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Lovely artist

The fiery soul and the roots of folk felt in Tsuyoshi Nagabuchi’s classic song

Tsuyoshi Nagabuchi continues to breathe a fiery soul into the Japanese music scene.

Since his 1977 debut, he has freely expressed profound messages through his powerful voice and moving lyrics.

The hope embedded in “Kampai” and “Himawari,” the heartrending feelings in “Gekiai,” and the deep love for “Family”—each song carries messages that continue to resonate with our lives.

Here, we present the gems of Tsuyoshi Nagabuchi’s music, forged as he has carved out new horizons with a vocal style often described as a cry from the soul.

The fiery spirit and the roots of folk felt in Tsuyoshi Nagabuchi’s classic songs (61–70)

Silent AfghanistanNagabuchi Tsuyoshi

Silent Afghan (from “Tsuyoshi Nagabuchi ALL NIGHT LIVE IN Sakurajima 04.8.21”)
Silent AfghanistanNagabuchi Tsuyoshi

The song that addresses the Afghanistan conflict following the September 11, 2001 terrorist attacks in the United States is Tsuyoshi Nagabuchi’s “Shizuka Naru Afghan” (“Silent Afghan”).

Nagabuchi is one of the few musicians known for using the power of music to voice opinions about his country and politics.

Released as a single in 2002, “Shizuka Naru Afghan” features the kind of frank and uncompromising lyrics characteristic of Nagabuchi.

Unfortunately, the lyrics were considered too direct, which led to the song being banned from television and radio broadcasts, but it’s an anti-war song I really hope you’ll listen to at least once.

Hang in there!Nagabuchi Tsuyoshi

Wii U Karaoke Tsuyoshi Nagabuchi - Kibaiyanse
Hang in there!Nagabuchi Tsuyoshi

It may sound a bit rough in the Kagoshima dialect, but it’s a song that hits you later, like friends or seniors encouraging you when you’re about to give up.

Nagabuchi’s manly, dialect-infused encouragement really carries weight.

Adding “yanse” makes it sound softer, doesn’t it?

Nagabuchi Tsuyoshi

Takuya Nagabuchi “Kanpai” (by-era version)
Nagabuchi Tsuyoshi

Tsuyoshi Nagabuchi is an artist known for his manly, high-energy performances and a large base of passionate fans.

His signature songs include “Kanpai” and “Tonbo.” If you’re going to impersonate him, start with the look: a leather jacket, sunglasses, and an acoustic guitar to get closer to Nagabuchi’s vibe.

His singing style—pronunciation and vocal delivery—varies by era, so focusing your impression on a specific period can be interesting.

He’s highly recognizable among men in their 50s and older, so give it a try!

Goddess SwingNagabuchi Tsuyoshi

Tsuyoshi Nagabuchi – Goddess Swing (from “ARENA TOUR 2010-2011 TRY AGAIN”)
Goddess SwingNagabuchi Tsuyoshi

“Megami no Swing” (“Goddess’s Swing”) is a song included on Tsuyoshi Nagabuchi’s 22nd album, “TRY AGAIN,” released in 2010.

The song is set in New York.

Its lyrics evoke a young person’s dream world, as if singing while standing in the heart of New York.

Someday’s BoyNagabuchi Tsuyoshi

This is a song that laments, overlapping the singer’s current hardship with the image of the boy he once saw in himself.

The acoustic guitar’s simple tone highlights a straightforward, storytelling vocal.

It’s a stripped-down, masculine track pared to the absolute essentials.

Sunset SongNagabuchi Tsuyoshi

It seems that sunsets make people feel longing.

I’ve started walking my own path alone, but a glimpse of the sunset suddenly makes me think of the one I love and want to see them.

Nagabuchi’s torn, aching voice makes the feelings for my lover even more poignant.

It feels as though the sunset has shown me my weary, real self.

futureNagabuchi Tsuyoshi

It’s a single by Tsuyoshi Nagabuchi released in May 2013, which ranked 15th on the Oricon weekly chart.

It was used as the theme song for NHK’s broadcast “Shima no Sensei” (Island Teacher).

It’s a song that conveys the bonds between people.