[60s] Karaoke Popularity Rankings by Generation [2026]

Kiyoshi’s Zundoko SongHikawa Kiyoshi22rank/position

Kiyoshi Hikawa / Kiyoshi no Zundoko-bushi [Official]

A heartwarming, approachable song that makes the most of rhythms found in folk songs and enka.

This masterpiece fully showcases Kiyoshi Hikawa’s charm, beautifully expressing the bittersweetness of love, masculine strength, and longing for one’s hometown.

With his natural vocal talent and refreshing appeal, Hikawa presents a uniquely modern take on the traditional enka worldview.

It was released by Nippon Columbia in February 2002.

The song won the Gold Prize at the 44th Japan Record Awards and is known as one of Hikawa’s signature tracks.

With its relaxed tempo and narrow melodic range, it’s a piece you can sing with a calm mindset.

During the chorus, it’s also nice to have listeners add call-and-response interjections!

outdatedKawashima Eigo23rank/position

Eigo Kawashima: Outdated

Singer-songwriter Eigo Kawashima, whose refined musicality earned him immense support from men.

For those in their 60s, he might be the perfect artist.

Kawashima produced many masterpieces, but the one I especially recommend is “Jidai Okure” (Behind the Times).

A no-nonsense piece portraying a man that men admire, it became a major hit in the 1980s.

What’s more, it’s a very singable song: the range is narrow, there are few long notes, and it doesn’t require much vibrato, so even those who aren’t confident in their singing should be able to handle it without trouble.

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Ryo

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Stars on EarthNakajima Miyuki24rank/position

Stars on the Ground / Miyuki Nakajima [Official]

Miyuki Nakajima’s classic “Chijō no Hoshi” has earned support across a wide range of generations.

While the song is memorable for its incredibly powerful, almost growling vocals, the actual pitch movement isn’t that extreme.

The vocal range is compact, from mid1F to hiA#, and at BPM 100 the tempo is also relaxed.

Even so, the song achieves that level of impact not only through Nakajima’s singing style but also thanks to its strong composition.

Adding a shout at the opening lines brings you closer to the intensity of the original, so if you want to really heat up the karaoke room, try incorporating shouts and give it a shot.

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Ryo

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At all times.Makihara Noriyuki25rank/position

[Official] Noriyuki Makihara “No Matter What” (Music Video) [3rd Single] (1991) Noriyuki Makihara/donnatokimo [No. 1]

A signature work by Noriyuki Makihara that delivers a universal message of living true to yourself, carried by a powerful yet gentle melody.

While acknowledging the doubts and anxieties of life, this classic is imbued with a strong resolve to cherish your true self.

Included on the album “Who Do You Share a Happy Yawn With?”, it became a massive hit, surpassing one million copies within six months of its June 1991 release.

It was also selected as the entrance march for the 64th National High School Baseball Invitational Tournament in spring 1992.

The melody, featuring a distinctive acoustic guitar and a calm tempo, makes it easy to sing.

For many people, it’s a song that resonates in the heart when standing at a crossroads or when they feel on the verge of losing themselves.

Sake, Tears, Men, and WomenKawashima Eigo26rank/position

Eigo Kawashima – Sake, Tears, Men and Women

Even men who always act cool sometimes feel like letting loose and forgetting everything.

“Sake, Tears, Men and Women,” which captures those feelings, was Eigo Kawashima’s solo debut single released in 1976.

Originally, it was included on the debut album Jinrui (Humanity), released in 1975 by the group Eigo Kawashima & Homo Sapiens, to which Kawashima belonged.

Men in their sixties who have tasted both the bitter and the sweet of life may also have things they’d rather forget, just like in this song.

At times like that, sing this tune and let it all out!

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SAKI

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Let yourself go with the flow of timeTeresa Ten27rank/position

Let yourself go with the flow of time

When it comes to iconic adult romantic ballads that portray the aching emotions of a woman, this song is indispensable.

Released in 1986, it is known as one of Teresa Teng’s signature works, beloved not only in Japan but across Asia.

Its delicate emotional expression, carried by a gentle, unhurried melody, resonates with many listeners and has become a karaoke staple.

In a 2010 popularity survey conducted by Teresa Teng’s foundation, the Chinese version ranked second, demonstrating its enduring appeal over the years.

The fact that many artists, including Faye Wong and Jackie Chan, have covered the song further attests to its lasting charm.

Pink sighTakahashi Mariko28rank/position

Pink sigh

Mariko Takahashi’s classic “Momoiro Toiki.” It features a distinctly exotic melody and, while it carries elements of mood kayō (mood enka), it also incorporates contemporary J-pop characteristics.

The piece sits within a relatively narrow vocal range of mid1 G# to high C.

Since the most frequent pitch is around mid2 G#, most women should be able to sing it without difficulty.

As the song prioritizes mood, it’s recommended to sing with careful dynamics.

If a phrase ends with a consonant, letting it fade out as a voiceless sound can be an effective touch.

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Ryo

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