, the work is not overly demanding technically, making it suitable even for upper elementary school recital programs.

Its calm atmosphere belies its musical depth, making it an ideal choice for those who wish to study music earnestly.

The Confectionery World, No. 14: “Demon Arare”Yuyama Akira

Akira Yuyama / The World of Sweets No. 14: Oni Arare (Demon Rice Crackers) pf. Eiko Sudo
The Confectionery World, No. 14: “Demon Arare”Yuyama Akira

This is a short piece included on the album “The World of Sweets,” notable for its glittering, hard-edged piano sound.

Composed in 1973, the work creates a highly original sound world that brilliantly fuses Japanese and Western elements within a brief span of 1 minute and 25 seconds.

It opens in A minor with a 4/4 meter, achieving a hard, springy sonority through skillful use of dissonance and staccato.

With three-voice textures, complex rhythms, and thematic variations, it combines performance difficulty with strong appeal.

Frequently performed at recitals and competitions, it is cherished as a piece that tests expressive ability.

Highly recommended for those seeking fresh facets of classical music, it makes an effective closer for a program.

[Piano Recital] Carefully Selected Classical Pieces Recommended for Upper Elementary School Students (61–70)

Burgmüller 25 Easy and Progressive Studies, Op. 100 No. 20 “Tarantella”Johann Burgmüller

This is a passionate piece in 6/8 time, modeled on a traditional dance from southern Italy.

It features a vibrant, driving rhythm and light, graceful melodies, and was published in Paris in 1851.

Named after the southern Italian city of Taranto, the work skillfully captures the atmosphere of the folk dance that was actually performed there.

In the middle section, it modulates to the parallel major, shifting to a more brilliant character in a captivating structure.

With its sprightly rhythm and energetic melody, this piece is ideal for those who want to enjoyably build fundamental piano technique.

It also makes a wonderful choice for a recital, sure to captivate the audience.

Sonatina in A minor, Op. 27 No. 18Dmitri Kabalevsky

Con Brio Exam (CBE) Grade 3 Kabalevsky Op.27 No.18 Sonatina Sheet Music
Sonatina in A minor, Op. 27 No. 18Dmitri Kabalevsky

From its powerful main theme to the lyrical middle section, this miniature distills the essence of music into about one minute.

Composed in 1938 by Dmitry Kabalevsky, it opens with a sonorous A minor and unfolds a succession of richly expressive melodies.

Marked by clear rhythm and tonality, it moves listeners deeply without relying on flashy virtuosity.

For performance, the key point is to present the rhythmic opening theme with firm clarity.

In the middle section, a gentler expressiveness is required.

It’s an ideal piece for those who want to hone storytelling through music or make a strong impact with a short work.

Dance of the SwineherdBartók Béla

RCM Piano 2015 Grade 8 List D No.2 Bartok Swineherd’s Dance Sheet Music
Dance of the SwineherdBartók Béla

Motivated by Hungarian folk dances from the album For Children, this piece is one that especially highlights a boy’s cool, striking presence when performed.

The combination of lively, rhythmic keystrokes and a bouncy melody captivates the audience every time it’s played.

Although originally released in 1908 as an educational piano work, it also possesses a stage-ready brilliance and dynamism.

Because it is based on dances actually performed in rural Hungary, rhythm and expressiveness are essential.

It’s an ideal piece for a boy who has just awakened to the charm of the piano to cultivate his musicality through performance.