Carl Maria von Weber Popular Song Rankings [2026]

Andante and Hungarian-style Rondo in C minor, Op. 35Carl Maria von Weber8rank/position

Agnès Clément, Basson solo. Andante et Rondo Hongrois de Weber, Les Concertos Vagabonds,

A masterpiece that captures the spirit of German music.

Written for bassoon and orchestra, this work consists of two parts: a wistful Andante and a lively Hungarian-style Rondo.

Composed in 1813 at the request of the Munich court orchestra, it beautifully blends sorrow and vitality, showcasing the bassoon’s full charm.

Recommended for those who want to savor the allure of Romantic music or have an interest in folk music.

Please enjoy the bassoon’s richly expressive performance and its superb harmony with the orchestra.

Weber: Opera “Der Freischütz” J.277 — Huntsmen’s ChorusCarl Maria von Weber9rank/position

Weber: Opera “Der Freischütz,” J.277 – Huntsmen’s Chorus

This is the Hunters’ Chorus from the opera Der Freischütz by Carl Maria von Weber, a German composer, conductor, and pianist born in 1786.

It is a male chorus performed in Act III, with a prominent horn ensemble.

The Hunters’ Chorus is often performed on its own in concerts.

Overture to the opera ‘Der Freischütz’Carl Maria von Weber10rank/position

[Long Version] Der Freischütz Overture (Weber) Piano: Takashi Sato | Zen-On Piano Piece #084 ▶ Performance starts at 1:00 ▶ A landmark work of German national opera ▶ Based on a folktale featuring magic bullets ▶ It’s a masterpiece, but the length made it quite challenging

Carl Maria von Weber, known as a key composer of the German Romantic tradition.

The overture to his opera Der Freischütz is widely loved in its piano arrangement as a masterpiece that presents the opera’s principal musical themes in a short span.

It begins with an orchestral swell that seems to pose a choice between good and evil, followed by a beautiful chorale reminiscent of hunting horns and the devil’s theme rendered in ominous tremolos—an impressively dramatic progression.

The protagonist’s inner feelings are deftly depicted, and the music, which hints at a love that triumphs over dark forces, moves the listener’s heart.

Grand Concert Duet in E-flat major, Op. 48, for Clarinet and PianoCarl Maria von Weber11rank/position

Carl Maria von Weber – Grand Duo concertant | Jörg Widmann | Denis Kozhukhin

Written for clarinet and piano, this grand duo unfolds as an ongoing dialogue between the two instruments, embodying the essence of Romantic music.

The first movement introduces a vigorous, powerful theme; the second movement offers a poignant, wistful melody that touches the heart.

The third movement then brings the work to a sparkling close in a bright and lively rondo.

Composed between 1815 and 1816, it fully showcases the clarinet’s virtuosity and expressive range, while the exquisite interplay with the piano adds to its appeal.

A highly recommended piece for anyone wishing to savor the charms of classical music.

First Movement from the Grand Duo Concertant for Clarinet and PianoCarl Maria von Weber12rank/position

C.M.Weber, Gran Duo Concertant op.48 (1st mov.) Duo Tinelli-Mazzoccante

From the Grand Duo Concertant in E-flat major, Op.

48, for clarinet and piano: First movement, Allegro con fuoco (fast and passionate).

Lively phrases pass from the piano to the clarinet and then develop.

Clarinet: Mr.

Antonio Tinelli.

Concerto-like Grand Duo for Clarinet and Piano, Movement IICarl Maria von Weber13rank/position

Carl Maria von Weber: Grand Duo Concertant Annelien Van Wauwe & Lucas Blondeel

From Concertante Grand Duo for Clarinet and Piano in E-flat major, Op.

48 — Movement II: Andante con moto (moderately slow, with motion).

It conveys a melancholic melody and a sense of shifting emotions.

The clarinetist is Annelien Van Wauwe.

Clarinet Quintet in B-flat majorCarl Maria von Weber14rank/position

4. Carl Maria von Weber, Quintet for Clarinet and Strings, Op. 34

Weber was a German composer.

In 1815, while serving as music director and conductor at the Prague Opera, he composed his Clarinet Quintet in B-flat major, Op.

34.

It features a solo clarinet carrying the main melody alongside a string quartet.

In the second movement, Adagio, the string quartet creates a solemn atmosphere, while the solo clarinet, tinged with melancholy, lends an elegant character.