Ryuichi Sakamoto Popular Song Ranking [2026]

Merry Christmas, Mr. LawrenceSakamoto Ryuichi1rank/position

Even Beginners Can Play: Merry Christmas, Mr. Lawrence / Piano Duet / from the Piano Duet Collection for Adults

This instrumental piece is widely known as the main theme of the film Merry Christmas, Mr.

Lawrence, directed by Nagisa Oshima.

It is notable for its wine glass sampling sounds, echoing the title, and a low register with an Eastern atmosphere.

Included on the soundtrack of the film released in 1983, it masterfully fuses an oriental melody with Western harmony, creating a distinctive sound world closely tied to the film’s narrative.

Its mysterious sound evokes the island of Java, where the story is set, strongly reflecting the film’s themes of cultural and ideological conflict.

The piece is arranged as a piano duet suitable even for beginners, and it makes a striking impression in recital performances.

Merry Christmas Mr. LawrenceSakamoto Ryuichi2rank/position

Merry Christmas Mr. Lawrence – From Ryuichi Sakamoto: Playing the Piano 2022

A masterpiece that brilliantly fuses Eastern and Western musical elements, this film score was created by Ryuichi Sakamoto in 1983 and won the BAFTA Award for Best Original Music.

Its graceful pentatonic melody is interwoven with the delicate timbres of synthesizer and glass harp, bringing a gentle sense of expansiveness to the heart.

Re-arranged as a solo piano album titled “Coda,” the work also received high acclaim worldwide as the soundtrack to the film “Merry Christmas, Mr.

Lawrence.” Cherished by many artists, including Hikaru Utada and Sarah Brightman, this gem continues to offer profound emotion—an ideal, soothing background for quiet nights or moments when you wish to calm your mind.

energy flowSakamoto Ryuichi3rank/position

Ryuichi Sakamoto — energy flow

Although this piece was reportedly composed in just about five minutes, the profound emotion contained within its simplicity gently envelops the listener.

The melody woven by the serene tones of the piano evokes a calm feeling that words cannot fully express, making it a masterpiece that pioneered the healing boom in Japan at the time.

Created in May 1999 as the CM song for Sankyo’s pharmaceutical product “Regain EB Tablets,” it became the first instrumental work to top the Oricon Weekly Singles Chart and achieved the rare feat of ranking fourth on the year-end chart.

It’s ideal as background music when you want to focus on studying or work, perfect for driving or relaxing before bed, and a song I recommend to anyone who wishes to step away from the noise of daily life and find peace of mind.

AquaSakamoto Ryuichi4rank/position

Ryuichi Sakamoto – Aqua

“Aqua” is a beautiful solo piano piece included on Ryuichi Sakamoto’s New Age album “BTTB,” released in November 2001.

It was originally planned for inclusion on his daughter Miu Sakamoto’s album, but in an unusual turn, a cover version was released first.

Built on a simple chord progression, the melody deeply resonates and evokes an elegant world suffused with tranquility.

It also features prominently on the soundtrack of the 2023 film “Monster,” making it a profoundly moving track.

With its gentle, delicate character, it’s best performed in a relaxed, calm setting.

The Last EmperorSakamoto Ryuichi5rank/position

The Last Emperor

The Last Emperor is a 1987 historical film, a co-production of Italy, China, and the United Kingdom, depicting the life of Aisin-Gioro Puyi, the last emperor of China.

The music was composed by Ryuichi Sakamoto, and the film won numerous awards.

This became the opportunity for him to be recognized as “Sakamoto of the World.”

I-ke-na-i Rouge MagicImagawa Kiyoshiro + Sakamoto Ryuichi6rank/position

Ikenai Rouge Magic

It can truly be called a masterpiece etched into the history of Japanese music—a groundbreaking work that transcended the confines of techno kayō! Born from the collaboration between Kiyoshiro Imawano and Ryuichi Sakamoto, this track was produced as the theme song for Shiseido’s spring 1982 campaign.

The initial working title was reportedly “Suteki na Rouge Magic,” but the two changed it to the current title on their own initiative.

This piece also effectively marked Imawano’s solo debut, and upon its 1982 release it reached No.

1 on the Oricon charts.

A signature hit of the 1980s, its free-spirited ethos had a profound influence on later J-pop.

Forbidden Rouge MagicImawano Kiyoshiro, Sakamoto Ryuichi7rank/position

【HR-Hard】Naughty Rouge Magic – Kiyoshiro Imawano & Ryuichi Sakamoto

This track was released in 1982 and drew attention as an unconventional collaboration between two heavyweights, Kiyoshiro Imawano and Ryuichi Sakamoto.

With their distinctive personalities and a song that exuded a dangerously alluring “forbidden” vibe, it became a hit as a lipstick campaign song.

It evokes the image of a vividly colored spring song, yet it never fades with time—and it’s the kind of addictive track you occasionally feel like revisiting.

Collaborations like this are great because they offer both surprise and fun.

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Hirakawa Masako (Bōkarisuto: Sakata Mizumako)

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