CreepHyp Popular Song Rankings [2026]
CreepHyp has had many songs featured in commercials and as movie theme songs so far.
Don’t they also have a lot of hidden gems?
This time, we’re putting the spotlight on them.
We’ve listed their most-played songs of 2017 in a ranking format.
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CreepHyp Popular Song Rankings [2026] (21–30)
ex-darlingkuriipuhaipe21rank/position

CreepHyp’s latest work warmly depicts lingering attachment to a lost love and days gone by.
With its soft tones and gentle melody, it’s a song that tenderly colors the memories of an unforgettable lover.
The straightforward expression of feelings for an ex-partner will quietly resonate with listeners.
Released in April 2022, this track is a re-recording to commemorate the band’s 10th major-label anniversary.
Listening while holding dear your precious memories may give you the courage to take a new step forward.
green plumkuriipuhaipe22rank/position

A CreepHyp song that depicts the sweet-and-sour yet slightly wistful beginning of a romance between two people who meet in midsummer.
The way a once-lonely everyday life turns vividly colorful through meeting someone special is sure to make your heart skip a beat.
While boldly incorporating synthesizers and programmed beats, the band’s signature sound and Sekai-kan Ozaki’s piercing lyrical worldview remain intact.
Released for streaming in May 2023, the track was also included on the album “Konna Tokoro ni Ita no ka Yatto Mitsuketa yo,” released in December of the same year.
It also drew attention as a tie-in with the dating/marriage-matching app “Pairs.” If you’re excited about a romance that’s about to begin, or want to feel the exhilaration of summer, listening to this song will surely color an unforgettable page in your memories.
Kiss in the morningkuriipuhaipe23rank/position

CreepHyp is a popular band fronted by vocalist Sekai Kan Ozaki.
They specialize in indie rock rooted in pop music and have released numerous hit songs.
Among their tracks, the one I especially recommend is Asa ni Kiss.
You might not feel this way because of the full-band arrangement, but the vocal line is as simple as a children’s song, and there aren’t many high notes, so even someone who’s tone-deaf—if they’re a woman—would find it very easy to sing.
Part-time job, part-time job, part-time jobkuriipuhaipe24rank/position

CreepHyp is a four-piece rock band formed in 2001, centered around guitarist-vocalist Seikan Ozaki.
Their distinctive worldview and wordplay grab listeners’ hearts.
This work, “Baito Baito Baito,” weaves together words that evoke the everyday scene of a late-night convenience store and part-time work, intertwining various emotions and making you reflect on your own life.
The brisk, flowing melody perfectly suits the feeling of riding through the days.
Let this song be your gateway into immersing yourself in CreepHyp’s world!
Love of 108 Yenkuriipuhaipe25rank/position

This is a song by CreepHyp written for the film One Hundred Yen Love, which was released early in Yamaguchi Prefecture.
The feeling of thinking you’re only worth about a hundred yen and getting reckless is something anyone can experience during rough, unsuccessful days.
Ozaki Sekai-kan’s scream-like vocals, as if speaking for those pent-up emotions with nowhere to go, pierce straight through the heart.
The clumsy cry—“I’ll take even just eight yen’s worth of love”—is a fight song for those trying to claw their way up from rock bottom.
Listen, and you’ll feel your fighting spirit flare up: “I can’t afford to lose anymore!”
A brutally frank aquariumkuriipuhaipe26rank/position

Creephyp is a four-piece rock band that has gained popularity with lyrics written from a unique angle and melodies with catchy hooks.
“Mimo Futamo Nai Suisou” (“A Tank With No Body or Lid”), included on their major-label debut album I Thought I’d Be Loved For the Rest of My Life Until I Die, leaves a powerful impression with its memorable guitar riff and poetry reading.
Many listeners will likely relate to the depiction of recalling past anger while trapped in a confined space.
It’s a rock tune with an invigorating, energetic ensemble that gives voice to pent-up, directionless rage.
Reversiblekuriipuhaipe27rank/position

The one-and-only, distinctive CreepHyp world created by vocalist Sekai Kan Ozaki is highly praised by fans.
In “Reversiblue,” the way the feeling of “wanting to see someone” is expressed is also unique—you might think, “Why not just say you want to see them normally?” but that roundaboutness is precisely CreepHyp.
It’s surely enjoyable to unravel the lyrics penned by such an expressive artist.
The Moon’s Counterattackkuriipuhaipe28rank/position

A memorable song by CreepHyp that weaves the moon’s mysterious allure into its lyrics.
It delicately expresses a longing to be enveloped by the stillness of night and moonlight, conveying the desire to step away from everyday bustle and calm the heart.
Included on the single “Ito,” released in April 2017, the track was written and composed by bassist Kaonashi Hasegawa.
It’s a song you’ll want to listen to while gazing up at the night sky lost in thought, or during a quiet nighttime drive with someone special.
Recommended for those who want to immerse themselves in CreepHyp’s distinctive worldview.
People and people and people and peoplekuriipuhaipe29rank/position

CreepHyp is a rock band that enjoys overwhelming support from young people.
Their catchy lyrics and melodies are irresistible, and every new release energizes the Japanese rock scene.
Among their songs, the one that especially feels great in the higher register is “Hito to Hito to Hito to Hito.” It’s not an insanely high-pitched song, but because the whole track is arranged in the upper range, you can savor the unique pleasure of high notes in every part.
Be sure to check it out.
Life is short, maidens, fall in love.kuriipuhaipe30rank/position

This is a CreepHyp song notable for its intense guitar sound and sharp lyrics.
It’s included on the album “I Thought I’d Be Loved Forever Until I Die,” released in April 2012.
Many listeners may find themselves relating to the lyrics, which portray the feelings of a woman struggling with self-denial.
Expressing the emotions of a woman wavering between reality and ideals through Seikaikan Ozaki’s unique worldview, this piece is a recommended track for those who want the courage to face themselves or who stand at a crossroads in life.


