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From J-pop to folk songs! Popular and classic Okinawan tunes

For those of you looking for songs from Okinawa, this article introduces a wide variety of music related to the islands.

We’ve picked out everything from J-pop themed around Okinawa and Okinawan pops to traditional folk songs that have been passed down for generations.

Okinawan music is so captivating, isn’t it? From instruments like the sanshin and other traditional Japanese instruments to its distinctive vocal style—and that unmistakably Okinawan vibe!

Getting a bit musical here, but Okinawan music often uses a five-note scale known as the Ryukyu scale or the yo-nuki scale, built on the notes do–mi–fa–so–ti–do.

That very resonance of the Ryukyu scale is the secret behind the uniquely Okinawan atmosphere you feel in these songs!

Listen to the tracks we’re about to introduce and soak in the spirit of Okinawa.

Okinawan Songs (71–80)

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This song, with an intro that instantly makes you want to sing along, is a track from the 2022 album “Nanairo Tokage.” It’s a rock tune featuring a strikingly distorted, crisp guitar sound, making it incredibly pleasant to listen to.

As evidenced by the fact that its music video was released on June 23, 2022—Okinawa Memorial Day—the song carries a message that reflects on Okinawa’s past and entrusts hope to the future by accepting it.

Coming from artists who hail from Okinawa, this heartfelt wish for peace and happiness resonates with even greater conviction.

poem, song, folk songNatsukawa Rimi

Rimi Natsukawa “Poem, Song, Uta” (Lyric Video)
poem, song, folk songNatsukawa Rimi

A heartwarming song from a songstress born in Okinawa! Rimi Natsukawa’s voice gently resonates in our hearts.

This gem of a track is filled with the desire to encourage and support people through the power of song.

Based on Natsukawa’s own experiences, the message that singing itself can be healing soaks into the heart along with its warm melody.

Released digitally in May 2024 and on CD in January 2025, the song was also featured as the new commercial theme for Tenrei Kaikan.

It was performed on her 25th anniversary concert tour, becoming a major topic among fans.

In tough or sorrowful times, why not listen to this song and let it heal your heart?

Ryukyuan classical music (71–80)

The sentiments of the poets of that time transcend the ages.

From here, I’ll carefully select and introduce well-known pieces from Ryukyu classical music—court music cherished during the Ryukyu Kingdom era. Ryukyu classical music features songs based on the basic 8-8-8-6 syllabic pattern, called Ryuka, sung to the accompaniment of the sanshin and the koto. These are deeply evocative songs that convey the sentiments of old to the present day. Related articles:[Ryukyuan Music] Folk and Classical Music of the Ryukyu Islands

Ryukyuan Classical Music (1–10)

Kagiya-de Fūbushi

Ultra-rare: Kagiyade Fubushi (with subtitles)
Kagiya-de Fūbushi

Among Ryukyuan classical music, this is a well-known standard piece.

It is a celebratory song often performed at festive occasions such as weddings.

The lyrics are, of course, written in the Okinawan dialect and express the joy of a happy event.

Hello UncleKina Shōkichi & Chanpurūzu

Shoukichi Kina & Champloose – Haisai Ojisan
Hello UncleKina Shōkichi & Chanpurūzu

One of Okinawa’s most prominent artists, Shoukichi Kina, released this as his debut song, which he is said to have written when he was in middle school.

The “uncle” who appears in the song supposedly became the way he is because of tragic experiences in the war, and behind the cheerful melody lies a deep wish for peace.

Ken Shimura’s “Weird Uncle,” sung in one of his comedy sketches, is a very famous parody of this song.

Naka Fu-bushi

Japan/Okinawa (Ryukyuan classical music) “Nakafū” (solo vocals)
Naka Fu-bushi

One of the classical pieces of Ryukyuan folk music, songs that use a 5-7-8-6 or 5-5-8-6 syllabic pattern, as opposed to the Ryuka form of 8-8-8-6, are called naka-uta (middle songs).

There is also a theory that they are called naka-uta because they represent a compromise between the Ryuka form and the Waka form.

This piece suggests that, since ancient times, there has been exchange with the Japanese mainland, and that various cultures blended together in the creation of Ryukyuan folk music.