CreepHyp Popular Song Rankings [2026]

The Moon’s Counterattackkuriipuhaipe29rank/position

Tsukino Gyakushu

A memorable song by CreepHyp that weaves the moon’s mysterious allure into its lyrics.

It delicately expresses a longing to be enveloped by the stillness of night and moonlight, conveying the desire to step away from everyday bustle and calm the heart.

Included on the single “Ito,” released in April 2017, the track was written and composed by bassist Kaonashi Hasegawa.

It’s a song you’ll want to listen to while gazing up at the night sky lost in thought, or during a quiet nighttime drive with someone special.

Recommended for those who want to immerse themselves in CreepHyp’s distinctive worldview.

People and people and people and peoplekuriipuhaipe30rank/position

CreepHyp – “People and People and People and People” (MUSIC VIDEO)

CreepHyp is a rock band that enjoys overwhelming support from young people.

Their catchy lyrics and melodies are irresistible, and every new release energizes the Japanese rock scene.

Among their songs, the one that especially feels great in the higher register is “Hito to Hito to Hito to Hito.” It’s not an insanely high-pitched song, but because the whole track is arranged in the upper range, you can savor the unique pleasure of high notes in every part.

Be sure to check it out.

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Ryo

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to lovekuriipuhaipe31rank/position

CreepHyp – “Love” (Music Video)

A CreepHyp song that poignantly depicts the ache of being unable to confess your feelings, told from a unique perspective.

Seikaikan Ozaki’s vocals and the melody that resonates in your heart are truly striking.

It was also selected as the ending theme for Fuji TV’s program “Ukemenn,” bringing it recognition across a wide audience.

Released in January 2020, this work is CreepHyp’s 12th major single.

The music video, produced as an animated piece with an SF love story theme, further expands the song’s world.

It’s a moving track that I hope everyone struggling with love will listen to.

justkuriipuhaipe32rank/position

CreepHyp – “Tada” MUSIC VIDEO (from the 2017.2.22 release, the collection ‘I’ll be there soon, so please wait’)

A song I especially want people who struggle to express their straightforward feelings to a loved one to hear is “Tada.” It was included in the 2017 collection “Mousugu Tsuku Kara Mattete Ne” by the rock band CreepHyp.

The lyrics, which honestly convey the feelings you can’t bring yourself to say precisely because you care, are irresistibly relatable.

Vocalist Seikaikan Ozaki’s passionate voice, perfectly matched with the rock band’s rhythmic performance, resonates in the heart.

It’s a tsundere-style song that teaches the importance of putting even a single word into language.

Please give this track, which stands close to your unadorned emotions, a listen.

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mutō

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It’s okaykuriipuhaipe33rank/position

CreepHyp / Daijoubu by Denen Kyoso-kyoku

The song “Daijoubu” is included on the 2014 album If We Can’t Become One, Then at Least Let’s Be Just the Two of Us.

Many of CreepHyp’s songs give the impression of being written from a woman’s perspective, and this track is also sung as if spoken from a female point of view.

Rather than expressing the anxiety of wondering, “Am I being used?”, it conveys the image of a woman who is simply gentle and reassuring.

It communicates the kindness and single-minded devotion of a woman who can’t abandon a so-called “no-good man,” and it makes you, in turn, want to worry about this goddess-like woman.

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utatane

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truekuriipuhaipe34rank/position

CreepHyp – “Real” (MUSIC VIDEO)

Creep Pipe is a rock band that enjoys charismatic popularity among young people.

One of their charms, I think, is the vocalist’s indescribably sweet, husky voice.

This song, “Hontō” (“Truly”), is an unrequited-love tune where you can fully savor that appeal.

to hurt; to wound; to damageCreepHyp35rank/position

Acoustic Self-Accompanied Performance: Hurting / CreepHyp (Acoustic Cover)

It’s the B-side to “Yuu, Sansan,” but it’s such a masterpiece that it feels almost wasted as a B-side.

The song was written by Sekai Kan Ozaki specifically for Daigo Matsui’s stage production “Riolium,” and I’m sure there are many people who can relate to these pitiful lyrics.