Recommended for women in their 60s! Easy-to-sing Japanese karaoke songs
Karaoke is popular across all ages, and of course many women in their 60s also have plenty of chances to go.
But when you actually get to the karaoke place, do you ever find yourself wondering which songs to sing? If you’re thinking, “I don’t really know recent songs, and to be honest I’m not that good at singing…,” I’ll share some recommended tracks for you! I’ve selected songs that seem easy to sing, focusing mainly on tracks from around the 1970s—the era when many people in their 60s spent their youth.
If you’re not confident about karaoke, songs with a slow tempo are recommended.
Some of the songs are more challenging, but they’re all well-known, so for the difficult ones, let’s sing together with everyone!
- [For People in Their 60s] Ranking of Easy-to-Sing Karaoke Songs [2026]
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- [Karaoke] A roundup of songs that are easy for women to sing!
- [For People in Their 60s] Karaoke Songs That Get the Crowd Going: Ranking [2026]
- [60s] Karaoke Popularity Rankings by Generation [2026]
- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- Love songs that resonate with women in their 60s: gem-like romance tunes that revive memories of youth.
- [2026] Recommended karaoke songs for women in their 70s: from enka to Showa-era pop
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- Even if you’re tone-deaf, it’s okay! Easy karaoke songs for women
- Easy-to-sing Japanese karaoke songs recommended for women in their 50s
- Best Karaoke Songs and Popular Band Rankings for Lively Fun in Your 60s [2026]
Recommended for women in their 60s! Easy-to-sing Japanese karaoke songs (51–60)
SWEET MEMORIESMatsuda Seiko
Seiko Matsuda’s hit number, “SWEET MEMORIES.” Haven’t most people sung it at karaoke at least once? This song has a relaxed tempo, making it easy to follow the pitch.
On the other hand, there’s a slightly high long note near the end of the chorus, so proper key adjustment is necessary.
If you set the key based on this long-note section, you won’t run into vocal range issues in any part of the song, so keep that in mind.
confessionTakeuchi Mariya
Mariya Takeuchi is a female singer who has created many famous songs with her distinctive vocal timbre.
Among them, the one I especially recommend for its alluring sensuality and poignant mood is “Confession.” This piece sits in a fairly low range, essentially no different from an average male vocal.
While the overall range spans slightly wide—from mid1 D# to hi B—the lower tessitura actually makes it easier to sing for women in their 60s, whose voices tend to grow deeper.
It’s not a rowdy, party-style song, but it will definitely spark excitement through a strong sense of nostalgia.
Marilyn in 1986Honda Minako
Minako Honda, who gained popularity with a singing ability you wouldn’t expect from an idol, is still highly regarded by some fans for her vocal performances even after her passing.
Her signature song “Marilyn in 1986” is actually one of the least difficult pieces among her works.
As evidence, it sits within a relatively narrow range of mid1 G# to high C#.
The most frequent notes are in the low-to-mid register, so singers of virtually any voice type should be able to handle it without issue.
The vocal line is very gentle, and the mid-tempo pace makes it easy to sing, so consider adding it to your repertoire.
You’re not alone.tenchi mari
The 1960s.
Mari Amachi was like an angelic presence.
Back then, media hadn’t developed like it has now and everything was analog, so you could only see her on TV.
She wasn’t necessarily a great singer, but as you get older, don’t you find yourself relating more to “Hitorijanai” (“You’re Not Alone”)? The melody is catchy and easy to remember, making it a recommended song to sing at karaoke.
Love is overŌyō Fifi
A huge hit from 1984.
It’s the kind of memorable song that makes you want to ask, “What were you doing back then?” as it brings back the events of the era.
Its upbeat lyrics about moving forward after heartbreak resonate with women in any generation.
It’s also been covered by many male artists, so it suits people with lower or more masculine voices as well.
If you avoid holding the phrases too long when you sing it, it might sound better.