The fiery soul and the roots of folk felt in Tsuyoshi Nagabuchi’s classic song
Tsuyoshi Nagabuchi continues to breathe a fiery soul into the Japanese music scene.
Since his 1977 debut, he has freely expressed profound messages through his powerful voice and moving lyrics.
The hope embedded in “Kampai” and “Himawari,” the heartrending feelings in “Gekiai,” and the deep love for “Family”—each song carries messages that continue to resonate with our lives.
Here, we present the gems of Tsuyoshi Nagabuchi’s music, forged as he has carved out new horizons with a vocal style often described as a cry from the soul.
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The fiery spirit and the roots of folk felt in Tsuyoshi Nagabuchi’s masterpieces (51–60)
Woman, sorry.Nagabuchi Tsuyoshi

I think Tsuyoshi Nagabuchi ranks among the top ten most masculine men in Japan.
I used to think, “Even Tsuyoshi Nagabuchi apologizes to women, huh,” but actually that makes him even more manly.
The way he casually, almost playfully apologizes fits perfectly with the cool image Japanese men aspire to.
Among Nagabuchi’s songs, I think this is an easy-to-listen-to, upbeat number.
I’m glad it wasn’t a sneeze.Nagabuchi Tsuyoshi

The melody is quite hard to sing, but the content of the song is kind of cute (lol).
Since it’s up-tempo, I think the chorus will stick in people’s heads.
When Tsuyoshi sings, it seems like he can make any lyrics sound cool (lol).
Our NiraikanaiNagabuchi Tsuyoshi

This song was composed in an Okinawan style.
As someone who loves Okinawa, I fell in love with it instantly (lol).
Listening to this makes me want to drive around Okinawa as soon as possible! Within this mellow tune are warm, heartfelt words—it’s a truly wonderful song.
SakurajimaNagabuchi Tsuyoshi

Since it’s a song inspired by his hometown’s Sakurajima, you can tell Tsuyoshi puts even more spirit into his singing, and you can already feel how cool the track is even before the vocals come in (lol).
If you heard it live, you’d probably get goosebumps!
The fiery spirit and the roots of folk felt in Tsuyoshi Nagabuchi’s classic songs (61–70)
Captain of the shipNagabuchi Tsuyoshi

I think this is Tsuyoshi’s longest song.
It’s a track filled with his passionate feelings, and when he sings it, it looks like he’s singing as if his life depends on it (sweat).
It really carries his sincere, earnest feelings about the times.
Salty crescent-moon nightNagabuchi Tsuyoshi

It’s the theme song for the movie Water Moon, and for some reason it has a somewhat wistful tone.
I’ve been listening to it since I was little, so it’s a song that calms me.
I love how the chorus begins—I interpret it as expressing something like a lament, or maybe a cry, something along those lines.
It’s nothing good.Nagabuchi Tsuyoshi

Tsuyoshi Nagabuchi, whose songs about burning manly passion are supported by men of his generation.
His track “Rokuna Mon Ja Nee,” released in 1987, became a major hit as the theme song for the drama Oyako Zigzag, in which Nagabuchi himself starred.
It’s a well-known song that many people have heard, not only those who remember the era but also thanks to its huge success.
It creates a rugged, cool vibe yet also gets everyone fired up as a karaoke song—by the chorus it turns into a big sing-along.
It’s a number I highly recommend to anyone who’s been feeling stressed out lately.


