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Memorable Youth Songs: Looking Back on New Music Masterpieces from the 1970s–80s

New Music, which incorporated elements of folk and rock while remaining more approachable, captured the hearts of many.

GARO’s “Gakuseigai no Kissaten” and Kaguyahime’s “Kandagawa” gently portrayed the everyday lives of young people at the time, while Alice’s “Champion” and Masashi Sada’s “Kampaku Sengen” powerfully voiced down-to-earth feelings.

These classic songs that colored the memories of youth continue to resonate with many people even today.

Here, we present a selection of exquisite gems from the 1970s, woven with delicate lyrics and melodies.

Unforgettable Youth Songs: Revisiting the New Music Classics of the ’70s–’80s (31–40)

Cape TourYamamoto Kōtarō to Uīkuendo

It’s a classic song that poignantly portrays a bittersweet love journey, marked by striking images of a beautiful sea and cape.

The gentle, refreshing melody harmonizes beautifully with lyrical verses that circle around memories of a cherished person who has been lost.

The delicate depiction of traveling alone on a trip once promised to a loved one conveys a quiet resilience—a resolve to move forward while carrying sorrow.

Yamamoto Kotaro and The Weekend debuted with this song in June 1974, and it became a major hit, reaching No.

5 on the Oricon charts.

It has long been beloved as the station melody on the Keikyu Kurihama Line and was also used as the ending theme for the anime Heaven’s Lost Property.

For those who have experienced parting from someone dear or who carry deep feelings in their hearts, this song will gently keep them company.

A Midsummer IncidentHirayama Miki

Miki Hirayama / Midsummer Incident ~ Now and Then
A Midsummer IncidentHirayama Miki

A bittersweet love story woven with a gentle, husky singing voice.

It’s a masterpiece that vividly captures the emotions of a man and woman traveling by car on a midsummer night.

Jun Hashimoto’s bold lyrics and Kyohei Tsutsumi’s funky sound are a perfect match, while Miki Hirayama’s vocal prowess further elevates the song’s appeal.

Released in May 1971, it reached No.

5 on the Oricon charts.

A remake in 1999 breathed new life into the track when it was used as the ending theme for the film Adrenaline Drive.

With its distinctly American groove and striking string arrangements, this song is perfect as BGM for driving scenes or for sinking into the bittersweet memories of summer.

The last spring breakMatsutōya Yumi

The Last Spring Break / Saigo No Haru Yasumi (2022 Mix)
The last spring breakMatsutōya Yumi

A beautiful ballad by Yumi Matsutoya that gently embraces the transience of the season when spring arrives and the milestone of graduation.

With tender emotion, it portrays the feelings of saying goodbye to student life while carrying a faint crush and lingering attachment, set against quiet scenes of the school.

Included on the album “OLIVE” and released in July 1979, this piece features Matsutoya’s delicate vocals and soft piano melody that resonate deeply.

It gently depicts moments that evoke nostalgic memories—such as classrooms bathed in spring sunlight and the sound of footsteps along long corridors—and is a song that, when listened to with older adults, can spark lively reminiscences of each person’s youthful days.

GraduationMatsuyama Chiharu

With a gentle singing voice that warmly watches over new chapters in life, this spring melody has echoed across Hokkaido.

Chiharu Matsuyama’s beautiful ballad invites us to look back on our youthful days while filling us with hope for the future.

The soulful guitar tones and clear, soaring vocals are sure to bring back many memories.

Released in 1979, the song was created as the theme for STV’s program “Graduation at Kushiro High School.” It was also included on the album Seishun (Youth) and continues to be cherished as a classic folk song.

Why not spend a heartwarming time reminiscing together with older adults, letting nostalgic stories blossom?

If we ever meet in the city somedayNakamura Masatoshi

It’s a gently written, heart-touching classic about memories of a past lover and the wish to meet again.

From parting in the city of memories, to love and resentment, and even the moment when dreams were shattered, it weaves together every moment the two spent together.

Masatoshi Nakamura’s warm vocals blend beautifully with the soothing melody crafted by Takuro Yoshida, resulting in a song that evokes both nostalgia and bittersweet longing.

Released in May 1975, it was used as an insert song in the drama “Oretachi no Kunshō” and reached No.

6 on the Oricon charts.

Many artists, including Naoko Ken and Masayuki Suzuki, have covered it.

It’s a song you’ll want to listen to if you’ve experienced parting from someone dear, or when you’re in the mood to reminisce about the past.

Unforgettable Youth Songs: Revisiting New Music Masterpieces from the 1970s–80s (41–50)

The memories are too beautifulYagami Junko

Junko Yagami’s major-label debut song, which sings of a love forever out of reach, framed within beautiful memories.

A superb ballad where a sophisticated bossa nova-tinged melody intertwines with her lustrous vocals.

With lyrics that poignantly and beautifully depict a lost love, and a transparent, elegant sound, it can be considered the very essence of classic New Music.

Released in January 1978, it reached No.

25 on the Oricon chart.

It was also included on the album “Omoide wa Utsukushisugite” and selected as the theme song for Nippon Broadcasting’s “Cocky Pop.” This work is a timeless classic that gently accompanies hearts feeling the sorrow of parting with a loved one and the nostalgia for a past that can never return.

Recommended for those moments when you want to surrender to a soothing melody and immerse yourself in memories of days gone by.

Parting at 22kaguya hime

Farewell at 22 / Akasaka Folk Village [Tried Singing]
Parting at 22kaguya hime

This moving farewell song by Kaguya-hime truly resonates with the heart.

It portrays a 22-year-old woman deciding to part ways with her lover—a theme that young people can easily relate to.

It’s characterized by Shozo Ise’s poetic lyrics and Takahiko Ishikawa’s memorable guitar intro.

Released in February 1975, the song became a major hit, selling 708,000 copies on the Oricon charts.

If you sing it at karaoke, it’s best to savor the lyrics—filled with gratitude toward the other person and lingering feelings—and perform it with emotion.

It’s a song I’d love not only seasoned romantics to hear, but also young people just beginning their journey in love.