Collection of song titles that start with 'Ni'
How many songs can you think of with titles that start with “Ni”?
Since “ni” includes the big word “niji” (rainbow), there are lots of songs whose titles start with “ni” that use “niji” in the title.
In this article, we’ll introduce not only “Niji,” but a variety of songs whose titles start with “ni.”
We’ve picked out all kinds of tracks, from theme songs used in dramas and movies to hype tunes that make you want to sing along.
When you use “Niji” in a song-title shiritori game, don’t forget to say whose song it is!
- Compilation of Vocaloid songs starting with “Ni”
- Songs with titles starting with 'Nu' [Great for karaoke & word-chain games!]
- Songs with titles starting with “No” (Perfect for karaoke and shiritori!)
- A compilation of Vocaloid songs with titles that start with “I.”
- A compilation of Vocaloid songs with titles that start with “Na”
- Masterpieces with titles that start with 'A'
- A roundup of songs with titles that start with “N” [There are actually more than you’d expect!!]
- Songs with titles that start with “Na.” A hint for shiritori!
- Masterpieces That Sing of Rainbows: A Selection of Recommended Popular and Latest Songs
- Songs and famous songs with titles that start with “Ne”
- A compilation of Vocaloid songs with titles that start with “N”
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
- A compilation of Vocaloid songs with titles starting with “No”
Collection of song titles that start with 'Ni' (71–80)
Imperial Japanese ArmyFukasawa Toyokichi
This is a piece that evokes the spirit of the Meiji era, portraying the Japanese Army in a heroic light.
Composed by Toyokichi Fukazawa with lyrics by Kenshū Ōwada, it expresses soldiers’ sense of mission and pride through a solemn melody.
Consisting of ten verses, the lyrics dramatically depict the roles of various branches, unfolding a story from deployment to triumphal return that is sure to move listeners.
Said to have first appeared in July 1904, its dignified performance by the Army Toyama School Band was preserved on SP records.
The song continued to be cherished and passed down, appearing on compilations such as the 1988 album “Authentic Military Songs: Army Edition” and the 1998 album “Military Song Memorial: 130 Years Since the Meiji Restoration,” giving new audiences a chance to experience its melody.
Historically, it was widely performed at military ceremonies and during departures and homecomings, inspiring many people.
For those who wish to connect with Japan’s historical path and the feelings of those who lived in that era, this work may well leave a lasting impression.
Since I have so much luggage, I’m curious to see what I forgot.Tinkāberu Hatsuno
“I’m excited to see what I forgot because I’ve got so much luggage” is a number that shines with a humorous perspective, released on April 1, 2025.
It’s an upbeat electronic track, with lyrics themed around a massive 1,000 liters of baggage.
“I can’t wait to find out what I forgot after bringing all this stuff”—isn’t that a worldview you’ve never encountered before? The sprightly beat and synth tones feel somehow nostalgic and familiar.
Perfect for taking a breather amid a busy day.
The Little MermaidFujita Maiko
This is a famous song by Maiko Fujita that sings about the real pain of love, inspired by the motif of a sorrowful princess from a fairy tale.
Even though she fell in love first, her feelings never reach him, and she wishes for his happiness as her love dissolves like bubbles—such self-sacrificing affection tightens your chest, doesn’t it? With a passionate, Latin-influenced sound that sets it apart from conventional piano ballads, it feels as if it expresses the fierce emotions hidden within.
Included on the October 2021 album “Wasurerarenai Hito” (The One I Can’t Forget), this song will surely resonate deeply with anyone experiencing a devoted, heartrending love—wishing for the happiness of the one they love, even knowing it won’t be returned.
Rainbow-Colored WarSEKAI NO OWARI
In contrast to its pop, slightly fantastical sound, this song by SEKAI NO OWARI pierces with a biting message.
From the perspective of small creatures like flowers and insects, the work exposes the deceit behind the “peace” and “freedom” proclaimed by humans.
The theme of the “invisible war” we join without noticing—or pretend not to notice—is quintessentially SEKAI NO OWARI.
The track appears on EARTH, a landmark indie-era album released in April 2010.
It’s a song that makes you realize that our ordinary, everyday lives may be built upon someone else’s sacrifice.
NEW YEAR’S EVEHamada Shogo
A classic ballad by singer-songwriter Shogo Hamada that portrays the gentle parting of two people who have been together for many years.
You can almost see the scene of a New Year’s Eve night when, caring for each other yet choosing different paths for the sake of their respective futures, they decide to part ways.
Listening to this song, some may quietly reflect on a past farewell and wonder, “Did that decision allow us both to take a new step forward?” The track was included on the album FATHER’S SON, released in March 1988, and was later self-covered by Hamada.
For those who have had to make a painful choice, this song may feel like one that gently embraces that decision and gives you the strength to look ahead—an intimate companion to the heart.
Rainbow BayonHikawa Kiyoshi
A masterpiece of enka-kayō passionately performed by Kiyoshi Hikawa, whose fiery, passionate vocals are so captivating.
The melancholic enka melody is infused with a bayon rhythm that evokes an exotic atmosphere, portraying the vivid resurgence of unforgettable memories of a past love.
Released in August 2010 as his 18th single, it peaked at No.
3 on the Oricon charts.
The strong sales of the album that bears this title, “Enka Meikyoku Collection 13: Nijiiro no Bayon,” also show how widely it was embraced.
It’s the perfect song for a night when you want to look back fondly and beautifully on a love from the past.
New Grand HotelYazawa Eikichi
This is a mature rock number whose rebellious edge and wistful vocals by Eikichi Yazawa seep into the heart.
Released in September 1988 as his 27th single, the track appears on the London-recorded masterpiece “Accomplice.” It also became well known as the theme song for Ginza Jewelry Maki’s Camellia Diamond commercials.
The lyrics portray a worldview where frustration at being unable to stop someone from leaving mingles with resignation.
That aching emotion meshes perfectly with the sound—brisk yet tinged with a certain dampness—and with Yazawa’s distinctive vocal delivery.