Songs with titles starting with 'O' [Great for karaoke and shiritori!]
Songs with titles starting with “O” often feature unique names—like those using characters meaning “dance” or “gold,” as well as Osaka-themed songs.
They also tend to be great for getting everyone fired up when singing! I can’t think of many off the top of my head, so I want to look some up…
This is a list that might come in handy at such times: songs with titles that start with “O.” Use it when you’re wondering, “What songs start with ‘O’?” and also as a prompt for shiritori or when choosing tracks at karaoke.
- Vocaloid songs that start with 'O'
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- Songs with titles that start with “wo.” Useful as hints for karaoke and shiritori!
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- Songs with titles that start with 'Ke'
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- A compilation of Vocaloid songs with titles that start with 'wo' (を)
- Songs by Yoshimi Tendo, the songstress born in Osaka, that are easy to sing
- Songs with titles starting with “No” (Perfect for karaoke and shiritori!)
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
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- Songs with titles that start with 'de'. Perfect as hints for karaoke or shiritori!
Songs with Titles Starting with “O” [Great for Karaoke & Shiritori!] (441–450)
The Hungry Tummy Songsakushi: sakata hiroo / sakkyoku: onaka megumi
This is a delightful children’s song by Hiroo Sakata (lyrics) and Megumi Oonaka (music) that humorously portrays hunger.
With a simple, friendly melody and lyrics that gently capture everyday moments of children, it’s a work that’s sure to bring a smile.
First released in 1960, it was performed by the Froebel Boys’ Choir when it aired on NHK’s “Minna no Uta” in 1962.
Loved for many years since, it was rebroadcast in July 2021.
It’s perfect for singing together as a family when you’re hungry or during snack time—smiles come naturally.
It’s also an ideal song for lunch during field trips or picnics.
Sing it together, and your mealtime will become an even more memorable, joyful moment.
The Bento Box SongSakushi: Kayama Yoshiko / Sakkyoku: Kobayashi Akihiro
This is a fingerplay song, beloved by children, that cheerfully introduces the contents of a lunchbox.
Miyako Kayama’s warm lyrics perfectly match Akihiro Komori’s bright, friendly melody, resulting in an uplifting tune.
It’s fun to sing while doing the hand motions, and the lively storytelling is part of its charm.
Released as a single by Nippon Columbia in August 1978, the song was featured on NHK’s “Okaasan to Issho” and the Nippon TV network’s “Ohayō! Kodomo Show,” gaining widespread popularity.
It’s a delightful song that makes moments centered on food—like packing lunches or getting ready for a field trip—even more enjoyable.
Songs With Titles Starting With 'O' [Great for Karaoke & Shiritori!] (451–460)
Story FingerSakushi: Kayama Yoshiko / Sakkyoku: Yuyama Akira
This is a heartwarming children’s song that you can enjoy while doing hand play.
By imagining your fingers as cute family members, it unfolds like a conversation between characters, so it’s great fun to sing while moving your fingers together with your child! Created by Yoshiko Kayama and Akira Yuyama, the piece was first introduced in February 1962 on the NHK radio program “Toddler Time,” and has been included on many classic recordings, such as the album “Children’s Songs by Age (2) Ages 1–2.” Its simple lyrics and melody are charming and perfect for parent-child bonding.
Widely loved as a staple hand-play song that’s hugely popular in kindergartens and nursery schools, it has also been featured on NHK’s “Okaasan to Issho.” The bright, cheerful melody makes it easy to sing and is sure to bring a smile to your child’s face.
The memories are too beautifulYagami Junko
Junko Yagami’s major-label debut song, which sings of a love forever out of reach, framed within beautiful memories.
A superb ballad where a sophisticated bossa nova-tinged melody intertwines with her lustrous vocals.
With lyrics that poignantly and beautifully depict a lost love, and a transparent, elegant sound, it can be considered the very essence of classic New Music.
Released in January 1978, it reached No.
25 on the Oricon chart.
It was also included on the album “Omoide wa Utsukushisugite” and selected as the theme song for Nippon Broadcasting’s “Cocky Pop.” This work is a timeless classic that gently accompanies hearts feeling the sorrow of parting with a loved one and the nostalgia for a past that can never return.
Recommended for those moments when you want to surrender to a soothing melody and immerse yourself in memories of days gone by.
inferiorTomioka Ai
Ai Tomioka is a female singer-songwriter who’s gained popularity for her catchy musical style.
While she often gives the impression of having many cute songs, her new track “Otorii” carries a somewhat downbeat mood.
The chorus feels a bit brighter, but the A and B sections feature very relaxed, laid-back vocals.
Overall, the song has a narrow range and is sung mostly in the mid-register.
For women with lower voices, the A and B sections will particularly shine, so consider adding it to your repertoire.
Fragments of Men and WomenMaekawa Kiyoshi
A standout hit from the early Heisei era with a strong Showa kayō vibe, this song showcases lyricist Toyohisa Araki’s flair—having the title read as “kakera” instead of “hahen.” ‘Otoko to Onna no Kakera’ was released in 1991 as a single by Kiyoshi Maekawa and is one of his signature songs, beloved in karaoke.
As mentioned, it leans more toward classic Showa pop than straight enka.
While techniques like kobushi appear, the overall difficulty is relatively modest, making it approachable even for beginners to enka.
Don’t be shy—channel Maekawa himself and try expressing your own take on this “cool, grown-up song”!
If I don’t do it, who will?Kitajima Saburō
Here I’d like to introduce a song that’s relatively easy to sing yet a bit on the challenging side: “Ore ga Yaranakya Dare ga Yaru” (“If I Don’t Do It, Who Will?”).
Among Saburo Kitajima’s masculine songs, this one in particular brings together a wide range of techniques, featuring from the very beginning a powerful vibrato with a shouted edge.
As for kobushi (ornamental pitch turns), they appear frequently, but you’ll rarely encounter ones that shift more than three scale degrees, so the difficulty there is on the lower side.
If you sing with an awareness of strength and of contrasts between stillness and motion, your vocal line will have sharper definition, so try to keep those aspects in mind as you perform.