Ryuichi Sakamoto Popular Song Ranking [2026]

RelâchéSakamoto Ryuichi36rank/position

Relâché

Since we’ve introduced solo tracks by Haruomi Hosono and Yukihiro Takahashi, we should naturally cover a solo piece by “Professor” Ryuichi Sakamoto as well.

In this article, I’d like to highlight Relâche, included on Sakamoto’s third solo album, Left-Handed Dream, released in 1981 during what could be called the heyday of technopop.

It’s an instrumental track that, while deserving to be discussed in the technopop context, possesses a unique atmosphere—featuring guitarist Adrian Belew, a world-renowned musician known for his work with King Crimson, and also crediting Robin Scott, who scored a massive hit as M with Pop Muzik.

The looping synth riff has a curious allure, and the suddenly introduced telephone sound is oddly amusing.

With Haruomi Hosono on bass and Yukihiro Takahashi on drums generating a powerful groove, it’s essentially YMO, yet it unmistakably remains Sakamoto’s own world—which is part of the fun.

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KOH-1

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ReversingSakamoto Ryuichi37rank/position

Reversing

Let me introduce a hidden gem, remarkable for its beautiful layers of harmonies that resonate in the silence.

Belonging to the lineage of the landmark album BTTB, it’s a piece released back in August 2002 that, while embracing the coloristic sensibilities of French modernists like Satie and Ravel, invites you to listen closely to subtle shifts born of repetition.

Rather than pushing a melody to the forefront to speak in overt emotion, the work’s brilliance lies in how even the afterglow of sounds—rising and then dissolving into space—is meticulously crafted.

It’s a perfect track for those who want to savor the piano’s inherent richness without relying on flashy ornamentation.

How about setting aside the bustle of everyday life and spending some calm time in which each note seeps gently into your heart?

SolitudeSakamoto Ryuichi38rank/position

Solitude

“Solitude” is a piece included on the original soundtrack for the 2004 film Tony Takitani.

Tony Takitani is a film adaptation of a short story by Haruki Murakami, with all compositions and performances handled by Ryuichi Sakamoto himself.

Although there were initially no plans for a CD release, the decision was made after growing anticipation for the soundtrack following the film’s theatrical run.

Recorded using a distinctive method—bringing a screen into the studio and improvising while watching the footage—this track vividly conveys something like Sakamoto’s own cry from the heart.

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yuri

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Tokyo StorySakamoto Ryuichi39rank/position

Tokyo Story – Ryuichi Sakamoto

A masterpiece that captures the city’s breathing in sound.

Featured on the album “Sweet Revenge,” released in September 1994, this piece was inspired by the film “Tokyo Story.” The serene worldview woven by Ryuichi Sakamoto’s delicate sensibilities resonates deeply with listeners.

Its distinctive sound, which deliberately incorporates irregular rhythms, seems to express the multifaceted nature of Tokyo itself.

True to Sakamoto’s reputation as a master of film music, the track is rich in narrative quality.

It’s a perfect song for stepping away from the city’s clamor and taking time for quiet introspection.

Yamazaki 2002Sakamoto Ryuichi40rank/position

Yamazaki 2002

Titled with a product name and a year, this piece is a beautiful piano work that cherishes the spaces between sounds.

Composed in 2002 as music for a Suntory Whisky commercial and included that October in a collection of CM music, it was later re-presented as a standalone listening piece on the acclaimed 2004 album “/04.” The poised right-hand melody overlaps with left-hand arpeggios, evoking matured silence and the accumulation of time.

With few notes, it paints deep scenes, showcasing Sakamoto’s characteristically delicate expression.

Because it requires no flashy virtuosity, it’s ideal for those who want to savor the quiet resonance of each note as it gently permeates the heart.

Why not try playing it when you want to spend a leisurely, unhurried time?

a flower is not a flowerSakamoto Ryuichi41rank/position

A Flower Is Not a Flower

Ryuichi Sakamoto’s 1997 piece “A Flower Is Not A Flower” can be regarded as one of the special works in his rich discography.

The track was originally contributed to the album of Taipei-born erhu player Kennei Wen, and was later included in Sakamoto’s compilation “The Very Best of Güt,” which collects several of his signature works.

Sakamoto’s musicality spans a wide range, and “A Flower Is Not A Flower” likewise reflects his experimental approach.

As its title—derived from a Chinese saying, “A flower is not a flower”—suggests, the piece explores the essence of things, likely evoking different feelings and thoughts in each listener.

andataSakamoto Ryuichi42rank/position

Ryuichi Sakamoto – andata

This is a piece whose piano timbre, like being in a quiet church, gently accompanies moments when you want to focus deeply.

It opens Ryuichi Sakamoto’s album “async,” released in March 2017 by the world-renowned musician.

As suggested by its title, which in Italian means “that which has gone away,” the solemn resonance that evokes an awareness of endings is striking.

It was also used in the documentary film “Ryuichi Sakamoto: Coda,” so many of you may remember it.

Simple yet spacious in sound, it strips away unnecessary thoughts and helps you immerse yourself in the task at hand.

It’s perfect for late-night study when you want to calm your mind, or as a companion to creative work.

Why not quietly lend an ear to the beautiful melody left to us by a great musician?