[2026] A roundup of popular theme and opening songs from TV period dramas

Theme of the Oedo Detective NetworkTAMAKI Hiroki

Oedo Detective Network Theme — Composed by Hiroki Tamaki

It’s a piece defined by a complex, dynamic structure that makes full use of irregular time signatures.

Composed by Hiroki Tamaki in 1970, the track blends perfectly with the narrative of “Oedo Sosamo” (The Edo Investigative Network), and has been cherished by many as a landmark among period-drama theme songs.

Its full-orchestra vibrancy suits the show’s righteous-justice storyline to a tee.

The Western-style orchestration and distinctive rhythms deliver both tension and drive to the viewer.

Another appealing aspect is the existence of multiple versions, including a new recording made in 1979 to coincide with the theatrical film release.

It’s a must-listen not only for jidaigeki fans but also for music enthusiasts.

A Man’s YearsSatomi Kotarō

A Man's Years by Kotaro Satomi

Kotaro Satomi has long remained at the forefront as a leading star of period dramas.

Chosen as the theme song for the second season of the popular Nippon TV series “Cho Shichiro Edo Nikki,” which he starred in, was “Otokono Saigetsu” (“A Man’s Years”).

Released as a single in 1988, it was coupled with the track “Otoko no Ryoshu.” The song beautifully captures the protagonist Matsudaira Cho Shichiro—played by Satomi—his stern resolve that shows no mercy to evil and his warm compassion for ordinary people.

With lyrics by Iori Yamamoto and music by Hiro Nagasawa, the piece poignantly portrays a man who, while reflecting on the past, keeps his eyes forward and walks on.

It’s the kind of classic you’ll want to listen to slowly in those brief moments amid busy days, savoring the depth of life.

Ah, there are tears in life.Satomi Kôtarô, Yokouchi Masashi

Ah, Life Has Tears (Mito Kōmon) by Kōtarō Satomi and Tadashi Yokouchi

The duet by Kotaro Satomi and Tadashi Yokouchi is a moving masterpiece that sings of life’s joys and sorrows.

Released in 1973, it has long been beloved as the theme song for the long-running period drama Mito Komon.

Set to a grand arrangement woven from traditional Japanese instruments and brass, their voices capture the subtleties of human experience.

Reissued multiple times from the 1980s through the 1990s, it has continued to be cherished across generations.

When you feel lost in life or face hardships, listening to this song will surely give you courage.

Its hopeful message—that a smile always awaits after tears—gently warms the hearts of its listeners.

Theme of the Unruly ShogunKikuchi Shunsuke

Abarenbō Shōgun Opening Theme

This piece, which debuted as the opening theme for the period drama Abarenbō Shōgun that began airing on TV Asahi in January 1978, is known for its striking tone and melody that leave a powerful impression on viewers.

It features hallmarks often found in Shunsuke Kikuchi’s work: pentatonic lines, a robust brass sound, and a fast 16-beat tempo.

In particular, the “Seibai Theme,” the BGM used for sword-fighting scenes, employs a weighty rhythm that matches the dramatic developments, instantly drawing viewers into the world of the show.

Widely beloved in Japan, the piece has also been used in a range of settings, including school sports days and as a cheer song at high school baseball games.

Defined by its bravery and dynamism, it powerfully enhances the show’s heroic moments.

It’s the perfect track when you want to feel energized or boost your motivation!

Opening ThemeTsushima Toshiaki

TV 'Onihei Hankachō' Opening Theme (Complete Version)

The opening theme of Onihei Hankachō, composed by Toshiaki Tsushima, is a masterpiece that has long been cherished as a towering achievement in period drama music.

Its weighty orchestration and tension-filled rhythms superbly capture the harshness of Edo-era life and the protagonist Heizo’s complex inner world.

Created for the television drama series that began in 1989, the piece is included on Tsushima’s album Onihei Hankachō: TV Series Music Collection.

As music that enriches the popular series starring Kichiemon Nakamura, it’s irresistible for fans of period dramas.

Though it has no lyrics, its structure masterfully expresses the story’s stillness and motion—an absolute must-listen.

in the flower of (one’s) youthMatsukata Hiroki

in the flower of (one's) youth

The song chosen as the ending theme for the TV Asahi period drama series ‘Meibugyo Toyama no Kin-san’ drew even more attention because it was performed by the show’s star, Hiroki Matsukata, himself.

Written and composed by Ikuzo Yoshi, the piece captures the bittersweet masculinity characteristic of Showa-era pop.

Released in December 1993, Matsukata’s deep, rugged vocals resonated with the on-screen image of Kin-san, winning the hearts of fans.

The lyrics—portraying a man walking in search of solace and likening the beauty of life to the fleeting nature of cherry blossoms—deeply moved aficionados of jidaigeki and enka alike.

It’s a perfect song for those who want to feel the transience of life and the spirit of a man’s way of living.

Love MandalaUmezawa Fumio

Fumio Umezawa “Love Mandala”

This is the ending theme song of Hissatsu Shigotonin V: Gekitō-hen, sung by Umezawa Tomio, who is famous for his beautiful onnagata roles.

The title, Koi Mandara, is pronounced “Koi Mandara.” He delivers a serenely powerful performance that makes it hard to recognize him as the same person who gets teased on variety shows.