RAG MusicClassic
Lovely classics

A masterpiece by Jean-Philippe Rameau. Popular classical music.

When it comes to great French composers of the Baroque era, Jean-Philippe Rameau stands out.

Rameau earned high acclaim for the grand motet—a church vocal form featuring a rich, relatively large ensemble—and for his opera Les Indes galantes.

His music naturally fits the movements of ballet, and he is hailed as the greatest composer of ballet music before Stravinsky.

This time, I have gathered quintessentially Baroque pieces by Rameau, including harpsichord (clavecin) masterpieces and selections from his operas.

I hope you will give them a listen.

Jean-Philippe Rameau's masterpiece. Popular classical music (21–30)

The Festival of Hebe (Les fêtes d’Hébé)Jean-Philippe Rameau

In 1697, a style of opera known as opéra-ballet emerged, with the first work being André Campra’s L’Europe galante.

Rameau also wrote famous opéra-ballets.

His representative works include Les Indes galantes (1735) and Les fêtes d’Hébé (1739).

The Birth of Osiris La Naissance d’Osiris (Part 1/3)Jean-Philippe Rameau

The Birth of Osiris (premiered in 1754) is an opera Rameau presented at the age of 71, created at the height of his artistic maturity.

It clearly showcases the thoughtful, intricate interplay of harmony of a composer who knew music inside out.

Hungary’s leading Capella Savaria Ensemble vividly brings out the work’s profound flavors.

Castor and Pollux (Castor et Pollux)Jean-Philippe Rameau

Rameau: Castor et Pollux / Hervé Niquet, Le Concert Spirituel
Castor and Pollux (Castor et Pollux)Jean-Philippe Rameau

“Castor et Pollux – Premiere in 1737” is a refined French Baroque drama that begins with a beautiful period-instrument prelude, leading into a serene chorus, and from there one is completely captivated by the opera’s allure.

The performance is by Nikolaus Harnoncourt with the venerable period-instrument orchestra Concentus Musicus Wien, which he founded in 1953 with members of the Vienna Symphony; they are renowned for their elegant, transparent, and superb playing.

Gavotte and Six VariationsJean-Philippe Rameau

Rameau – Suite en la Gavotte et six Doubles / Natacha Kudritskaya @festival1001notes
Gavotte and Six VariationsJean-Philippe Rameau

The performer of “Gavotte and Six Variations” is Natasha Kudrytska, born in Ukraine in 1983.

She is a young pianist who won First Prize at the Vibrarte International Music Competition and the Robert Casadesus Prize, and in 2009 received the Grand Prix of the Safran Foundation.

Her performance of “Gavotte and Six Variations” weaves delicate tones that lead us into a poetic world.

Harpsichord Pieces for Concert, Book IIIJean-Philippe Rameau

Rameau – Pièces de clavecin en concert N° 3 (La Lapoplinière)
Harpsichord Pieces for Concert, Book IIIJean-Philippe Rameau

Performed by world-renowned period-instrument violinist and conductor Patrick Cohën-Akenine, Bruges International Early Music Competition harpsichord winner Béatrice Martin, and one of the world’s leading viola da gamba players, Nima Ben David, this piece offers a performance of delicate elegance and supreme harmony.

Harpsichord Pieces for Concert Use, No. 5 in D minorJean-Philippe Rameau

Rameau – Pièces de clavecin en concert N° 5 (La Forqueray) / Il Giardino Armonico
Harpsichord Pieces for Concert Use, No. 5 in D minorJean-Philippe Rameau

“Concert” (concer) means “concerto,” but it differs from the modern concerto.

In Rameau’s time, it referred to an ensemble work consisting of successive movements centered on dance forms.

This piece is scored for period instruments—harpsichord, violin, viola da gamba, and flute—and offers serene, beautiful, and refined harmonies that are calming to the soul.

ZoroasterJean-Philippe Rameau

One of Rameau’s masterful operas from his peak period, Zoroastre (premiered in 1749), is a work woven with refined, top-quality harmonies—so polished that one could hardly wish for more in French Baroque opera—depicting its drama with vivid color and intensity.