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Leo Ieiri’s Most Popular Karaoke Songs Ranking [2026]
Many of Leo Ieiri’s songs have been tied in with numerous anime, TV dramas, and commercials, including Trico and The Queen of the Frogs.
So I think many people have heard her music before.
Check out her popular karaoke tracks—starting with her tie-in songs—and get the party going at karaoke!
Leo Ieiri Karaoke Popular Songs Ranking [2026] (1–10)
The summer you gave meieiri reo1rank/position
This song poignantly captures the bittersweet feeling of summer love, highlighted by Leo Ieiri’s clear, crystalline vocals.
The lyrics, which depict memories and growth from one’s youth, are sure to resonate with many listeners.
Released in August 2015, it also drew attention as the theme song for the Fuji TV drama “Koinaka.” It’s a perfect karaoke choice for women in their 20s, recommended for girls’ nights out or when you want to look back on summer memories.
For women with an average vocal range, it’s comfortably singable, and since it’s a slow-tempo ballad, try singing it while checking each pitch and rhythm step by step.
Sky and Blueieiri reo2rank/position
Leo Ieiri, known for her clear, translucent singing voice, performs a song called “Sora to Ao” (“Sky and Blue”), which overflows with brightness and freshness.
As the title suggests, its refreshing tone is very pleasant.
It’s a song about the joy of being together as a couple, so singing it to a man you’re interested in or to your partner might convey your feelings well.
From a man’s perspective, clearly understanding a woman’s feelings helps communication and can lead to an even better relationship, so it’s highly recommended.
Shineieiri reo3rank/position
Leo Ieiri’s “Shine” was released in 2012 and is also known as the theme song for the drama “The Queen of the Frog.” Strictly speaking, it isn’t a summer song, but its refreshing, light-filled sound makes it perfect for summer karaoke.
“Shine” remains one of her most popular tracks, and in 2020 the full music video was made available for free.
You can practice while listening to her original vocals, so now’s the time to sing it at karaoke!
If I could forgive youieiri reo4rank/position
Leo Ieiri’s voice is both delicate and powerful—that’s her allure.
This song is the theme for the drama “Absolute Zero: Forecasting Criminals,” starring Ikki Sawamura.
Whether it’s a cool, driving track or a warm mid-tempo number, any genre becomes vibrant through her captivating vocals.
This particular song makes you feel her delicate side almost painfully.
Its wistful, lonely mood fits her voice perfectly—you’ll be drawn right in.
It might work well to sing it as if gently speaking, almost like reciting the lyrics.
Always, the two of usieiri reo5rank/position
A hit number by Leo Ieiri, known as the theme song for a TV drama.
This work captivates with its clear, gentle vocals and lyrics that resonate with the heart.
Released in July 2017, it was chosen as the theme for the Nippon TV drama “Even If I Love You, I Have Secrets” and gained support from a wide audience.
It also holds an important place in Ieiri’s discography.
This song is perfect for karaoke when you want to make someone of the opposite sex aware of your feelings.
With its tender vocals and lyrics that sing of deep love, it can help you show a caring, empathetic stance toward the other person.
Answerieiri reo6rank/position
A single by Leo Ieiri, released in May 2020.
It was originally scheduled for release in April, but seems to have been pushed to May due to the coronavirus situation.
That aside, the song showcases piercing high notes right from the start, and I imagine any woman confident in her high register would think, “I definitely want to sing this!” Moreover, that powerful, soaring high-tone voice is exhilarating to listen to all on its own.
Mirror feat. Kosuke Saitoieiri reo7rank/position
It was released for streaming on October 8, 2025, and was written as the theme song for the NTV Wednesday drama “ESCAPE: It Was Supposed to Be a Kidnapping.” It’s a collaboration between Leo Ieiri and Kosuke Saito, the guitarist-vocalist of UNISON SQUARE GARDEN and TenTwenty.
Despite the very high vocal range, both of their voices soar in the same register, and the result is truly beautiful.
It’s wonderful as a solo, of course, but if possible you’ll want to sing it as a male-female duet! That said, finding a man who can sing this high is no easy task…
When you sing it, try to focus on using your breath and producing a strong tone.
If you aim to resonate in your head while you phonate, you’ll gradually get closer to the right sound.
Core strength matters, too!
Painieiri reo8rank/position
A song by Leo Ieiri, a female singer-songwriter who left home for Tokyo on her own—practically disowned—so she could pursue music, and made her major debut in 2012.
The driving band ensemble, featuring guitar-forward sounds, gives a sense of Leo Ieiri returning to her roots.
Its powerful message about staying true to your own will, combined with a cool melody, really hits home.
It’s an emotional rock tune you’ll want to sing at karaoke while seeing yourself in the lyrics.
Prime Numbersieiri reo9rank/position
This is Leo Ieiri’s first single of 2019, “Prime Numbers.” It was used as the theme song for the drama “Emergency Interrogation Room.” The lyrics were written by Kiyoshi Matsuo, who is also a music producer.
“Prime number” means a prime in English.
This time, he likened isolation and loneliness to the characteristics of prime numbers and wrote the lyrics around that theme.
It’s a song that suits her well, matching her image as a slightly shadowy beauty.
sillyieiri reo10rank/position
Singer-songwriter Leo Ieiri.
Among her songs, the one I’d recommend to people who aren’t confident in their singing is “Silly.” That’s because, even though many of her songs—ballads included—often have intense sections, this track maintains a gentle, calm atmosphere throughout.
One distinctive feature, however, is her breathy articulation.
If you want to really master this song, try to be mindful of that.
Especially in the chorus, using this vocal approach will make it sound better.
