Domenico Scarlatti Popular Songs Ranking [2026]

Sonata in D major, K.140 (L.107)Domenico Scarlatti29rank/position

Scarlatti | Sonata K. 140 in D major | David Louie

A keyboard sonata renowned as a masterpiece of Baroque music.

It makes full use of its bright key of D major, characterized by a sprightly rhythm and brilliant melodies.

Though only about three to four minutes long, it condenses Scarlatti’s creativity and virtuosity into a single piece.

You can hear quintessential Baroque elements throughout, such as recurring patterns and dialogue between the two hands.

In particular, the alternating, rapid-fire phrases between right and left hands impart a vivid sense of momentum to the listener.

While technically demanding, its vibrant energy is sure to delight audiences.

It’s a must-hear not only for piano students but also for anyone interested in Baroque music.

Sonata in D major, K. 177 (L. 364), Sonata in D major, K. 178 (L. 162)Domenico Scarlatti30rank/position

Eliot Fisk plays Domenico Scarlatti – Sonatas K. 177 & K. 178

Sonata in D major, K.

177 (L.

364): Andante; Sonata in D major, K.

178 (L.

162): Vivo.

The guitar performance is by Eliot Fisk from Philadelphia, Pennsylvania, USA.

Recorded in Salzburg.

Sonata in D major, K. 430 (L. 463); Sonata in G major, K. 455 (L. 209); Sonata in F minor, K. 238 (L. 27)Domenico Scarlatti31rank/position

ROBERTO DE REGINA plays Scarlatti (4)

Sonata in D major, K.

430 (L.

463): Tempo di ballo; Sonata in G major, K.

455 (L.

209): Allegro; Sonata in F minor, K.

238 (L.

27): Andante.

Harpsichord performed by Roberto De Regina.

Sonata in D major, K. 478Domenico Scarlatti32rank/position

Domenico Scarlatti – Sonata in D major K478 (Evgeny Zarafiants)

Among the 555 harpsichord sonatas that Baroque master Domenico Scarlatti composed over his lifetime, the Sonata in D major, K.

478, stands out for its brilliant and technically dazzling passages.

It is filled with innovative techniques such as hand crossing and bold modulations, showcasing Scarlatti’s creativity and originality to the fullest.

Although he was an Italian-born composer, his long years at the Spanish court left a strong imprint of Spanish folk music on his works.

If you can master this expressively rich piece that transcends the boundaries of Baroque music, it will greatly expand your musical toolkit.

Keep practicing the piano, and be sure to perform it at your next recital!

Sonata in C minor, K. 11 (L. 352); Sonata in G major, K. 144Domenico Scarlatti33rank/position

Fabio Zanon – Sonata (Domenico Scarlatti)

Sonata in C minor (K.

11, L.

352): Allegro, and Sonata in G major (K.

144): Cantabile.

The performer is the Brazilian-born guitarist Fábio Zanon, who has won numerous guitar competitions and made his concert debut at the age of 16.

Sonata in C major, K. 159Domenico Scarlatti34rank/position

Domenico Scarlatti: Sonata, K.159, L.104 pf. Rintaro Akamatsu

Domenico Scarlatti is one of the representative composers of Baroque music, and over 500 of his keyboard sonatas are widely known.

His sonatas are characterized by a bright, lively style and brilliant technique, and the Sonata in C major, K.

159 is a prime example.

Also known as the “Hunting Sonata,” it is notable for rhythms and melodies that evoke hunting horns.

It’s a work that sparks the listener’s imagination—inviting stories suggested by the musical flow and hints of Spanish folk influence.

It’s a captivating piece that every piano student wants to try at least once, so do give it a go in your practice.

Sonata in C major, K. 460 (L. 324)Domenico Scarlatti35rank/position

Scarlatti : Sonate en Do Majeur K 460 L 324 (Allegro) par Giulia Nuti – #Scarlatti555

This is one of Scarlatti’s signature works, notable for its lively, cheerful opening theme.

Written in 4/4 time at an Allegro tempo, it is a relatively long piece, running about five to six minutes.

Flowing melodies dotted with ornaments such as the upper mordent (pralltriller), along with the occasional powerful chords, lend the piece variety and depth.

It is in binary form: the first section modulates from the tonic to the dominant, and the second section returns to the tonic.

Technically, it is considered intermediate in difficulty, yet it demands refined skills from the performer, including hand crossing, wide-range arpeggios, and leaps requiring quick position changes.

Highly recommended for those who want to savor the full allure of keyboard music.