Classic and hit kayōkyoku songs from the nostalgic 1960s
The 1960s are often remembered for Group Sounds and rock, but in reality, the charts were largely dominated by kayōkyoku (Japanese popular songs).
It was also still a time when enka remained popular, and even those who were children back then probably have a rich repertoire of enka and kayōkyoku.
This time, we’re spotlighting nostalgic kayōkyoku from the music of the 1960s.
The 1960s were an era when classic, mainstream kayōkyoku drew the most attention.
If you’d like to look back on memories from that time through music, be sure to read this article to the end.
Classic and hit songs of nostalgic 60s Kayōkyoku (1–10)
Isn’t it fine as long as you’re happy?Sara Naomi
It is one of the iconic masterpieces representing the heyday of kayōkyoku in the 1960s.
Naomi Sagara’s gentle voice beautifully conveys the moving melody and lyrics.
Released in July 1969, the song won the Grand Prize at the 11th Japan Record Awards that same year—an unprecedented achievement for a female singer.
With lyrics by Tokiko Iwatani and music by Taku Izumi, this celebrated duo crafted a song that carries the message of valuing one’s own happiness without being bound by others’ judgments.
Its universal appeal is evident in its enduring popularity across generations and the many cover versions by a variety of artists.
In the pouring rainWada Akiko
This song by Akiko Wada is known as the work that launched her to stardom.
Through the image of a woman walking in a downpour, it conveys the aching pain of a heartbreaking breakup.
Released in April 1969, it became a major hit, reaching No.
19 on the Oricon charts.
Its powerful vocals and emotionally resonant lyrics left a strong impression and captured many hearts.
It’s a song you’ll want to listen to when you’re in a wistful mood—walking in the rain, recalling memories of a former lover.
A classic that fully showcases Akiko Wada’s vocal prowess.
school daysPegī Hayama
This piece is known as one of Peggy Hayama’s signature songs.
It’s a charming pop number that nostalgically looks back on student days.
The lyrics, which evoke the atmosphere of a mission school, leave a strong impression.
Released in 1964, it became a million seller and was performed at the NHK Kōhaku Uta Gassen the following year.
Highly recommended for those who want to fondly recall their youth.
Peggy Hayama’s gentle voice is sure to soothe the heart.
Scat at DawnYuki Saori
This song is distinguished by scat singing that beautifully depicts the scene of daybreak.
Saori Yuki’s transparent voice blends perfectly with Izumi Taku’s delicate composition.
Released in May 1969, it topped the Oricon weekly singles chart for eight consecutive weeks.
It was performed at the 20th NHK Kōhaku Uta Gassen that same year, propelling it to fame.
The piece was reportedly created as the opening theme for a late-night radio program.
Listening to it in the quiet moments before sunrise will soothe your heart.
It’s the perfect track for those leading busy lives.
Just as there are stars in the skyAraki Ichiro
Araki Ichirō’s signature song, released in 1966, continues to resonate with many listeners.
Its lyrics delicately depict lost dreams and the changing seasons, leaving a strong impression with a sense of melancholy and wistfulness.
The work became a hit with over 600,000 copies sold and won the New Artist Award at the 8th Japan Record Awards.
A 10th-anniversary remake was released in 1976, and the song has remained beloved over the years, even being featured in the 2003 NHK morning drama series Teruteru Kazoku.
It’s a song that offers comfort to those who have experienced heartbreak or parting—why not savor its unforgettable voice?
A woman aloneDyūku Eisesu
Released in 1965, this song indirectly portrays a heartbroken woman against the backdrop of Kyoto’s beautiful scenery.
It objectively expresses the city’s highlights alongside the woman’s sadness, making it a lovely piece that renews one’s appreciation for the beauty of the Japanese language.
The Duke Aces, who perform it with rich harmonies, are wonderful as well.
Always keep your dreamsHashi Yukio, Yoshinaga Sayuri
It’s the 1962 release that won the 4th Japan Record Award.
It also sounds like a message song directed at Japan, which was still a developing country at the time, and since the two hugely popular artists performed it as a duet, it was bound to be a hit.
Surprisingly, it’s still being used these days, even in commercials.
In any case, although she remains beautiful now, Sayuri Yoshinaga’s delicate, youthful appearance back then is especially memorable.