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[Classic Hits] Popular Anime Songs Representing the Showa Era. Also Introducing Recommended Anime Songs!

There are so many masterpieces from the Showa-era anime that have gone down in history, aren’t there?

Even if you don’t remember the plots that well, many people can still sing the theme songs—or the moment they hear a song, the anime comes rushing back.

Here, we’re showcasing a generous selection, including anime songs that were big hits in the Showa period and tracks that are being reappraised today through the lens of city pop’s popularity.

When you get together with friends from the same generation who watched those shows, a karaoke session with a “Showa anime songs only” rule is sure to be a blast.

And of course, even if you don’t know much about anime from that era but are curious, please give these songs a listen!

Classic Hits: Popular Anime Songs Representing the Showa Era. Also Introducing Recommended Anime Songs! (31–40)

Jungle Emperor

Theme of Jungle EmperorHirano Tadahiko

Among the anime songs that defined the Showa era, this piece sung by Tadahiko Hirano holds a special place.

The grand composition by Isao Tomita intertwined with Hirano’s rich baritone creates a breathtaking soundscape.

The lyrics—featuring the jungle king Leo’s roar and his calls to his companions—powerfully convey hope for the future and a yearning for freedom.

Known as the theme song for the 52-episode anime series that aired from October 1965 to September of the following year, the track was notable for its groundbreaking, weighty musical style for the time and earned high acclaim, including multiple awards from the Ministry of Health and Welfare in 1966.

It’s a memorable song for those who watched the anime, and a highly recommended track that lets even newcomers feel the origins of anime music.

Song of Hakushon Daimaoshimazaki yuri

Starting with adorable opening sound effects, the friendly lyrics vividly conjure the image of a great demon king emerging from a magic jar.

His character—honest, quick to tears, and full of human warmth—is wonderfully portrayed, making this a heartwarming piece that children and adults alike can enjoy.

Yuri Shimazaki’s bright, soaring vocals further enhance the comedic storytelling atmosphere.

Released by Nippon Columbia in October 1969, it gained popularity as the opening theme for a Fuji TV–broadcast anime airing at the same time.

It’s a perfect track for moments when everyone wants to have fun together—like family time on holidays or children’s events.

Oak Wood MocOnogi Kumiko

With a bright, lively rhythm and a catchy, child-friendly melody, this heartwarming song conveys the importance of kindness and human bonds.

It expresses the protagonist’s innocence and positive spirit through simple yet memorable phrases, resulting in a familiar tune that anyone can hum along to.

The clear, gentle vocals of Kumiko Onogi and the Columbia Yurikago Kai softly deliver the story’s message.

Released in January 1972, it was used as the opening theme for an anime produced by Tatsunoko Production.

It has continued to be loved for many years and cherished by people of all ages.

It’s a nostalgic track that can be enjoyed with family and friends.

Dororon Enma-kunNakayama Chinatsu

A song that vividly depicts the mysterious world of yokai was released in 1973 as the opening theme for a TV anime.

With lyrics by Chinatsu Nakayama and music by Asei Kobayashi, the melody wonderfully captures the strange yet humorous nature of these spirits.

The piece playfully recounts the mischief of yokai emerging from the underworld with a bright, light rhythm, offering a friendly charm that appeals to both children and adults.

Its lyrics, imbued with affection for Japan’s traditional yokai culture, harmonize beautifully with a catchy melody.

It’s a recommended track for anyone who wants to spend a fun time with yokai or enjoy a nostalgic Showa-era anime song.

Esper Mami

Teleportation -Unidentified in Love-Ushio Hashimoto

This song was a major hit as the first opening theme for the anime Esper Mami, based on the original work by Fujiko F.

Fujio, released in 1987.

Created by the duo of lyricist Ikki Matsumoto and composer Keiichi Oku, both leading figures of the time, it’s a brisk pop tune that represents the quintessential 80s anime song.

The lyrics vividly capture the delicate feelings of a teenage girl’s first love, and Ushio Hashimoto’s clear, translucent vocals beautifully express the uncertainty of budding romance.

It remains a beloved track among anime fans and is still frequently sung at karaoke today.

As a youth anthem infused with the charm of the Showa era, it’s highly recommended for fans of nostalgic anime.

Classic Hits: Popular Anime Songs Representing the Showa Era. Also Introducing Recommended Anime Songs! (41–50)

Time Bokan

Song of Time BokanYamamoto Masayuki, Sakamoto Jidō Gasshōdan

This piece was born in 1975 as the opening theme for Time Bokan, a beloved anime representing the Showa era.

The lively melody and vocals by Masayuki Yamamoto and the Sakamoto Children’s Choir captured the hearts of audiences across generations, from children to adults.

The lyrics “back and forth between the past and the future, yesterday and today” evoke the spirit of time-traveling adventures.

In 1998, the song was included in Time Bokan Masterpiece Album SINCE 1975–1983, and it remains cherished as a classic anime tune.

It’s a recommended track not only for adults reminiscing about the past, but also for younger listeners who enjoy a retro vibe.

The Song of DevilmanJuda Keizō

Devilman Song - Keizo Tohda - Key Station Version / Local Station Version Non-Telop OP Devilman
The Song of DevilmanJuda Keizō

The opening theme of a popular anime powerfully portrays a protagonist who, despite wielding demonic powers, fights for justice, brought to life by Keizo Toda’s husky vocals.

The chorus repeats the hero’s signature finishing moves, which became the envy of children and a hit on playgrounds.

With lyrics by Yū Aku and music by Go Misawa, the song was created as the opening theme for an anime that began airing in July 1972.

Re-released in September 2004, it has grown into a classic beloved across generations.

Its weighty orchestral sound and memorable melodic lines deliver stirring impact and exhilaration.

Highly recommended for fans of justice-driven heroes and those who want to revisit nostalgic Showa-era anime songs.