Domenico Scarlatti Popular Songs Ranking [2026]

Sonata in G minor, K.30 (L.499) “Cat’s Fugue”Domenico Scarlatti15rank/position

Scarlatti Harpsichord Solo: The Cat’s Fugue

Sonata in G minor, K.30 (L.499): Moderato.

Commonly known as the “Cat’s Fugue.” According to legend, Scarlatti’s beloved cat had a habit of walking across the harpsichord keys, inspiring him to write one of the phrases.

Performed by Elaine Comparone.

Sonata in G minor, K.30 “Cat’s Fugue”Domenico Scarlatti16rank/position

Federico Colli plays Domenico Scarlatti: Sonata in G minor K30 (L499) “cat’s fugue”

Domenico Scarlatti, a master of Baroque music, is renowned for his legendary harpsichord sonata Sonata in G minor, K.

30, affectionately known as the “Cat’s Fugue.” With its unique motifs and unusual harmonies, the piece showcases the composer’s creativity and humor to the fullest.

There is a charming anecdote that the work was inspired when his pet cat walked across the keyboard.

This masterpiece vividly reflects Scarlatti’s distinctive style and greatly influenced later composers.

It is a gem that captures the essence of the Baroque and is highly recommended for everyone studying the piano.

Sonata in G minor, K. 450Domenico Scarlatti17rank/position

Irena Koblar, Scarlatti Sonata K. 450 in G minor

Domenico Scarlatti, a genius composer born in Naples, Italy.

He studied music under his father, Alessandro, and in Rome he deepened his connections with leading musicians of the time, even engaging in a friendly contest with Handel.

His 555 sonatas, his most representative works, are both virtuosic and innovative.

Among them, the Sonata in G minor, K.

450, is a passionate and original piece influenced by Spanish folk music.

Marked by a fast tempo and brilliant ornamentation, it demands advanced technique to perform, yet it is a masterwork that lets listeners fully savor the charm of Baroque music—highly recommended for piano students and enthusiasts alike!

Sonata in G major, K. 259 (L. 103)Domenico Scarlatti18rank/position

Scarlatti Sonata for GUITAR TRIO

A gem by Scarlatti.

Its lively, flowing melodies and the striking contrast with powerful chords are particularly memorable.

From the bright tone of the opening, the middle section suddenly shifts into a passionate, dance-like character.

The light, graceful melody then returns, and the piece concludes with a brilliant coda.

Composed around 1756, this work showcases Scarlatti’s innovative keyboard techniques to the fullest.

It offers an appealing sound whether performed on harpsichord or piano.

Highly recommended not only for Baroque music enthusiasts but also for those less familiar with classical music.

Sonata in G major, K.477 (L.290)Domenico Scarlatti19rank/position

Pevzner, Katja, Klavier, Sonate G Dur K 477 von Domenico Scarlatti

This is one of Scarlatti’s late works.

Its bright, lively melody is striking, and you can sense the influence of Spanish folk music.

It is notable for its wealth of virtuosic elements, such as rapid scales and hand crossing.

Rhythmic and full of vitality, this piece is sure to energize listeners.

Highly recommended for those who want to fully savor the charm of keyboard instruments.

It is often performed on the harpsichord as well, so why not enjoy its distinctive timbre?

Sonata in G major, K.91 (L.176)Domenico Scarlatti20rank/position

D. Scarlatti, Sonate G-Dur K91 1.+2. Satz Duo Trekel-Tröster, Sonata G major 1.+2. movement

Sonata in G major, K.91 (L.176): Largo – Allegro.

Performed by Duo Trekel–Troester: mandolin by Steffen Trekel and guitar by Michael Troester.

From a live performance at Senzoku Gakuen College of Music’s Silver Mountain.

Sonata in D minor, K.120 (L.215)Domenico Scarlatti21rank/position

Scarlatti : Sonate K 120 en ré mineur (Allegrissimo), par Frédérick Haas – #Scarlatti555

A piece notable for the striking contrast between the light, flowing right-hand passages and the left hand’s simple yet beautiful chords.

The middle section shifts dramatically to a powerful, dance-like character; after the initial lively melody returns, the coda presents a brilliant rendition of the middle section’s dance and brings the work to a spirited close.

Its crisp pacing keeps both performer and listener engaged.

Heard on the harpsichord, it may evoke the Baroque atmosphere even more strongly.

This work perfectly fuses Scarlatti’s inventive compositional techniques with the influence of Spanish folk music, letting you feel the innovation that expanded the possibilities of keyboard instruments.