[Fiery Classics] Super Sentai Theme Songs: All-Time Opening & Ending Themes
When it comes to television programs that represent Japan, the Super Sentai series has given dreams and courage to countless children every year.
From its debut to the present, numerous memorable songs have remained in the hearts of a wide range of generations, from kids to adults.
The many theme songs that color the adventures of these heroes are all familiar tunes that the whole family can hum along to.
Today, we’ll introduce some classic tracks from the Super Sentai series, featuring powerful vocals and lyrics that resonate with the heart.
You might even find a song that brings back memories!
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[Fiery Classics] Super Sentai Theme Songs: Historic Openings & Endings (31–40)
Whoosh! ToQgerProject. R

An ending song included on a single released by Nippon Columbia in March 2014.
Its appeal lies in the powerful harmonies woven by three Project.R vocalists—YOFFY, Takayoshi Tanimoto, and Shogo Kamata.
Used as the ending theme for Ressha Sentai ToQger, it features upbeat, everyday phrases reminiscent of train operations—like “Say hello when you board!” and “Good luck upon arrival!”—delivering hope and courage to children.
The punk rock-inspired drive and the irresistibly chantable “All right!” call fuse together to kindle that heart-pounding excitement of departure.
A popular track that reached No.
7 on the Oricon Weekly Singles Chart, it’s a number the whole family can enjoy, especially alongside the ending video’s dance.
Healin’ YouSalia

This ending theme was included as the coupling track to the single “Gaoranger Roar!!,” released by Nippon Columbia in February 2001.
With lyrics by Nagai Kuwahara and composition/arrangement by Keiichi Oku, it weaves together images of the great outdoors—sky, forest, and water—and a theme of healing into an evocative piece.
Salia’s clear, soaring vocals express a quiet prayer after battle, while the English phrases repeated in the chorus symbolically resonate with the message of the cycle of life and coexistence.
In the TV broadcast, it was also used within the final episode, adding a profound afterglow to the story’s climax.
It’s a song that gently stays with you when you want to calm your heart after excitement or soothe the fatigue of daily life.
Spell Advent ~ Magical ForceSister MAYO

This ending theme, centered on magic and spells, called out courage and love to children through its broadcast.
Sung by Sister MAYO, the song was released in 2005 as the ending theme for Mahou Sentai Magiranger.
The single, released by Nippon Columbia, reached No.
15 on the Oricon Weekly Chart.
Its spell-like phrases set to a dance beat leave a strong impression, carrying a message to those who feel lonely: “Magical power dwells in those who have love.” The call-and-response structure, perfect for live performances, unites the venue as one.
It’s a must-listen not only for Super Sentai fans but also for anyone who needs a boost of energy.
Kebon! RyusoulgerSister MAYO

This song, with vocals by Sister MAYO, served as the ending theme for Kishiryu Sentai Ryusoulger, which aired in 2019.
Set to a bright and lively sound, it carries a message of uniting souls with your companions and sharing courage.
The lyrics were written by KOCHO, the music composed by Kosuke Okui, and the arrangement by Takeshi Nakatsuka.
It was included in March 2019 by Nippon Columbia as the coupling track on the main theme single.
Choreographed by Eri Ayaki, the Kebon Dance was created, and its participatory staging—letting parents and children jump and clap together—became a hot topic.
For Sister MAYO, this was her first solo ending theme for a Super Sentai series in 14 years, since Mahou Sentai Magiranger.
Give it a listen when you want to get moving with the whole family and boost your spirits!
Someday, the flowers will bloom.Isao Sasaki

This song, which closed out the ending of J.A.K.Q.
Dengekitai, is a classic that sings of hope—believing that even while carrying today’s pain and setbacks, the time will come when it all pays off.
The lyrics were written by Saburo Yatsude, a familiar name in Toei productions, with composition and arrangement by Chumei Watanabe.
Built around bold brass accents and a driving rhythm section, the track runs just over two minutes, and the chorus repeats the title phrase for maximum memorability.
Released in April 1977 by Nippon Columbia as the B-side of the single “J.A.K.Q.
Dengekitai,” it aired weekly as the show’s ending theme from April to December of the same year, filling living rooms across Japan.
Serving to land the heroes’ battles for justice on an emotional note, it kept anticipation alive for the following week.
It’s a song you’ll want to hear when you don’t want to lose hope, even in difficult times.
[Fiery Classics] Super Sentai Theme Songs: Historic Openings & Endings (41–50)
Midnight DekarangerIsao Sasaki

This ending theme expresses a unique world where police drama and hero action are fused.
Included on a single released in 2004, it’s captivating for the powerful vocals of Isao Sasaki and the bright, back-and-forth choruses of the Mori no Ki Children’s Choir.
The lyrics convey midnight highway car chases and the tension of cornering criminals—truly the very image of a flawless patroller.
The brass-driven arrangement balances a mature, hard-boiled vibe with an approachable warmth.
It was used as the ending theme for the TV series Tokusou Sentai Dekaranger, and also appeared as an insert song in the feature film.
If you want the whole family to get into a hero mood, why not crank up this fiery number?
Secret Squadron GorengerIsao Sasaki

This is the B-side track of a single released by Nippon Columbia in April 1975, and it served as the ending theme for the memorable first entry in the Super Sentai series.
Its powerful brass, exhilarating rhythm, and the striking “Banbara banbanban” scat leave a lasting impression.
The phrase—Chumei Watanabe’s incorporation of the then-popular scat style—has an irresistible charm that sticks with listeners of all ages after just one hearing.
Sung by Isao Sasaki with a Presley-like sensuality, the piece has a kayō-rock sheen that transcends the bounds of a children’s program, and the call-and-response with the chorus group Korogi ’73 is superb.
It reached No.
4 in the TV Anime/Children’s Songs category on Oricon’s 1976 year-end chart, achieving major commercial success.
Highly recommended for anyone who wants to relive those days when the whole family gathered around the TV, hearts racing at the heroes’ exploits!





