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hitomi's Most Popular Songs Ranking [2026]
Hitomi is a singer-songwriter who began her career in 1993 and has released as many as 11 albums to date.
She is particularly mindful of her health and is said to have well-defined abs.
In this article, we present her most popular songs in ranking order!
hitomi’s most popular songs ranking [2026] (1–10)
LOVE 2000hitomi1rank/position
Hitomi’s signature song “LOVE 2000.” Back then, many female singer-songwriters had an Avex-style, Italo-disco vibe, but Hitomi gained popularity with a somewhat louder, rock-tinged sound.
I imagine many women in their 30s admired her rocky vocals.
While this song’s range—mid1F to hiD—is fairly standard, it’s exceptionally easy to sing because it frequently stays around mid2F#, a very comfortable pitch for many women.
Another plus is that you can make it easier to sing simply by adjusting the key to match the hiD sections.
Definitely consider adding it to your repertoire.
I amhitomi2rank/position
If you listen, that Monday night might come back to you.
This song was used as the opening theme for the anime Inuyasha, based on the manga by Rumiko Takahashi.
It’s by the singer-songwriter hitomi, who has produced numerous hits including LOVE 2000, and it was released in 2001 as her 22nd single.
Its fresh, catchy sound is truly exhilarating, and her bright, clear vocals are a big part of that appeal.
The lyrics—saying “I believe in you no matter when”—are encouraging.
SAMURAI DRIVEhitomi3rank/position
“SAMURAI DRIVE” is an uplifting anthem perfect for people in their 50s, blending powerful vocals with a rock edge.
Hitomi’s commanding voice and the driving guitar sound spark courage, making it an ideal track for those in their 50s facing work-related struggles.
The lyrics feel like raising a signal flare for moving forward, etching hope for the future into listeners’ hearts.
Originally a song by Cune, its popularity grew for both artists through Hitomi’s cover.
It works great as a signature song at milestone events like graduation ceremonies, and its fast-paced chorus can be enjoyed across generations.
You won’t tire of it no matter how many times you listen—its stimulating energy keeps radiating.
Why not weave this song into your daily life?
BUSY NOWhitomi4rank/position
I first learned about her from the cover of SAMURAI DRIVE, and this is just my personal impression, but I see Hitomi as a strong woman.
When the maternity nude photos caused a stir, I was very impressed, feeling that they expressed her way of life—strong as a person and the type to follow her own path.
In the futurehitomi5rank/position
This was hitomi’s sixth single, released in May 1996.
Perhaps because hitomi isn’t particularly known for high notes, this song—among the series of Tetsuya Komuro–produced hits—doesn’t require much in the way of high vocals.
Since 1996 was also a time when songs needed to be karaoke favorites to become hits, I recommend this one as an easy song for anyone to sing!
CANDY GIRLhitomi6rank/position
Although many people associate hitomi most strongly with her success in the 2000s, she also left behind several great songs in the ’90s.
Among them, the one I particularly recommend is “CANDY GIRL.” It’s a track drenched in that quintessentially ’90s, flashy synthesizer sound, yet the vocal line is surprisingly understated.
It may feel like it sits in the higher register, but the overall range isn’t wide, so as long as you find the right key, it should be quite singable.
Consider adding it to your repertoire.
GO TO THE TOPhitomi7rank/position
Even before debuting as a singer, she had been active in show business, and this is the fourth single by hitomi, a female singer who made her major debut under the production of Tetsuya Komuro, a music producer emblematic of the 1990s J-pop scene.
It is also the title track of her first album, “GO TO THE TOP,” and was featured as an insert song in the TV drama “Kakeochi no Susume.” The lyrics, which ask what truly matters, may prompt many listeners to reflect on what exactly they’re struggling with or feeling down about.
It’s a song that helps you realize that others are others and you are yourself, letting you set down the excess baggage in your heart.
