Gabriel Fauré Popular Songs Ranking [2026]

Three Songs Without Words, Op. 17-1, No. 1 in A-flat majorGabriel Fauré22rank/position

Gabriel Fauré – 3 Romances sans paroles, Op. 17 (1863)

This is Gabriel Fauré’s piano work “Trois Romances sans paroles,” renowned as a masterpiece.

In guides and books that compile difficulty levels, it’s often classified around Czerny 40.

Personally, I think the actual difficulty is closer to Czerny 30—it’s not as hard as people generally say.

In particular, No.

1 from Op.

17 is among the easier pieces within the set.

It’s notable for its noble and beautiful melody.

Consider it as a reference candidate for a piano recital piece.

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Three Songs Without Words, Op. 17 No. 3 in A-flat majorGabriel Fauré23rank/position

Fauré: Song Without Words No. 3, Romance sans paroles, Op. 17-3 – Saki Nishioka

Gabriel Fauré’s Three Romances sans paroles, Op.

17, said to have been composed when he was 18, comprises three gentle pieces that, in some way, evoke Felix Mendelssohn’s Songs Without Words, which share the term “Romances sans paroles” in their titles.

The third piece is a fresh and beautiful work in which an elegant melody floats above broken chords.

Aim to sing out the melodic line fully, and perform with care, balancing the dynamic level against the leaping accompaniment.

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8 Pieces, Op. 84: No. 1, CapriccioGabriel Fauré24rank/position

From 8 Short Pieces, Op. 84: No. 1 Capriccio (Fauré)

This work, which expresses the delicate beauty of French art songs on the piano, was published in 1902 by the École Niedermeyer in Paris.

The opening features a flowing, light melody that captivates with its bright, exhilarating motion.

As it progresses toward the end, the music unfolds with richly varied harmonic changes, allowing you to savor the refined sonorities characteristic of French music.

Originally written as a sight-reading piece for the Paris Conservatoire, it combines classical formal elegance with originality, grounded in solid theoretical training.

It is recommended for those who wish to experience the allure of French music or enjoy unexpected harmonic progressions within an elegant atmosphere.

8 Pieces, Op. 84: No. 4, AdagiettoGabriel Fauré25rank/position

Ayane Shoda (3rd grade) Fauré: 8 Short Pieces, Impromptu Op. 84 No. 5 - AYANE SHODA PLAYS FAURÉ

Set in E minor and written in triple meter, this exquisite miniature features a delicately woven melody whose refined beauty, played with gentle intimacy, resonates deeply.

Premiered in 1902 by Ricardo Viñes, it is one of the works included in the album “Eight Pieces, Op.

84.” Unfolding at a slow tempo marked Andante molto moderato, the piece develops through elegant variations centered on a melody placed in the middle voice.

Its calm atmosphere and tasteful harmonic progressions are striking, offering a full taste of the graceful allure of French music.

Because it does not impose excessive technical demands, it is recommended for those who wish to refine their expressive command of French repertoire or explore new horizons in classical music.

Eight Pieces, Op. 84: No. 7, JoyGabriel Fauré26rank/position

8 Pièces Brèves, Op. 84: VII. Allégresse

The lively melody created by sixteenth-note triplets marked in 6/8 time gives the impression of expressing pure joy.

Written in C major, this piece was completed in 1902 and premiered the following April at the National Music Society by Ricardo Viñes.

Its beautiful sonority—woven from smoothly flowing lines and delicate harmonic progressions—conveys the elegance and refinement characteristic of French music.

With its warm tone and approachable rhythmic patterns, this work is enjoyable for anyone with a basic foundation in piano performance.

Why not savor its graceful melodies and exhilarating rhythms and experience the charm of French music?

Nine Preludes, Op. 103 No. 3Gabriel Fauré27rank/position

Masaki Saito – Fauré: Prelude Op. 103 No. 3

One of the most important collections for understanding Gabriel Fauré’s late period is his Piano Pieces.

Among them, a particularly recommended, less demanding work is No.

3 from the Nine Preludes, Op.

103.

Its overall difficulty is intermediate, and the tempo itself is very slow.

However, there are many wide leaps in the left hand, and every note requires a delicate touch, so memorizing it may suit some players better.

Although the piece is dark and unhurried, it still makes a strong impression, so why not consider using it as a recital piece?

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Elegy, Op. 24Gabriel Fauré28rank/position

Gabriel Fauré, Élégie Op. 24 (1880)｜Nadège Rochat, cello

A work for cello and piano composed by Fauré in 1880.

It begins with a quiet melody that seems to symbolize sorrow, reaches an emotional climax in the middle section, and concludes as the opening theme returns and fades into silence.

In this piece, Fauré expresses emotion directly, and some have called him “the last gleam of French musical Romanticism.” It was premiered in 1883 by the cellist Jules Loëb, and has continued to be performed by many cellists since.

Its melody, which conveys profound grief, resonates deeply with listeners and remains beloved by many to this day.