[Recommended for people in their 70s] Songs that really move you. Beloved classic Japanese hits of the past.

A Letter Waiting for Springyoshida takurou

Takuro Yoshida / A Letter Waiting for Spring (’79, 17th single), I'm Fine (’80, 20th single)

This is a gem of a melody by Takuro Yoshida, warmly depicting a heartfelt exchange through letters that gently convey the feelings and memories of a man and a woman.

The image of two people far apart, drawing close to each other through their letters, carries a nostalgic sentiment that many have felt.

Accompanied by a calm guitar tone, the feelings of a couple trying to connect while awaiting the arrival of spring leave a lingering resonance.

Released in October 1979, it reached No.

52 on the Oricon Weekly Singles Chart.

It was also included on the album “ONLY YOU 〜since coming For Life〜,” and has long been loved by many.

It’s a perfect song for those moments when you want to relax and enjoy music while looking back on memories with someone special.

Lullaby of the Holy MothersIwasaki Hiromi

Lullaby of the Holy Mothers

A ballad wrapped in motherly gentleness and calm, one that stays close to wounded hearts.

With Hiromi Iwasaki’s majestic melody and powerful vocals, it’s a precious song that resonates deeply.

Comparing men to warriors and depicting people fighting in the city, it conveys a warmth that feels like being enveloped in maternal love.

Released in May 1982, this song was chosen as the first ending theme for “Tuesday Suspense Theater” and reached No.

1 on the Oricon Singles Chart.

It also won the Grand Prize at the 13th Japan Kayō Awards.

It’s a classic you’ll want to listen to when you need to heal a tired heart or encourage someone.

a red handkerchiefIshihara Yūjirō

Red Handkerchief: Yujiro Ishihara

This is a narrative song that gently portrays the spring scenery of Japan’s northern country.

Against a backdrop of blooming acacia flowers, Yujiro Ishihara’s voice, depicting a bittersweet parting in love, leaves a deep, lingering resonance that touches the heart.

Released by Teichiku Records in October 1962, the work created a major buzz at the time.

In January 1964, it was also used as the theme song for a film of the same name starring Yujiro Ishihara, captivating many audiences alongside the movie.

Why not hum along and relive fond memories together? You’re sure to spend a lovely time as you recall days gone by.

Please enjoy a relaxing moment immersed in music under the gentle spring sunshine.

Tangled HairMisora Hibari

#Hibari Misora '#Disheveled Hair' #Shioyasaki Lighthouse Shioyamisaki

As her comeback release, Hibari Misora brought out this celebrated song of profound love and sorrow in December 1987.

Set against the backdrop of the Shioyasaki Lighthouse, it sings of unwavering feelings and prayers for someone who has gone away.

Carried by an elegant melody, it masterfully conveys the complex emotions of a woman heartbroken in love.

Recorded in a single take with a full orchestra, the session showcased Hibari Misora’s unparalleled vocal prowess.

It remains a treasured piece, long beloved by many as a song to be heard alongside cherished memories and landscapes.

Blue MountainsFujiyama Ichirō

[With Large Lyrics] Blue Mountain Range [Recreation]

The celebrated song, which beautifully depicts postwar hope and the breath of a new era, was performed by Ichirō Fujiyama and Mitsue Nara as the theme for a film of the same name released in 1949.

Along with the splendor of nature, it warmly portrays young people forging a bright future, like flowers that bloom after enduring a harsh winter.

For those who lived in the years immediately following the war, it is surely a piece filled with memories.

Beloved across generations, it was chosen as No.

1 in NHK’s 1989 program “Songs of the Showa Era: 200 Unforgettable Songs.” Its beautiful melody, infused with elements of classical music, and its heartwarming lyrics are sure to evoke fond recollections of days gone by.

City LightsSakai Masaaki

City Lights

“Machi no Akari” (City Lights) is a medium-tempo ballad released by Masakazu Sakai in 1973.

Akuyu’s delicate lyrics and Keisuke Hama’s melody blend beautifully, making it a classic that resonates with listeners.

The lyrics are striking for the way they evoke loneliness while hinting at new encounters and the budding of love.

Sakai’s clear, expansive vocals further enhance the song’s appeal.

It’s a track from the period when, after his time with The Spiders, he was beginning to flourish as a solo artist—one that helped color the music scene of the time.

The song brings back fond memories and reminds us of the importance of human connection.

It’s also a great pick for karaoke.

Until we meet againOzaki Kiyohiko

Mata Au Himade

Kiyohiko Ozaki’s “Mata Au Hi Made” is a classic released in 1971.

Its lyrics, depicting a man and woman who have resolved to part ways, quietly seep into the heart.

The phrase “until the day we meet again” carries a wish for a parting without hurting each other, evoking a mature kind of romance.

It’s also appealing for expressing values that were unusual at the time.

The song has been widely loved, even being chosen as the entrance march for the National High School Baseball Invitational Tournament.

Filled with nostalgia, it’s a piece that resonates with older listeners who have overcome farewells with loved ones.

Sing it at karaoke, and tears may flow naturally.