THE ALFEE Popular Songs Ranking [2026]

Distance of the Starry SkyTHE ALFEE1rank/position

Distance of the Starry Sky

“Hoshizora no Distance” is a signature song that epitomizes THE ALFEE’s driving rock sound.

The lead vocal is by bassist Masaru Sakurai.

The energy is high right from the intro, and it’s a guaranteed crowd-pleaser live, but be careful not to rush the tempo as the excitement builds.

The original tempo isn’t actually that fast—more of a steady feel.

The vocal range climbs after a key change in the middle, so you’ll want to lock in those pitches without hesitation.

Visualize clearly and sing with intention.

The overall range of the song is F#3 to A#4, and since the final melody goes higher, keep the notes in mind and add a light accent there.

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Kubota Mami

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Mary AnnTHE ALFEE2rank/position

Mary Ann

A classic youth anthem that beautifully fuses bittersweet romance with an energetic rock sound.

Released in June 1983, this track became THE ALFEE’s first major hit, reaching No.

7 on the Oricon Weekly Singles Chart and No.

30 on the year-end ranking.

It later climbed to No.

3 on The Best Ten.

Riding this success, the band made their first appearance at the 34th NHK Kōhaku Uta Gassen at the end of 1983.

Also included on the album ALFEE’S LAW, the song has remained a beloved staple of THE ALFEE’s live performances.

With romantic lyrics woven together in perfect balance with hard rock, this piece is a must-listen for anyone cherishing a secret love.

Midsummer StrangerTHE ALFEE3rank/position

Midsummer Stranger

A gem of a number performed by THE ALFEE, vividly portraying the summer scenes of days gone by, may stir sweet and bittersweet memories in the listener’s heart.

Featured on the album “FOR YOUR LOVE,” released in June 1985, this track is a medium-tempo ballad where the gentle tones of acoustic guitar blend beautifully with the powerful sound of electric guitar.

A fleeting seaside romance in summer—and the ache of the farewell that follows—resonate all the more deeply through the beautiful harmonies woven by the trio.

Beloved as the theme song for ANA’s summer Hokkaido campaign, it even reached No.

2 on a music program despite not being released as a single—an episode that speaks to its enduring popularity.

How about listening to it alone at dusk, letting your thoughts drift back to the summers of those days?

Supreme loveTHE ALFEE4rank/position

Supreme love

A track included on THE ALFEE’s album “THE BEST SONGS,” released in December 1985.

Featuring Toshihiko Takamizawa—arguably the original high-tenor voice of J-POP/J-ROCK—on lead vocals, it’s arranged as a dramatic power ballad.

As mentioned, this is an album track that has never been released as a single, but I wanted to introduce it to all fans of high-tenor vocals.

Being an ’80s piece, the vocal track is appealing in its own way for being very organic, without the heavy pitch correction common in modern songs.

Please enjoy Takamizawa’s soaring high notes and a song that evokes a clear, wintry night sky!

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Kei Takahata

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Lovers’ PavementTHE ALFEE5rank/position

Lovers' Pavement

This is THE ALFEE’s 19th single and their first song to reach No.

1 on the Oricon chart.

Toshihiko Takamizawa’s clear, high-toned lead vocals leave a pleasantly lingering impression.

Although released in 1984, it has continued to be performed at music festivals in the 2010s and is widely supported by fans as one of THE ALFEE’s signature songs.

“Pavement” refers to a paved road.

The song expresses a straightforward love: a vow to walk along a path prepared just for the two of us for a lifetime.

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yuri

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Dandelion PoemTHE ALFEE6rank/position

Tanpopo No Uta

A ballad whose warm acoustic sound and beautiful three-part harmonies sink deep into the heart! Its worldview, which likens the strength of a flower that stands back up even after being trampled to the journey of life, gives us the courage to face forward even in uncertain times.

Released as a single in August 2003, it became beloved as the ending theme for the national anime Doraemon.

THE ALFEE’s uniquely beautiful choral work transcends the bounds of a children’s program and stirs the hearts of adults as well.

Also included on the album Going My Way, it’s a classic that enjoys strong support from fans.

As an uplifting song recommended for March—when many experience changes like graduation or job transfers—it gently nudges those feeling a bit anxious.

It’s a wonderful piece that makes you feel like blooming sturdily like a dandelion while savoring the spring warmth.

PrayerTHE ALFEE7rank/position

Prayer

This is “Inori” by THE ALFEE, a rock band formed in 1973.

The band originally had four members, but since 1975 they have been active for many years as a trio consisting of the second and current leader Toshihiko Takamizawa, the MC and bass mentor Konosuke Sakazaki, and Ken Sakurai, known for his sunglasses.

The Iron GiantTHE ALFEE8rank/position

THE ALFEE Steel Giant

A track included on ALFEE’s eighth album, THE RENAISSANCE, which was released in July 1984.

Speaking of 1984, it was the dawn of LA metal overseas, and in Japan, bands from the so-called “Japa-Metal” scene were on the rise.

In step with the times, this song has a very HM/HR flavor.

The high notes you hear here are truly athletic—like a high-note endurance match! It’s a fun track where, after Sakurai belts it out with all his might, Takamizawa effortlessly soars even higher in the chorus with his ultra-high-tone vocals.

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Kei Takahata

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The Hero’s PoemTHE ALFEE9rank/position

THE ALFEE 40th Anniversary Single “Eiyuu no Uta” (Hero’s Poem) promotional video released!

This song was produced as the theme for Ultraman Ginga S.

It depicts a hero’s way of being: the determination to face challenges without giving up, the strength to protect what’s important, and staying true to oneself.

It’s a powerful track that stirs the courage to move forward.

Greeting SongTHE ALFEE10rank/position

Japanese Greeting Song 'Go Aisatsu no Uta'

“Good morning,” “Good night,” “Hello”…

This song belts out the greetings we exchange every day to an up-tempo beat.

It even includes back-and-forth greetings in the lyrics, so just listening might help you naturally pick them up! The chorus and call-and-response parts have such a catchy melody that it’ll probably stick in your head after just one listen.

Check out the video with your child to see which greetings are used in which situations.

It also sounds fun to sing along and practice greeting each other as a parent–child pair!