Female Singer-Songwriters of the ’60s: Popular Songs Ranking [2026]
We present a ranking of popular tracks and hidden gems by female singer-songwriters who were active and produced hits mainly in the 1960s.
These songs reflect the values and views on romance held by women at the time, so it might be interesting to listen with that in mind.
- 1970s Female Singer-Songwriters: Popular Songs Ranking [2026]
- Classic and hit kayōkyoku songs from the nostalgic 1960s
- Classic and hit Japanese pop songs from the nostalgic 1960s
- Top 1980s Female Singer-Songwriters: Popular Songs Ranking [2026]
- Back to those nostalgic days… Classic and hit Western songs of the 1960s
- Nostalgic Japanese hit songs from the 1960s. A collection of popular Showa-era classic melodies.
- Love songs that resonate with women in their 60s: gem-like romance tunes that revive memories of youth.
- Ranking of Popular Songs by Female Singer-Songwriters of the 1990s [2026]
- Popular Showa-era pop. Timeless hit songs.
- [Revisited] A roundup of popular and classic Showa-era songs that are trending now [2026]
- Ranking of Popular Oldies and Classic Songs [1960s Japanese Music Rankings]
- [70s Western Music] Timeless Masterpieces and Popular Songs by Female Singers
- [60s] Karaoke Popularity Rankings by Generation [2026]
Top 1960s Female Singer-Songwriter Songs Ranking [2026] (11–20)
Stranger – Theme of the Silk RoadKUBOTA Saki11rank/position

An intro with an Oriental phrase that leaves a strong impression.
As the subtitle “Theme of the Silk Road” suggests, the melody line evoking the Middle East was a shock at the time.
This exotic image is said to have been inspired by producer Masatoshi Sakai’s barefoot journey through the South Pacific.
The arrangement, which changes dramatically between the so-called A and B sections, also feels fresh.
It creates the atmosphere of wandering on a camel through an endless desert, and even now you can enjoy the sensation of embarking on a mysterious journey when you listen to it.
4:00 A.M.Ohnuki Taeko12rank/position

This is a masterpiece by Taeko Ohnuki that captures the stillness before dawn.
It was included on the album “MIGNONNE,” released in September 1978, and features a delicate arrangement by Ryuichi Sakamoto that truly shines.
The lyrics depict the loneliness of 4 a.m., conveying a heartfelt wish for another chance during a time of introspection.
The synthesizer tones are striking, giving it a vibe that feels ahead of the 1980s music scene.
It might be the perfect song for night owls or for those standing at a crossroads in life.
SeptemberTakeuchi Mariya13rank/position

This song is etched deeply in many people’s hearts as a classic that colors the long nights of autumn.
Mariya Takeuchi’s clear, translucent voice delicately captures the shift from summer to fall.
Set in September—the month that symbolizes parting—the lyrics portray the end of a romance and the changes of the heart, resonating deeply with listeners.
Released in 1979, this track has long been cherished as one of Takeuchi’s signature works.
It appears on multiple releases, including the album “LOVE SONGS,” attesting to its enduring popularity.
It’s a perfect listen when you begin to feel autumn’s arrival and find yourself in a contemplative mood.
This is a song that will let you feel the autumn breeze in your heart.
contrailArai Yumi14rank/position

A song loved by many as a quintessential ballad of the Showa era.
Serving as the title track of the album “Hikōkigumo,” it was released in November 1973.
Inspired by a classmate with muscular dystrophy, its lyrics poignantly convey the fragility and preciousness of life.
In 2013, it was used as the theme song for Hayao Miyazaki’s film “The Wind Rises,” drawing renewed attention forty years after its release.
Its gentle melody and delicate arrangement make it a timeless piece that resonates deeply.
It’s a song you’ll want to listen to while thinking of someone dear to you.
April Fools in DecemberEPO15rank/position

Released in 1985, this song is a ballad that captures the aching sadness lurking beneath the festive Christmas season.
As the title suggests, the paradox of “April Fool in December” symbolizes a love betrayed.
The lyrics intertwine the pain of discovering that the person believed to be the only one was not, with the loneliness of spending Christmas prioritizing work, vividly reflecting the gap between romantic ideals and reality.
Arranged by Hiroshi Sato, the adult-oriented sound weaves strings with restrained synthesizers.
Included on the album “PUMP! PUMP!” and later re-recorded in a self-cover version, it has long been cherished as one of EPO’s signature songs.
Recommended for those entering winter with a broken heart, or anyone who resonates with the less-than-glittering side of Christmas.


