Songs with titles that start with “Na.” A hint for shiritori!
Do any songs come to mind that start with “na”? There are lots of words that begin with “na” and seem likely to be used in song titles—like “natsu” (summer), “nagisa” (beach), and “namae” (name).
In this article, we’ll introduce a bunch of songs with titles that start with “na.” Feel free to use this as a reference for shiritori using only song titles, or for karaoke shiritori where you pick the next song based on the last letter of the previous title.
Let’s dive right in!
- A compilation of Vocaloid songs with titles that start with “Na”
- Collection of song titles that start with 'Ni'
- Songs and famous songs with titles that start with “Ne”
- Songs with titles starting with 'Nu' [Great for karaoke & word-chain games!]
- A compilation of Vocaloid songs that start with “Nu”
- A roundup of songs with titles that start with “N” [There are actually more than you’d expect!!]
- Songs with titles starting with “No” (Perfect for karaoke and shiritori!)
- Songs with titles that start with “Sa”: a roundup you can use for shiritori or karaoke
- Recommended for teenage girls! Easy-to-sing karaoke songs
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
- A compilation of Vocaloid songs with titles that start with “N”
- Songs with titles that start with “Su.” A collection of tracks useful for shiritori.
- A compilation of Vocaloid songs with titles starting with “No”
Songs with titles starting with 'Na'. A hint for shiritori! (91–100)
Song of a Summer NightHirata Yoshihisa
This is a track by Vocaloid producer Yoshihisa Hirata, whose roots lie in jazz and city pop.
It was written specifically for the mobile game “Project SEKAI COLORFUL STAGE! feat.
Hatsune Miku,” and was later included on the full-length album “Nihon no Yoru.” The mixed, genre-blending sound arrangement is outstanding.
The lyrics, which reflect on a loved one on a summer night, are filled with searing passion and fleeting beauty.
It’s an urban number that makes you want to listen while feeling the night breeze.
Nagisa HotelKuwata Keisuke
It’s a dream-pop ballad that sings of memories of a bygone love and nostalgia for a place that no longer exists.
This is a solo work by Keisuke Kuwata, who has long been at the forefront of Japan’s music scene, written specifically for inclusion on his best-of album “Itsumo Dokokade,” released in November 2022.
The song was inspired by a hotel that once actually stood in Zushi, Kanagawa Prefecture, and its lyrics—evoking imagery like an empty, waterless pool—convey a poignant longing for lost time.
It’s also well-known as a UNIQLO commercial song featuring Kuwata himself, so many listeners may have thought, “What a great track.” Here, his increasingly seasoned vocals and the gentle melody showcasing his signature “Kuwata-bushi” style create a fragile yet warmly enveloping world.
It’s a perfect song for nights when you want to bask in memories of someone dear.
Nayuta no Utanayuta
It’s a ballad whose endlessly clear, transparent singing voice is its greatest charm.
This track was produced as a demo song for the VoiSona singing synthesis software library “Nayuta.” Nayuta is based on the voice of nayuta, known as a vocalist.
The silky vocals fit perfectly with the spacious, three-dimensional sound arrangement! The lyrics express a wish for “the infinite possibilities of music.” I think it will gently give you a push when you want to start something new!
Summer ResolutionŌe Senri
A pop number that brings back that excited feeling just before summer vacation started when you were a kid.
The pure-hearted anticipation of planning how to spend a short summer comes through directly on a bursting, effervescent melody.
Scenes like morning radio calisthenics and sparklers spring to mind, tightening your chest with a sweet sense of nostalgia.
Released in August 1994 as the 29th single, this song is also included on the best-of album “Sloppy Joe II.” It became familiar through Fuji TV’s program “Ponkikkies,” so many listeners may recognize it.
It’s a sparkling track that makes you want to hum along during a summer drive or while tidying up your room.
One-Sided Summer on the ShoreŌe Senri
A pop number with shimmering synths and a buoyant rhythm that feels oh so good.
It’s the B-side to the single “REAL,” released in March 1985, and it also appears on the classic album “Miseinen,” released the same month.
The worldview—where the weightless drift of unrequited love intersects with the unique exhilaration of summer—tightens your chest in the best way.
The refreshing, sea-breeze-like sound comes courtesy of arranger Nobuyuki Shimizu.
Senri Oe’s signature urban pop sensibility truly shines.
Perhaps because it’s based on a song from his amateur days, the piece is filled with a sweet, youthful freshness.
A dazzling masterpiece that makes you want to stride along a summer shoreline.
It’s sure to gently accompany your bittersweet feelings of love.
Tears and laughterChisato
Chisato is a singer with authentic vocal technique honed through classical training.
Since her re-debut in June 2010, she has captivated fans with her rich expressiveness.
This track commemorates the 15th anniversary of her singing career.
With lyrics by Toyohisa Araki and music by Tetsuya Gen, the song adopts a relaxed “spoken-song” style, weaving a portrayal of the complex emotions felt toward a loved one.
It’s a gem that blends an urbane mood with a deeply human mix of affection and frustration.
Be sure to check it out.
Why…Hysteric Blue
The fourth single by the rock band Hysteric Blue, who rose to popularity with their distinctive high-tone vocals and pop-leaning sound.
It poignantly sings about the frustration and heartache of love, where feelings miss each other despite being in love.
The pure question of why one’s feelings can’t get through rides on vocalist Tama’s endlessly soaring, emotional voice and truly hits home.
Released in July 1999, the song was used as the theme for the drama “P.S.
Genki Desu, Shumpei” starring Koichi Domoto, and reached No.
2 on the Oricon weekly chart.
Its heartrending melody, which swells in emotion toward the chorus, feels like it gently embraces an irresistible, helpless longing.