Shizuka Kudo’s Most Popular Songs Ranking [2026]
We’ve put together a ranking of popular songs by Shizuka Kudo—former Onyanko Club member and now widely known as Takuya Kimura’s wife.
The four most prominent female idol singers of the late 1980s (Shizuka Kudo, Miho Nakayama, Yoko Minamino, and Yui Asaka) were known as the “Four Queens” of female idols.
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Shizuka Kudo Popular Song Ranking [2026] (11–20)
FU-JI-TSUKudō Shizuka11rank/position
“FU-JI-TSU,” the fourth single to reach No.
1 on the Oricon charts and the first song to feature lyrics by Miyuki Nakajima.
Its story—being bewildered by an ex-partner’s behavior—may resonate with listeners whose own experiences overlap with the lyrics.
The melody is relaxed and the vocal range isn’t wide, making it easy to sing at karaoke.
However, because the melody moves in small steps, be mindful of each note to avoid going off pitch.
Drops of a thousand currentsKudō Shizuka12rank/position
It’s a heartbreak song, but the lyrics run deep.
You can also take it as the inner voice of a woman who fell in love with someone she shouldn’t have.
It’s a perfect ballad for women, where a fleeting wish to relive those sweet moments from back then blends with the strength of facing forward, vowing never to regret what happened.
MUGO… so sexyKudō Shizuka13rank/position
Shizuka Kudo, known as a member of Onyanko Club.
When it comes to her solo songs, isn’t “MUGO… Uhn… Iroppoi” the one that comes to mind? It’s memorable for having been performed on the Kōhaku Uta Gassen and used in a Kanebo commercial.
Since the song makes extensive use of long tones, let’s focus on practicing that aspect.
By the way, the title was inspired by Kanebo’s product catchphrase, “Uhn… sexy.” Be sure to share that bit of trivia when you sing it.
Aphrodisiac from the lipsKudō Shizuka14rank/position
Released in January 1990, this song is Shizuka Kudo’s ninth single.
The lyrics were written by Goro Matsui, with composition and production by Tsugutoshi Goto, and it can be seen as a track that symbolizes her evolution from idol to mature vocalist.
Its retro sound, reminiscent of Group Sounds and Showa-era kayōkyoku, pairs perfectly with lyrics depicting the tug-of-war between sweet temptation and reason.
The single topped the Oricon weekly chart and ranked eighth on the year-end chart, becoming a major hit that helped usher in the 1990s J-pop era.
It was also performed at that year’s Kōhaku Uta Gassen, where her cool delivery left a strong impression.
Recommended for those who enjoy husky, sultry vocals or want to soak in the atmosphere of a nostalgic era.
MetamorphosisKudō Shizuka15rank/position
This is the 14th single by Shizuka Kudo, a singer who rose to fame as a member of Onyanko Club and went on to release numerous hits after going solo.
Chosen as the theme song for the Fuji TV drama “Nandara Mandara,” the track stands out for its funky groove.
The lyrics powerfully express the emotions of a woman swayed by love and her desire for change, capturing those moments when you just want to surrender to an irresistible romantic impulse—something many listeners can relate to.
Peaking at No.
2 on the Oricon Weekly Chart and selling over 440,000 copies, this song marked a turning point for Kudo as an artist, stepping beyond her earlier idol-style musical direction and becoming one of her signature works.
passionKudō Shizuka16rank/position
“Gekijō” (Passion) was released in 1996 as Shizuka Kudo’s 28th single.
It was used as the theme song for the drama “Yuzurenai Yoru,” in which Kudo herself also appeared, and it marked the first time she received both lyrics and music from Miyuki Nakajima.
As the title suggests, it’s a song that conveys a fiery, adult romance, singing of intense emotions.
AkikoKudō Shizuka17rank/position
It’s the B-side track of Shizuka Kudo’s eighth single, “Kousa ni Fukarete,” released in 1989.
The lyrics were written by Miyuki Nakajima, with composition and arrangement by Tsugutoshi Goto.
As the title suggests, it features an autumnal, slightly wistful sound that leaves a strong impression, resulting in a song that conveys a growing sense of lingering attachment.
Snow, Moon, and FlowersKudō Shizuka18rank/position
Right after going solo, Shizuka Kudo also incorporated a pop style, but as her career progressed, her songs increasingly took on a sharp, stylish edge.
“Yuki, Tsuki, Hana” falls into the latter category: while it retains a touch of Showa-era flavor, it maintains a stylish atmosphere throughout.
The song generally sits in a lower range, and the vocal line is calm with little fluctuation, but be mindful of the brief falsetto that appears in the chorus.
Rather than forcing a falsetto, the key is to adjust your pitch so the voice flips naturally.
Freesia—More than liking, I love you—Kudō Shizuka19rank/position
It’s a heartbreaking love song filled with a straightforward longing for someone precious you can’t meet, no matter how much you want to.
Shizuka Kudo’s song “Kousetsuran ~Suki yori Aishiteru~,” released in October 2023, is a ballad that also drew attention for being composed and arranged by the duo Sukima Switch.
Her vocals, which seem to trace each word and feeling, truly hit you in the chest.
As you listen, a story comes into focus, and it feels as if you’re watching a romance film.
Let yourself sink into its gently subdued atmosphere.
AgainKudō Shizuka20rank/position
The group’s second single, Again, was used as the ending theme for the two-part show combining a school drama and variety segments, Peach-Colored Academy City Declaration!!.
Its brisk synth sound and lyrics—evoking the image of someone stepping back for the sake of a loved one—give it a touch of melancholy, don’t they? The melody is intricate with lots of pitch movement, so it isn’t easy, but since the overall vocal range isn’t wide, it should be manageable if you sing calmly.
Also, having a friend add call-and-response parts will make it more fun and give you some breathing room, so definitely give it a try.