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[2026] A roundup of popular theme and opening songs from TV period dramas

An important genre in the history of Japanese film and television drama is the jidaigeki period drama.

Originally developed in cinema, jidaigeki later declined as a boom, but it went on to find a new home on television and has continued to produce many classics.

Many actors became popular stars through jidaigeki, and unforgettable theme tunes and songs are also indispensable when talking about the genre.

This article presents a roundup of representative jidaigeki theme music and theme songs.

It also includes dramas produced from the 2000s onward, so it’s something viewers of all generations can enjoy!

[2026] A Roundup of Popular Theme and Title Songs from TV Period Dramas (41–50)

Kin-san of Toriyama

Go with the flowItsuki Hiroshi

The song written and composed by Hiroshi Itsuki is a striking piece that combines powerful enka with heartrending lyrics.

It portrays the resolve to find hope while accepting life’s hardships and loneliness.

Released in March 1982, the song was used as the theme for the period drama “Tōyama no Kin-san,” which began airing the same year and ran for a total of 198 episodes starring Hideki Takahashi.

Itsuki himself made guest appearances in the series, drawing additional attention.

This work, one of Itsuki’s signature songs, teaches the importance of holding on to unwavering love and hope while going with the flow of life.

It stands as a gentle yet powerful message of encouragement to everyone struggling with life.

[2026] A Collection of Popular Theme and Opening Songs from Japanese TV Period Dramas (51–60)

Ukiyo-e Female Nezumi Kozō

Hurry like the windHirata Takao to Serusutāzu

Hurry Like the Wind (Takao Hirata and the Celstars) ~ Ukiyo-e Lady Nezumi Kozō
Hurry like the windHirata Takao to Serusutāzu

This song by Takao Hirata and the Cellstars was released in June 1972 as the theme for Fuji TV’s popular period drama Ukiyoe Onna Nezumi Kozō.

It features a brisk yet wistful melody line, with memorable lyrics that depict a stance of breaking free from existing restraints to live freely.

The arrangement, characteristic of Showa-era kayōkyoku, blends elements of jazz and blues, which adds to its charm.

From its release, the track gained strong support among listeners and captivated many with its distinctive energy and melody.

Takao Hirata and the Cellstars also performed at the 23rd NHK Kōhaku Uta Gassen, cementing their status as representatives of the golden age of Showa kayōkyoku.

It’s a highly recommended song for anyone who wants to savor the nostalgic atmosphere of the Showa era.

Zenigata Heiji

Zenigata HeijiFunaki Kazuo

A quintessential theme song from a historical drama, beloved alongside memories of youthful days! Released in May 1966 as Kazuo Funaki’s 38th single, this track was used as the theme for Fuji TV’s period drama “Zenigata Heiji” and became a major hit.

Set in the streets of Edo, it powerfully and passionately sings of the protagonist, Zenigata Heiji, as he solves cases.

It’s also appealing that Funaki himself appeared in the drama, showing his deep connection to the work.

With various arrangements over the years, this song has remained loved for a long time.

Highly recommended for those who want to immerse themselves in the nostalgic world of jidaigeki!

The Young Lord Samurai of Flowering EdoHashi Yukio

Young Lord Samurai of Flowering Edo (Yukio Hashi) ~ ZENZI
The Young Lord Samurai of Flowering EdoHashi Yukio

This is the theme song for Masayuki Shiro’s novel series, Young Lord Samurai Case Files.

It tells the story of a samurai called the “Young Lord,” who spends all day drinking and lingering at the riverside boathouse Kisen along the Sumida River, in the company of the poster girl Oito.

Even from the theme song, you can imagine the Young Lord getting cheerfully tipsy on booze.

In conclusion

If you listen to the theme songs from the period dramas introduced this time, many of you—even from younger generations—have probably heard them somewhere and can hum along, at least a little. While the main titles are largely works from the Showa era, it’s a genre well worth delving into for those interested in Showa-era pop (kayōkyoku) and enka. If you’re curious, definitely dig deeper!