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CreepHyp Popular Song Rankings [2026]

CreepHyp has had many songs featured in commercials and as movie theme songs so far.

Don’t they also have a lot of hidden gems?

This time, we’re putting the spotlight on them.

We’ve listed their most-played songs of 2017 in a ranking format.

CreepHyp Popular Song Rankings [2026] (31–40)

to lovekuriipuhaipe31rank/position

CreepHyp – “Love” (Music Video)
to lovekuriipuhaipe

A CreepHyp song that poignantly depicts the ache of being unable to confess your feelings, told from a unique perspective.

Seikaikan Ozaki’s vocals and the melody that resonates in your heart are truly striking.

It was also selected as the ending theme for Fuji TV’s program “Ukemenn,” bringing it recognition across a wide audience.

Released in January 2020, this work is CreepHyp’s 12th major single.

The music video, produced as an animated piece with an SF love story theme, further expands the song’s world.

It’s a moving track that I hope everyone struggling with love will listen to.

justkuriipuhaipe32rank/position

CreepHyp – “Tada” MUSIC VIDEO (from the 2017.2.22 release, the collection ‘I’ll be there soon, so please wait’)
justkuriipuhaipe

A song I especially want people who struggle to express their straightforward feelings to a loved one to hear is “Tada.” It was included in the 2017 collection “Mousugu Tsuku Kara Mattete Ne” by the rock band CreepHyp.

The lyrics, which honestly convey the feelings you can’t bring yourself to say precisely because you care, are irresistibly relatable.

Vocalist Seikaikan Ozaki’s passionate voice, perfectly matched with the rock band’s rhythmic performance, resonates in the heart.

It’s a tsundere-style song that teaches the importance of putting even a single word into language.

Please give this track, which stands close to your unadorned emotions, a listen.

It’s okaykuriipuhaipe33rank/position

CreepHyp / Daijoubu by Denen Kyoso-kyoku
It's okaykuriipuhaipe

The song “Daijoubu” is included on the 2014 album If We Can’t Become One, Then at Least Let’s Be Just the Two of Us.

Many of CreepHyp’s songs give the impression of being written from a woman’s perspective, and this track is also sung as if spoken from a female point of view.

Rather than expressing the anxiety of wondering, “Am I being used?”, it conveys the image of a woman who is simply gentle and reassuring.

It communicates the kindness and single-minded devotion of a woman who can’t abandon a so-called “no-good man,” and it makes you, in turn, want to worry about this goddess-like woman.

truekuriipuhaipe34rank/position

CreepHyp – “Real” (MUSIC VIDEO)
truekuriipuhaipe

Creep Pipe is a rock band that enjoys charismatic popularity among young people.

One of their charms, I think, is the vocalist’s indescribably sweet, husky voice.

This song, “Hontō” (“Truly”), is an unrequited-love tune where you can fully savor that appeal.

to hurt; to wound; to damageCreepHyp35rank/position

Acoustic Self-Accompanied Performance: Hurting / CreepHyp (Acoustic Cover)
to hurt; to wound; to damage CreepHyp

It’s the B-side to “Yuu, Sansan,” but it’s such a masterpiece that it feels almost wasted as a B-side.

The song was written by Sekai Kan Ozaki specifically for Daigo Matsui’s stage production “Riolium,” and I’m sure there are many people who can relate to these pitiful lyrics.

Boys End Girlskuriipuhaipe36rank/position

This song beautifully captures the bittersweetness of a long-distance relationship.

The lyrics express a desire to share the same time and space as one’s lover.

At the same time, they portray the ironic reality that clinging too hard to being “the same” can end up breaking the relationship.

The unique worldview woven by CreepHyp’s Seikokan Ozaki is sure to resonate deeply with anyone in a long-distance relationship.

The track is included on the album “If We Can’t Become One, Then Let’s At Least Be Just Two,” released in December 2014.

It’s perfect not only for those living apart from their partners, but also for anyone struggling with the distance between themselves and someone important.

Give it a listen.

Ikuriipuhaipe37rank/position

When it comes to love songs that convey overflowing affection in straightforward words, “I” comes to mind.

It’s a track created based on “Douse, Ai da,” a song released in 2020 by the rock band CreepHyp featuring rapper Soraone.

Carried by a sound where grand strings intertwine with guitars, Ozaki Sekai-kan’s vocals resonate as if expressing heartbreaking emotions.

The somewhat wistful yet heartwarming lyrics and melody offer a sense of comfort.

It’s a ballad that delivers the honest feeling of wanting to be loved, even just a little, after realizing the presence of someone who saved your heart.

Uwanosorakuriipuhaipe38rank/position

CreepHyp is a rock band with a singular musical style that’s loved by a wide range of generations.

With many staple songs like “Shiori” and “HE IS MINE,” they always get the crowd moving.

Among their tracks, a hidden gem is “Uwanosora.” It’s included on the 2011 release “Machikutabirete Asa ga Kuru.” The melancholic, languid melody line leaves a strong impression, and the way the performance swells with the lyrics is truly stirring.

It’s a fast-paced rock number, so it’s highly recommended for fans of music festivals!

erotickuriipuhaipe39rank/position

CreepHyp – “Ero” (MUSIC VIDEO)
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It’s the fifth single, released on July 23, 2014.

The rhythm of the guitar, panned in the intro, is really addictive.

Thanks to the refreshingly straightforward title, the lyrics—wrapped in a layer of subtlety—end up sounding unmistakably like that kind of thing.

Impersonationkuriipuhaipe40rank/position

CreepHyp - "Impersonation" (MUSIC VIDEO)
Impersonationkuriipuhaipe

CreepHyp’s “Monomane,” released digitally in 2020.

This song also served as the theme for the animated film “A Whisker Away,” and CreepHyp produced the music for the film as a whole.

At first listen it might seem like a fun, happy love song, but it’s actually a breakup song, looking back and weaving through various feelings after the relationship ends.

In fact, the track is a sequel to CreepHyp’s 2009 release “Boys END Girls.” While “Boys END Girls” is a love song about a happy couple, “Monomane” is sung from the perspective of someone left alone after the breakup.

Be sure to listen to “Boys END Girls” as well.