CreepHyp Popular Song Rankings [2026]

to hurt; to wound; to damageCreepHyp36rank/position

Acoustic Self-Accompanied Performance: Hurting / CreepHyp (Acoustic Cover)

It’s the B-side to “Yuu, Sansan,” but it’s such a masterpiece that it feels almost wasted as a B-side.

The song was written by Sekai Kan Ozaki specifically for Daigo Matsui’s stage production “Riolium,” and I’m sure there are many people who can relate to these pitiful lyrics.

Boys End Girlskuriipuhaipe37rank/position

Boys End Girls

This song beautifully captures the bittersweetness of a long-distance relationship.

The lyrics express a desire to share the same time and space as one’s lover.

At the same time, they portray the ironic reality that clinging too hard to being “the same” can end up breaking the relationship.

The unique worldview woven by CreepHyp’s Seikokan Ozaki is sure to resonate deeply with anyone in a long-distance relationship.

The track is included on the album “If We Can’t Become One, Then Let’s At Least Be Just Two,” released in December 2014.

It’s perfect not only for those living apart from their partners, but also for anyone struggling with the distance between themselves and someone important.

Give it a listen.

Uwanosorakuriipuhaipe38rank/position

CreepHyp “Uwanosora”

CreepHyp is a rock band with a singular musical style that’s loved by a wide range of generations.

With many staple songs like “Shiori” and “HE IS MINE,” they always get the crowd moving.

Among their tracks, a hidden gem is “Uwanosora.” It’s included on the 2011 release “Machikutabirete Asa ga Kuru.” The melancholic, languid melody line leaves a strong impression, and the way the performance swells with the lyrics is truly stirring.

It’s a fast-paced rock number, so it’s highly recommended for fans of music festivals!

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mutō

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erotickuriipuhaipe39rank/position

CreepHyp – “Ero” (MUSIC VIDEO)

It’s the fifth single, released on July 23, 2014.

The rhythm of the guitar, panned in the intro, is really addictive.

Thanks to the refreshingly straightforward title, the lyrics—wrapped in a layer of subtlety—end up sounding unmistakably like that kind of thing.

Impersonationkuriipuhaipe40rank/position

CreepHyp - "Impersonation" (MUSIC VIDEO)

CreepHyp’s “Monomane,” released digitally in 2020.

This song also served as the theme for the animated film “A Whisker Away,” and CreepHyp produced the music for the film as a whole.

At first listen it might seem like a fun, happy love song, but it’s actually a breakup song, looking back and weaving through various feelings after the relationship ends.

In fact, the track is a sequel to CreepHyp’s 2009 release “Boys END Girls.” While “Boys END Girls” is a love song about a happy couple, “Monomane” is sung from the perspective of someone left alone after the breakup.

Be sure to listen to “Boys END Girls” as well.

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utatane

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Adam’s applekuriipuhaipe41rank/position

CreepHyp - “Adam’s Apple” (MUSIC VIDEO)

A single packed with a unique worldview.

The protagonist’s struggle with feelings that can’t be put into words is expressed through Sekai Kan Ozaki’s high-pitched vocals and lyrical lyrics.

The line “muttering like a Buddhist chant, saying something, but I can’t hear it” is striking, conveying the bittersweet ache of being unable to share one’s true feelings buried deep inside.

Released in April 2024, it was used as the theme song for the TBS drama ‘Messou mo Nai’ (Not a Chance).

The contrast between the catchy rock sound and the literary lyrics is captivating.

It’s great for closing your eyes and soaking it in, or for swaying your body and enjoying the groove.

Broken flowerCreepHyp42rank/position

CreepHyp – “Hakka” MUSIC VIDEO

It was released in 2016 as CreepHyp’s ninth single.

The song was used as the CM song for Yoyogi Seminar’s commercial “Yozemi, Gokaku Kaikaku,” starring Kyoko Yoshine, and since it was written specifically for the commercial, the theme centers on entrance exams and studying.

Takashi Kato of Tokyo Ska Paradise Orchestra participated in the recording.