![Yuki Saori’s Most Popular Songs Ranking [2026]](https://i.ytimg.com/vi_webp/sqDCVrA6bYg/maxresdefault.webp)
Yuki Saori’s Most Popular Songs Ranking [2026]
She is active in multiple fields, including singer, TV personality, narrator, and actress.
Since her debut in 1969, she has released a large number of songs.
She has also appeared many times on the NHK Kouhaku Uta Gassen.
This time, we’ve compiled Yuki’s songs and would like to introduce them to you.
Yuki Saori Popular Songs Ranking [2026] (1–10)
Scat at DawnYuki Saori1rank/position
It’s a quintessential masterpiece of the Showa era, with Saori Yuki’s voice—often called a “sobering tonic”—resonating deeply in the heart.
The beautiful humming at the beginning delicately evokes the stillness before dawn and a faint hope for the new day.
Rofu Yamagami’s richly poetic worldview also sinks deeply into the listener’s soul.
This piece marked Saori Yuki’s fresh new start in March 1969 and was loved as the theme for TBS Radio’s late-night program “Night Ballad.” Its status as a million seller with over 1.5 million copies conveys the fervor of the time.
It’s the perfect song for when you want to relax into music or spend a gentle moment reminiscing about the past.
In conversations with people of the same generation, this beautiful melody is sure to bring a warm, easygoing atmosphere.
LetterYuki Saori2rank/position
Released as a single in July 1970, this signature song cemented Saori Yuki’s reputation as a serious vocalist following her hit the previous year.
The lyrics, depicting a woman who has resolved to part ways quietly putting away each shared memory, are deeply moving.
Layer upon layer of symbolic imagery rises like a film and converges, in the end, on a farewell letter penned through tears—a structure that even feels literary.
Yuki’s crystalline voice, set against the lyrical melody, conveys a poised, restrained adult parting with elegance.
The single topped the Oricon weekly chart for six consecutive weeks, and she won the Vocal Performance Award at that year’s Japan Record Awards.
It’s a recommended listen for anyone facing the end of a romance or wishing to observe the rituals of parting in a quiet light.
red dragonflyYuki Saori / Yasuda Shoko3rank/position
It’s a song that has been passed down and sung for a long time.
Whenever I listen to it, I feel a nostalgic sense that seems to cleanse the heart.
The sisters’ beautiful harmonies resonate even more deeply.
I believe it’s a classic and a treasure of Japan—an evocation of the Japanese primal landscape—that we will never forget in the years to come.
Goldfish’s NapYuki Saori4rank/position
Goldfish Napping is a popular children’s song.
It’s a deeply evocative classic that conjures the image of gazing absentmindedly at goldfish gently swaying in a bowl.
The version sung by Saori Yuki has a relaxed tempo, and its enveloping tenderness is soothing.
In everyone’s heartsYuki Saori5rank/position
Selected in 1982 by the Okayama Prefectural Cultural Foundation as a beloved prefectural song, it is probably the most famous piece themed around Okayama.
The composer was Asei Kobayashi, and the vocalist at the time was Saori Yuki.
Even today, it is sung by various artists and cherished as a song that symbolizes Okayama.
Incidentally, neither of the two is from Okayama.
love letterYuki Saori6rank/position
One of the most iconic songs of the Showa era, it features beautiful lyrics that read like a heartfelt letter to a lover.
The feelings of longing for someone far away and the hope of meeting again truly resonate.
Released in August 1973, it won the Best Vocal Performance at that year’s Japan Record Awards.
It was also performed on NHK’s Kohaku Uta Gassen, capturing the hearts of many.
With Saori Yuki’s clear, crystalline voice, it’s a song that wraps you in gentle warmth.
When you find yourself thinking of someone special, give it a listen.
elegyYuki Saori7rank/position
Since her debut with “Yoake no Scat” in 1969, Saori Yuki has continued to release sophisticated adult kayōkyoku.
In the world of kayōkyoku, the word “banka” is treated as synonymous with “elegy,” and in this 1974 release she sings, as usual, in a mature, adult mood.