We’ve put together a ranking of popular songs by Shizuka Kudo—former Onyanko Club member and now widely known as Takuya Kimura’s wife.
The four most prominent female idol singers of the late 1980s (Shizuka Kudo, Miho Nakayama, Yoko Minamino, and Yui Asaka) were known as the “Four Queens” of female idols.
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Shizuka Kudo’s Most Popular Songs Ranking [2026] (1–10)
wailing in griefKudō Shizuka1rank/position

Among Shizuka Kudo’s discography, which has produced numerous hit songs since her solo debut in the late 1980s, the best-selling is Dokoku, released in 1993.
It’s a masterpiece with lyrics by Miyuki Nakajima and music by Tsugutoshi Goto, and many women in their 40s today likely have this song in their karaoke repertoire.
The song is set in a relatively low key for a female vocal, making it a great choice for women with lower voices who struggle with high notes.
Kudo’s characteristic, sultry vibrato is applied naturally, yet the difficulty level is modest, with a very memorable and easy-to-sing melody line.
It’s also recommended for those aiming for high scores at karaoke.
MUGO… so sexyKudō Shizuka2rank/position

This work, with its weighty arrangement and wistful melodic lines, has an irresistible charm that draws you in.
Shizuka Kudo delivers the protagonist’s delicate emotions—an inexpressible inner tremor and a quiet attempt to communicate through the eyes—with her distinctive husky voice and expressive singing, gripping the listener’s heart.
Released in August 1988 as Kudo’s fifth single, it was also used as the Kanebo Cosmetics “’88 Autumn Promotion Image Song.” The track reached No.
1 on the Oricon weekly chart and was performed at the 39th NHK Kōhaku Uta Gassen at the end of the same year.
For karaoke, try singing it with a restrained, inward passion and a subtle hint of allure to deepen the song’s world even further.
The True Face of the StormKudō Shizuka3rank/position

This song was released in May 1989.
It’s a danceable rock number with a funk-infused sound that became a hot topic as many celebrities performed its choreography on TV shows.
The lyrics express inner conflict and emotional turmoil, conveying a complex mix of strength and vulnerability, as well as hope for new love—resonating deeply with listeners.
This track is one of Shizuka Kudo’s signature songs and is included on albums such as HARVEST and unlimited.
It’s a perfect song for those who have experienced heartbreak or loneliness.
The hand movements near the face in the dance are especially eye-catching, aren’t they?
Blown by the yellow sandKudō Shizuka4rank/position

A gem of a song distinguished by a modern sound with an exotic flair, seamlessly blending words penned by Miyuki Nakajima with Shizuka Kudo’s passionate vocals.
Released in September 1989 as Kudo’s eighth single, it became a major hit, topping the Oricon charts for six consecutive weeks.
The lyrics, which portray the emotions of a woman after a heartbreak, resonate deeply and evoke strong empathy in listeners.
For karaoke, the key is to fully savor the nostalgic mood and sing from the depths of your heart.
It’s also a piece that allows for performances that radiate energy throughout the venue, and as one of Kudo’s signature works, it continues to be loved by many.
Ice RainKudō Shizuka5rank/position

A delicate ballad that trembles deep within the heart.
Its melody paints the scene of cold rain pouring down, gently enveloping the listener’s loneliness and heartache.
Released in November 1994 as Shizuka Kudo’s 23rd single, the song has since been included on many of her albums as one of her signature tracks.
It appears on acclaimed compilations such as Purple and She Best of Best, and has long been cherished by fans.
Singing it at karaoke lets you feel its powerful emotional impact firsthand and invites empathy.
Pour your feelings into it, and it’s sure to become a song that shines on stage as your own.
Full of ChristmasKudō Shizuka6rank/position

Shizuka Kudo is a singer who thrives across a wide range of fields—not only in music, but also as an actor, TV personality, jewelry designer, and painter.
The song that closes her best-of album “gradation,” X’mas ga Ippai (Full of Christmas), features a dreamy intro that conjures the holiday just as the title suggests.
Its lyrics, filled with love for someone special, seem perfectly suited to color the holy night.
With a melody that blends pop brightness with a touch of wistfulness, it’s an unforgettable, timeless winter song.
Blue VelvetKudō Shizuka7rank/position

“Blue Velvet,” the 29th single overall, was used as the third ending theme for the TV anime Dragon Ball GT.
Composed by Hatake from Sharan Q, the song drew attention and has long been beloved as a karaoke favorite.
While the melody is relaxed and the vocal range is narrow, there are parts where following the pitch can be tricky, such as the effective use of chromatic passages, so be sure to learn it well before performing it in front of others.
Singing the chorus tightly will bring you closer to the feel of the original, so keep that in mind when you sing.
KiraraKudō Shizuka8rank/position

This song is a ballad imbued with deep emotion and poignant longing.
The feelings, likened to the flow of a river, resonate like gentle waves that quietly wash over and recede from the listener’s heart.
Released as a single in July 1998, it was also used as an insert song for the Fuji TV drama “Kami-sama, Mou Sukoshi Dake.” Shizuka Kudo’s clear, translucent vocals beautifully convey the world crafted by Ryuichi Kawamura’s lyrics and composition.
At the end of the same year, a performance featuring guest artist Taro Hakase at the NHK Kohaku Uta Gassen also drew attention.
When singing it at karaoke, it’s recommended to channel Kudo’s delicate expressiveness and sing with heartfelt emotion.
Forbidden TelepathyKudō Shizuka9rank/position

Shizuka Kudo’s solo debut, with lyrics by Yasushi Akimoto, is a lyrical pop tune built around the theme of premonition in love.
It delicately portrays the feelings of a girl who senses an impending breakup with her beloved but tries to avert her eyes from that foreboding.
Released in August 1987 on the final broadcast day of Fuji TV’s Yuyake Nyan-Nyan, it debuted at No.
1 on the Oricon Weekly Singles Chart and stayed in The Best Ten’s top 10 for five consecutive weeks.
It’s a perfect track for those who want to share the anguish of an impending heartbreak or for music fans seeking the essence of 1980s idol pop.
A One-Night LoveKudō Shizuka10rank/position

Among Shizuka Kudo’s discography, which saw a string of hits in the late 1980s, the single released in December 1988 shines with a distinctly mature allure.
Chosen as the image song for the Hakone Open-Air Museum, it became the first Oricon No.
1 of the Heisei era—a classic in every sense.
The song depicts a bittersweet, adult romance where fleeting passion—perhaps just a one-night love—intertwines with anxiety about a future that cannot be seen.
Its gentle, tender ballad style makes it easy to empathize with, and it seems perfect for those who want to sing with rich emotional expression.


