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Commercial Songs by Japanese Female Artists: CM Songs and Popular Track Rankings [2026]

Commercial songs are highly recognizable, and many people have probably heard them even if they don’t know the singer.

Some may even become fans after discovering the artist through a commercial.

Here is a ranked list of CM songs by Japanese female artists.

Japanese Female Singers’ CM Songs, Commercials, and Popular Tracks Ranking [2026] (41–50)

Letter ~ Dear Fifteen-Year-Old YouAnjura Aki43rank/position

Angela Aki “Letter: To You, Fifteen” Music Video (HD)
Letter ~ Dear Fifteen-Year-Old YouAnjura Aki

This is a song that has been featured in Japan Post Group commercials and sung as a choral piece.

In the times when worries increase as we grow into adulthood during adolescence, when we’re struggling and suffering, I imagine many people have resonated with these lyrics and been saved by this song.

Romance overflowsGesu no Kiwami Otome.44rank/position

Gesu no Kiwami Otome - Romance Is Abundant
Romance overflowsGesu no Kiwami Otome.

This clip shows Mitsuki Takahata reading manga on her bed at home via Mecha Comic.

Playing on the title of Gesu no Kiwami Otome’s song “Romance ga Arimaru,” which she hums and then becomes the BGM, the ad highlights the platform’s abundance of titles.

It’s a commercial that effectively conveys Mecha Comic’s appeal: you can enjoy a huge variety of works in a relaxed state.

It’s not me unless it’s meGesu no Kiwami Otome.45rank/position

Gesu no Kiwami Otome “Watashi Igai Watashi Janai no”
It's not me unless it's meGesu no Kiwami Otome.

It was released in 2015 as Gesu no Kiwami Otome.’s second single.

The song was used in Coca-Cola’s “Name Bottle Campaign” commercial, and since it became the CM song for Coca-Cola, a 500ml Coca-Cola bottle appears near the end of the music video.

The track is also well known as the song that propelled Gesu no Kiwami Otome.

to nationwide fame.

Please, Time MachineSadisutikku Mika Bando46rank/position

Sadistic Mika Band | A Time Machine, Please!
Please, Time MachineSadisutikku Mika Bando

This is a commercial for Oi Ocha Catechin Green Tea, released by Ito En’s flagship brand Oi Ocha, focusing on cholesterol and body fat care.

Amazingly, the woman appearing in the commercial is said to be AI-generated.

It looks so natural that many people might not have noticed until they were told.

The BGM uses Sadistic Mika Band’s “Time Machine ni Onegai.” Released in 1974, the song is characterized by its refreshing melody line.

Fun Fun ChristmasSheneru × TEE × LEO47rank/position

Che’Nelle × TEE × LEO – “Fun Fun Christmas”
Fun Fun ChristmasSheneru × TEE × LEO

This song, which creates a festive mood from the very beginning like an overseas Christmas carol, is a collaboration by Che’Nelle, TEE, and LEO.

It was used as the CM song for Francfranc’s Christmas season and was also included on the omnibus album “Francfranc presents Fun Fun Christmas.” After the glamorous opening scene, it quickly shifts into an upbeat, high-energy section that you could call a party tune—perfect background music for a Christmas party.

Fashion Leader feat. Soy SauceNanawo Akari48rank/position

ORANGE RANGE – Fashionable Boss feat. Soy Sauce
Fashion Leader feat. Soy SauceNanawo Akari

This commercial edits together dances by a variety of people holding Pocky, bringing them together as a single piece.

With the freedom in costumes and choreography, each person’s individuality shines, and that’s exactly why you can feel a kind of bond in everyone enjoying Pocky together.

The song that further highlights the fun of the dance is Nanao Akari’s “Oshare Banchō feat.

Soy Sauce.” Compared to ORANGE RANGE’s original, it gives a poppier impression, and its light arrangement really conveys the sense of fun.

Morning of PartingPedoro & Kapurishasu49rank/position

Pedro & Capricious’s “Wakare no Asa” (Morning of Parting) was released in 1971 and is known as one of the group’s signature songs.

The original is “Was Ich Dir Sagen Will” by Austrian singer Udo Jürgens, to which Rei Nakanishi added Japanese lyrics for this version.

The sound leans strongly toward kayōkyoku, giving it a different vibe from the original, and over this powerful arrangement the sorrow of parting is sung.

Because the song conveys a kind of strength that tries to shake off loneliness, when it’s used in commercials it tends to create an impression of emphasizing the power to move forward.